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JOMBA! @ The Market Theatre celebrates world-class contemporary dance in Johannesburg

9 – 12 September 2026 / 7pm / John Kani Theatre, The Market Theatre: Following the 28th edition of the Centre for Creative Arts' JOMBA! Contemporary Dance Experience in Durban (26 August to 6 September), the pioneering festival returns to Johannesburg with JOMBA! @ The Market Theatre from 9 to 12 September with a carefully curated four-night season celebrating exceptional contemporary dance from South Africa, Africa and Europe.

Now in its fourth partnership year, JOMBA! and the Market Theatre continue their commitment to expand access to ground-breaking contemporary dance by bringing a selection of the JOMBA! Festival's productions to Johannesburg audiences, to celebrate innovation, artistic excellence and the transformative power of movement across cultures, generations and borders.

JOMBA! @ The Market Theatre takes place in the John Kani Theatre and features internationally acclaimed artists and companies alongside two of South Africa's most influential choreographic voices.

Celebrating South African choreographic excellence

The season honours two previous JOMBA! Legacy Artists whose work has transformed contemporary dance in South Africa and internationally. Acclaimed choreographer Mamela Nyamza presents her breath-taking ensemble work THE HERD/LESS, a visually arresting meditation on community, conformity, vulnerability and survival. Characterised by Nyamza's fearless choreographic language and uncompromising social commentary, the work powerfully interrogates belonging and resistance.

Internationally celebrated choreographer and performer Vincent Mantsoe, whose deeply embodied artistic practice bridges ancestral knowledge with contemporary performance, presents his compelling new solo Desert Poems. This intimate work offers a profound meditation on endurance, spirituality and transformation through Mantsoe's distinctive movement vocabulary.

International collaboration takes centre stage

Opening this fourth JOMBA! @ The Market Theatre season is the extraordinary HEROES, presented by the world-renowned Dutch company Introdans in collaboration with Uganda's Joseph Tebandeke and guests, Durban's FLATFOOT DANCE COMPANY. This remarkable programme spans internationally celebrated choreography by Sidi Larbi Cherkaoui, Iratxe Ansa and Igor Bacovich, alongside new South African choreography by Zinhle Nzama. The programme also features the inclusive masterpiece IUNGO by Adriaan Luteijn, bringing together performers of different backgrounds, generations and physical abilities in a powerful celebration of humanity, diversity and connection.

Workshops with internationally renowned artists

As part of the season, JOMBA! and The Market Theatre will host two free professional development workshops at the Sophiatown Studio, offering dancers and movement practitioners the opportunity to work directly with internationally acclaimed artists.

On Tuesday, 8 September (4.30–6pm), Giuseppe Calabrese, ballet master with Introdans, leads a repertoire workshop exploring the choreographic language of renowned Belgian-Moroccan choreographer Sidi Larbi Cherkaoui. Participants will engage with concepts of fluidity, musicality, connection and dynamic movement quality, drawing on Calabrese's extensive experience performing Cherkaoui's celebrated repertoire.

On Friday, 11 September (4.30–6pm), Vincent Mantsoe shares his celebrated KOBA Technique, described as a "physical meditation." Integrating traditional and contemporary dance practices, the workshop invites participants to explore identity, presence and embodied expression through Mantsoe's internationally recognised movement philosophy.

Booking Information Performance tickets: https://markettheatre.co.za/ Workshop bookings: 2024jomba@gmail.com. Workshop places are free, but booking is essential as numbers are limited.

Performance Programme

Wednesday, 9 September | 7pm HEROES Introdans (Netherlands) with guests Joseph Tebandeke (Uganda) and FLATFOOT DANCE COMPANY (South Africa)

Thursday, 10 September | 7pm HEROES Introdans (Netherlands) with guests Joseph Tebandeke (Uganda) and FLATFOOT DANCE COMPANY (South Africa)

Friday, 11 September | 7pm THE HERD/LESS Choreographed by Mamela Nyamza MAM – Mamela's Artistic Movement (South Africa)

Saturday, 12 September | 7pm Desert Poems Choreographed and performed by Vincent Mantsoe

Workshop Programme

Tuesday, 8 September | 4.30–6pm Introdans Repertoire Workshop Led by Giuseppe Calabrese Venue: Market Theatre Sophiatown Studio

Friday, 11 September | 4.30–6pm KOBA Technique Workshop Led by Vincent Mantsoe Venue: Market Theatre Sophiatown Studio

ISPA's Gabriel YoungStar takes Pick of the Platform at JOMBA! LIVE OPEN HORIZONS 2026

DURBAN, 28 August 2026: Last night (27 August) young Durban choreographer Gabriel YoungStar’s work "The Meeting", featuring students of the International School of Performing Arts, was named Pick of the Platform at JOMBA! LIVE OPEN HORIZONS 2026, the annual showcase for emerging dance-makers presented as part of the Centre for Creative Arts' 28th JOMBA! Contemporary Dance Experience.

YoungStar's work, The Meeting, took the familiar ritual of the corporate boardroom and transformed it into an arena of ambition, hierarchy, manipulation and survival. Behind the polished language of professional diplomacy, the piece revealed another conversation communicated through gesture, posture, proximity and power - exploring shifting relationships of authority and submission, alliance and betrayal, control and confrontation.

Photo of Gabriel YoungStar's The Meeting at JOMBA! LIVE OPEN HORIZONS. Photo by Val Adamson

Announcing the award, the JOMBA! LIVE OPEN HORIZONS  jury praised the range of work on this year's platform, noting the commitment, discipline and focus shown by the young performers on stage, with each work fully rehearsed and carefully costumed, with attention to good lighting and some wonderful music choices. 

 Of The Meeting, the jury said the piece impressed with precise partnering, risk-taking and an intense energy that elicited spontaneous encouragement from the audience, with an ensemble that was synchronised and well-drilled in its exploration of confrontation, submission and control.

The jury gave a special mention to choreographer Thembani Ngxelo for What Happened to the People of Bantu?, which they described as an evocative and visceral conjuring of cultural memory, drawing on Ngxelo's Xhosa heritage and combining strong visual, live vocal and digital elements. The jury noted that Ngxelo's choreographic voice has much to say and deserves further development.

Thembani Ngxelo for What Happened to the People of Bantu? at JOMBA! LIVE OPEN HORIZONS. The jury gave a special mention to choreographer Thembani Ngxelo for What Happened to the People of Bantu?, which they described as an evocative and visceral conjuring of cultural memory, drawing on Ngxelo's Xhosa heritage and combining strong visual, live vocal and digital elements. Photo by Val Adamson.

The 2026 Open Horizons jury comprised: Clare Craighead (non-voting chair), Drama and Production Studies lecturer at DUT, dance writer and academic based in Durban, Jabu Siphika, Durban-based dancer and choreographer, senior company member of FLATFOOT DANCE COMPANY; Tammy Ballantyne, Johannesburg-based dance writer and journalist and Warona Seane, acclaimed South African actor and theatre director, teaching in UKZN's Drama and Performance Studies Programme.

JOMBA! continues until 6 September at venues around Durban. For more information go to https://jomba.ukzn.ac.za/

Dr Ismail Mahomed honoured with 2026 JOMBA! Contemporary Dance Experience Lifetime Achievement Award

DURBAN, 25 August 2026: Dr Ismail Mahomed, Director of the Centre for Creative Arts (CCA) at the University of KwaZulu-Natal, was presented with the 2026 JOMBA! Contemporary Dance Experience Lifetime Achievement Award last night (25 August) at the opening of the 28th JOMBA! Contemporary Dance Experience at the Elizabeth Sneddon Theatre, at UKZN, Durban.

The award was presented by Dr Lliane Loots, curator of JOMBA!, on behalf of the Centre for Creative Arts and the JOMBA! team, in recognition of Dr Mahomed's sustained contribution to South African and African contemporary dance and to the wider arts sector.

Dr Ismail Mahomed, Director of the Centre for Creative Arts (CCA) at the University of KwaZulu-Natal, received the 2026 JOMBA! Contemporary Dance Experience Lifetime Achievement Award last night (25 August) at the opening of the 28th JOMBA! Contemporary Dance Experience at the Elizabeth Sneddon Theatre, at UKZN, Durban, pictured here addressing the opening night audience. Photo by Val Adamson.

In presenting the award, Dr Loots paid tribute to Dr Mahomed's decades of work opening platforms for artists and dancers across South Africa, the African continent and beyond. She described him as someone who understood, often before others did, that an artist needs not only a stage but a door that opens, not only an audience, but someone willing to make the spaces in which art and dance can breathe.

Through his years of service to the arts and his leadership of the Centre for Creative Arts, Dr Mahomed has helped create openings where there might otherwise have been walls, and possibilities where there might have been silence. “Dr Mahomed’s work has never been only about presenting what is already known, but about making room for what is still becoming building platforms upon which dance makers could gather their bodies, stories, questions and dreams, and take the risks that art requires.”

“Across festivals, programmes, collaborations and countless encounters at the Centre for Creative Arts, Dr Mahomed's leadership has helped weave connections between dancers, artists, communities and countries, as a bridge-builder, a door-opener, a provocateur of possibility, and above all, a steadfast believer in the necessity of the arts. For JOMBA!, Dr Mahomed's contribution forms part of the festival's longer choreography, one built not only of dancers and dances, but of those who have helped hold the space, nurture the vision, and ensure that the dance could continue.”

In accepting the award, the festival paid tribute not only to what Dr Mahomed has done, but to what his work has enabled: the artists and dancers who found a stage, the voices and dancing bodies that found an audience, the artistic conversations that crossed borders, and the possibilities that became real because he helped make space for them.

The Lifetime Achievement Award was presented with what organisers described as deep gratitude, admiration and affection, marking one of the milestone moments of this year's opening night.

JOMBA! runs until 6 September at various venues in Durban, and a shorter version of it runs a The Market Theatre in Johannesburg from 13 to 16 September.

More information can be found at https://jomba.ukzn.ac.za/

DIGITAL JOMBA! 2026 brings free screen dance from South Africa, France, Tanzania  and Brazil

As part of the 28th JOMBA! Contemporary Dance Experience, running from 25 August to 6 September 2026 in Durban, JOMBA! once again presents its digital dance offering, DIGITAL JOMBA! 2026 which is accessible to global audiences online.

Over the past six years, screen dance has grown into a significant creative form, and JOMBA! continues to champion it, particularly work coming out of the global South. This year's programme features a curated line-up of digital artists, screened free of charge via the festival's YouTube channel: https://www.youtube.com/Jomba_Dance/streams

Darkroom Contemporary (Cape Town, South Africa) feature on Sunday 30 August @ 6pm (SAST) with a special retrospective programme drawing on sixteen years of filmmaking from Darkroom Contemporary, the Cape Town-based screendance company founded in 2010 by choreographer and filmmaker Louise Coetzer and photographer and filmmaker Oscar O'Ryan. Across the selected works, the company's ongoing exploration of movement, landscape, architecture, memory and the camera comes into focus, tracing the development of Coetzer and O'Ryan's collaboration and their sustained approach to choreography as a cinematic language.

Dream's Descent (Greg Maqoma, Sara CF de Gouveia, Inka Kendzia and Motheo Moeng)

The programme includes eight screendance films: Blue Funk, Not From Here, META | m o r p h, Lacuna, The Forgotten,give/take (the act of erasure), WRPD, and I walk the street with loose parts, featuring performers including Bronwyn Craddock, Mukovhe Monyai, Farnel Smart, Mthuthuzeli November, Christopher Sherwood Adcock, Louise Coetzer and members of the Dance For All InSPIRAtions Youth Company, among others.

Louise Coetzer is a Cape Town-based multidisciplinary dance artist, filmmaker and choreographer whose practice spans screendance, site-specific performance and digital media, presented internationally across Africa, Europe, North and South America. Oscar O'Ryan is a Cape Town-based photographer and filmmaker whose documentary work has included projects for the BBC and Discovery Channel, alongside screendance works screened in France, Mexico, the UK and Finland. Together they lead Darkroom Contemporary, with O'Ryan serving as the company's Technical Director.

NGIPHAMANDLA: Life in a Womb (Zandile Sphelele Phili)

Their work is supported by the National Lotteries Commission, the National Arts Council, the Christian Ludolph Marais Trust, and the Department of Cultural Affairs & Sport.

Brazilian choreographers Davi Pontes and Wallace Ferreira screen their work Delirar o Racial (Delirium of the Racial), on Wednesday 2 September @ 6pm (SAST). This work explores spatiality beyond conventional structures of space and time. Drawing on the thinking of philosopher Denise Ferreira da Silva, the pair use methods developed in their own choreographic practice, engaging with uncertainty, and disorder to build an experimental reflection on a timeless ethics of Black life.

Pontes and Ferreira's collaborative practice sits at the intersection of dance, performance, visual art and critical thought, developed through their ongoing Repertório trilogy, which frames dance as a form of self-defense training while engaging questions of race, coloniality and the politics of the body. Delirar o Racial was commissioned by the Pivô Satélite Program in 2021.

JOMBA! DIGITAL OPEN HORIZONS returns as the festival's platform for new screen dance talent on Wednesday 26 August @ 6pm. Following an open call for submissions earlier in 2026, an independent JOMBA! jury shortlisted eight works, with the final screening selection made through a voting process concluding in mid-August. The winner of 'Pick of the JOMBA! DIGITAL OPEN HORIZONS 2026' will be announced on Wednesday, 26 August, following the screening of the jury's selected works.

Works featuring in this open platform are:

Estela Lapponi: Seliberation #3 (Brazil)

Marcia Mzindle: The Weight of Being Seen: A Refusal (Durban, SA)

Zandile Sphelele Phili: NGIPHAMANDLA: Life in a Womb (Durban, SA)

Bongani Shezi: Silent Voice (Durban,SA)

Matthieu Nieto and House of Wondar: Our Mother (France/Tanzania)

Ruth Asidi and Guga Santos: Boca da Mata (Brazil)

Gregory Maqoma, Sara CF de Gouveia and Inka Kendzia: Dream’s Descent (Johannesburg, SA)

All DIGITAL JOMBA! 2026 programming is free to view at https://www.youtube.com/Jomba_Dance/streams

For more information, go to www.jomba.ukzn.ac.za

JOMBA! FEMME FORWARD Residency honours Women's Month with new generation of Durban screen dance artists

As South Africa marks Women's Month, the JOMBA! Contemporary Dance Experience hosted by the Centre for Creative Arts at the University of KwaZulu-Natal, prepares to engage with five emerging Durban-based, dance artists through the JOMBA! Femme Forward Residency 2026, one of the programmes within the festival.

Running from 24 to 29 August 2026, the residency, now in its second year, is presented in partnership with Cape Town-based Darkroom Contemporary and offers five participants intensive training and creative mentorship in dance for the screen. The programme builds on JOMBA!'s five-year history of showcasing nearly 50 dance films, and follows the residency's successful 2025 launch.

This year's cohort brings together a group of women shaping Durban's contemporary performance landscape: Aluta Nzama, Alwande Khuzwayo, Andisiwe Mbambo, Aphelele Nyawose and Siobhan Wright. Over six intensive days, the artists will develop original short dance films exploring themes of identity, resilience and lived experience, giving voice and visibility to women telling their own stories through movement.

Louise Coetzer, artistic director of Darkroom Contemporary says, “we are delighted to be partnering with JOMBA! in this specially focuses Femme Forward 2026 residency and helping to skill and grow young female film and dance makers”.

"FEMME FORWARD exists to give young female-identifying dance-makers in KwaZulu-Natal the space, skills and support to shape their own creative futures," said Thobile Maphanga , Assistant Curator,, and coordinator of this JOMBA! residency. "Coming together during Women's Month, this residency is a reminder that investing in women's artistic voices is investing in the stories our country needs to hear."

The outcomes of the residency will be shared after the Forging Futures JOMBA! Conversation that takes place on Saturday 29 August 2026 @ 2pm, at the Centre for Creative Arts Board Room, Howard College Campus (UKZN).

For more information go to: https://jomba.ukzn.ac.za/

28th JOMBA! Contemporary Dance Experience Honours Three Giants of South African Contemporary Dance

Three of South Africa's most influential dance voices PJ Sabbagha, Mamela Nyamza and Vincent Mantsoe, feature at the 28th JOMBA! Contemporary Dance Experience this year, each bringing decades of artistic courage and innovation to the Durban stage.

The University of KwaZulu-Natal's Centre for Creative Arts presents the 28th JOMBA! Contemporary Dance Experience, a thirteen-day celebration of world-class contemporary dance running from 25 August to 6 September 2026. This year's festival is curated around the theme Choreographies of Activism: Moving Bodies as Disruptive Presencing.

PJ Sabbagha’s Noah

Each year JOMBA! celebrates a South African artist whose contribution has fundamentally reshaped the country's dance landscape. The festival opens on Tuesday 25 August with 2026 JOMBA! Legacy Artist PJ Sabbagha’s work Noah. Choreographer, curator and arts activist, founder and Artistic Director of the Forgotten Angle Theatre Collaborative, PJ Sabbagha has, for more than three decades, taken dance beyond urban centres and into rural communities, through initiatives including the Ebhudlweni Arts Centre and the internationally respected My Body My Space Rural Public Arts Festival. As part of the Legacy celebration, audiences will experience Noah, the concluding chapter of Sabbagha's acclaimed Noah trilogy - a multimedia dance-theatre work reflecting on climate crisis, loss, memory and survival through the metaphor of the biblical flood.

Past JOMBA! Legacy Artist Mamela Nyamza returns to the festival hot off receiving the prestigious Silver Lion for Dance at the 2026 Venice Biennale, one of the highest honours in international contemporary dance. Nyamza brings her new ensemble work THE HERD/LESS to JOMBA!, a visually arresting meditation on community, conformity, vulnerability and survival. Known for her fearless, politically incisive choreographic language, Nyamza's return confirms her place as one of Africa's most important contemporary artists.

THE HERD/LESS

Internationally celebrated choreographer and performer Vincent Mantsoe joins the Legacy line-up with his new solo, Desert Poems. Mantsoe's deeply embodied practice has long bridged ancestral knowledge with contemporary performance, and this intimate new work offers a meditation on endurance, spirituality and transformation - reaffirming why he remains one of South Africa's most respected dance artists on the world stage.

All three artists will also lead free public workshops during the festival, giving Durban's dance community direct access to some of the country's most significant choreographic minds. Booking for workshops is essential.

Audiences can look forward to a rare convergence of three defining voices in South African contemporary dance with their works reflecting decades of artistic courage, activism and innovation. This is an unmissable opportunity to experience South African dance at its most powerful.

The festival hosts talks, panel discussions, workshops, performances and residencies.

For more information got to www.jomba.ukzn.ac.za. To book for performances, go to . Special full festival passes at a discounted rate are available. To book for workshops email: Thobile Maphanga on 2024jomba@gmail.com

South African choreographer and arts activist, PJ Sabbagha named the 2026 JOMBA! LEGACY ARTIST

The 28th annual JOMBA! Contemporary Dance Experience, hosted by UKZN’s Centre for Creative Arts, has announced that it will honour South African choreographer and arts activist PJ Sabbagha as the 2026 JOMBA! Legacy Artist. 

PJ Sabbagha, whose name has become synonymous with issue-based dance theatre, is the Organisation Steward and Chief Collaborator / CEO of The Forgotten Angle Theatre Collaborative (FATC  - now in its 31st year), the Ebhudlweni Arts Center (in its 11th year) and the annual My Body My Space Rural Public Arts Festival (in its 11th year).

Sabbagha was the recipient of the 2005 Standard Bank Young Artist Award for Dance and the 2006 FNB Dance Umbrella award for Best Choreography for his work, Still Here. He was also awarded the 2005 and 2009 awards for Most Outstanding presentation of a new work for The Double Room and Macbeth respectively. In 2005 he was voted top South African Artist and was also placed in the top 10 of The Star Tonight’s annual top 100 South Africans. 

He has travelled across the USA as a guest of the US State Department as part of the 2007 International Visitors Leadership Program investigating HIV and AIDS and other communicable diseases. In 2017 Sabbagha visited France as a guest of the French Ministry of Culture and Communications as part of a Seminar Focusing Arts and Culture in Service of Community and Territorial Development. Sabbagha’s choreographic work has been shown at festivals and theatres in countries that include Russia, Mexico, France, Holland, Tanzania, Mali, Mozambique and Taiwan.

Currently PJ leads FATC in its delivery and work as appointed implementing agency on behalf of the Mpumalanga Provincial Department of Culture, Sports and Recreation’s Community Arts Center Support and Development Programme funded by the National Department of Sports, Arts and Culture

JOMBA!’s artist director, Dr Lliane Loots says, “Deeply significant to the JOMBA! Legacy award is PJ’s lifelong commitment to not just his choreographic excellence, but a deep-seated care for community and his pioneering work that has shifted South African dance out of urban spaces. His curation and vision have shifted our dance landscape and we are deeply humbled that we get to honour PJ in this way”. 

 “The JOMBA! festival’s 2026 overall curatorial theme and provocation is Choreographies of Activism: Moving Bodies as Disruptive Presenting and we can think of no other South African artist who has exemplified this moving across physical, economic and access borders in his dance work, whether this has been training and teaching, choreography, or curation”.

PJ and FATC will open JOMBA! on 25 and 26 August in Durban with a re-visit and re-boot of an earlier work NOAH - a multi-media dance work exploring the notions of loss, love and letting go. It uses the frame of irreversible climate change as an immersion in the moment of crisis, from which there is no return. NOAH will be performed by Nicholas Aphane, Athena Mazarakis and Shawn Mothupi, and is a layered conversation between live performing bodies, video projection and shadows that surfaces the personal and collective response to this (personal and geopolitical) moment of crisis.

JOMBA! takes place at The Sneddon Theatre in Durban from 25 August to 6 September, and the satellite festival takes place at The Market Theatre in Johannesburg from 9 to 12 September 2026.

For more information go to https://jomba.ukzn.ac.za/

Opportunity for Choreographers in JOMBA! Live and Digital Open Horizons Platforms

The Centre for Creative Arts (University of KwaZulu-Natal) has opened submissions for the 2026 JOMBA! OPEN HORIZONS Platforms, an integral part of the annual JOMBA! Contemporary Dance Experience - South Africa’s premiere contemporary dance festival which runs from 27 August to 8 September 2026 in Durban.

In its commitment to present bold, experimental, and inclusive dance, JOMBA! offers the live and digital curated OPEN HORIZONS platforms as an opportunity for dance-makers to showcase new works in a safe, and supportive environment.

JOMBA! DIGITAL OPEN HORIZONS aims to showcase screen-dance and dance film, focussing on work that is created specifically for the screen.

SIMUNYE - Breeh Cele (South Africa) (Pick of the Platform - JOMBA! Digital Open Horizons 2025)

JOMBA! invites submissions (5–10 minutes in length) from local, African and international choreographers that engage the moving body in relation to the camera, editing, framing, and digital space, where choreography extends beyond the stage into cinematic forms.

“We are looking for works conceived as screen-based choreographic experiences, where movement, lens, time, and environment are integral to the making of the film,” explains JOMBA! Artistic Director Lliane Loots.

The Space Between Us - Maulid Owino (Kenya) -JOMBA! Digital Open Horizons 2025

“We welcome innovative, experimental, and critically engaged practices within the contemporary dance idiom, including interdisciplinary and hybrid forms that push the boundaries of how dance is created, perceived, and circulated in digital space.”

Selected works will be screened publicly on the festival’s YouTube channel as part of the official programme. An award of R2000 is given to a jury-selected “Jury Pick of the Platform.”

Radix - Mario Gaglione (Italy/South Africa)   - JOMBA! Digital Open Horizons 2025

JOMBA! LIVE OPEN HORIZONS is a platform offered to live short-form dance works (6–8 minutes). The festival is looking for works that sit within the contemporary dance idiom, that are bold, experimental, and can include interdisciplinary approaches to live performance. Choreographic voices that explore innovation, risk-taking, and fresh perspectives will be at an advantage. “We want performances that can engage audiences in new ways and contribute to the beautifully evolving landscape of African contemporary dance,” says Loots.

ISPA programme in ECHOS OF GREATNESS - choreography by Gabriel Youngstar

An award of R2,500 is given to a jury-selected “Jury Pick of the Platform” work.

Both platforms are not funded, and therefore, no travel or accommodation support is provided.

Festival Director Dr Lliane Loots says: “We remain deeply committed to creating accessible, inclusive spaces for dance makers, the OPEN HORIZONS platforms are vital incubators for boundary-breaking choreographic voices, and provides a solid foundation from which to springboard new works into the world.”

SISUKAPHI - 2025 Winning work with choreography by Mfundiseni Ndwalane

All platforms have limited slots, and the selection process is competitive. Applicants are encouraged to submit their entries early to ensure full consideration.

For more information about JOMBA! go to https://jomba.ukzn.ac.za

Applications can be made on:

Digital https://forms.gle/ntqRy9uj23htX53QA  The deadline is 20 July 2026.

Live https://forms.gle/2PVJaZUeH7tFVuRh7  The deadline for submissions is 29 June 2026.

Enquiries can be emailed to jombafestival@gmail.com .

FLATFOOT DANCE COMPANY presents new works in ENKUNDLENI in May

KZN’s premier contemporary dance company presents a new season called ENKUNDLENI for two performances only at the Elizabeth Sneddon Theatre on Friday, 8 May at 7pm and Saturday, 9 May at 2.30pm.

Referencing open spaces where we gather, ENKUNDLENI offers audiences four new cutting-edge works created by company dancers, Sifiso Khumalo, Jabu Siphika, Siseko Duba, and Zinhle Nzama, with direction and dramaturgy by company artistic director Lliane Loots.

Siseko Duba and Sbonga Ndlovu in FLATFOOT's new season of work titled ENKUNDLENI  at Sneddon Theatre on 8th and 9th May 2026

“It’s a programme of dance that reminds us of the power of our bodies to tell stories; stories of pain and triumph, of deep self-reflections and of community,” says Loots. “These works honour the storyteller in all of us, as we see the six incredible dancers of FLATFOOT tackle the most personal and most beautiful parts of being human at this time in our difficult geopolitics”. 

The season begins with Siseko Duba’s quartet “iPupho” that dives into the powerful and mysterious terrain of dreams. The work captures the uncanny experience of awakening within a dream - where the body moves through worlds that feel intensely real, yet remain just beyond reach. Given the deep African connection to ancestral presence and dreams, this work navigates a very contemporary world of memory, self, and belonging. 

Jabu Siphika in FLATFOOT's new season of work titled ENKUNDLENI  at Sneddon Theatre on 8th and 9th May 2026

Zinhle Nzama’s duet “BRIGHTEST DARKNESS” explores the deep paradox of finding light within darkness. It is an intimate duet between a man and a woman, where these two figures navigate tension, resistance, connection, and letting go, as an act of courage rather than defeat. Ultimately, Nzama’s work offers audiences a testament to survival and triumph – beautiful and painful!

Jabu Siphika’s solo work, next on the programme, “Ngibize Siphi?” explores the search for identity through the question of one’s surname. The solo reflects a deeply personal journey of belonging, loss, and self-discovery as Siphika navigates her own fragmented amaZulu histories and the need for recognition through how we are, or are not, named. 

FLATFOOT veteran, Sifiso Khumalo ends the programme with his new work, “in transit”. Echoing a nation that sits, stands, and waits in long queues, this extraordinary male trio delves into how we stop, move on, wait to continue, and endlessly begin again and again. The work infers a deep-seated distress at the waiting on broken promises – be these local, personal, and further global politics.  

FLATFOOT partners again with lighting designer Wesley Maherry whose evocative designs see these four works sculpturally find a home on the Sneddon stage. Maherry’s lighting intensifies the narratives of each work and pulls the audience into the visions and contemporary world of ENKUNDLENI.

FLATFOOT’s ENKUNDLENI has two performances only at the Elizabeth Sneddon Theatre, on Friday 8 May at 7pm and Saturday 9 May at 2.30pm.

Tickets are R100 each (students, scholars and pensioners pay R80). Booking is via Webtickets  - https://www.webtickets.co.za/event.aspx?itemid=1592907018

This season is made possible through a partnership with the Elizabeth Sneddon Theatre (UKZN).

Call for Submissions for JOMBA! MASIHAMBISANE DIALOGUES #6 Online Colloquium 27–29 May 2026

The Centre for Creative Arts at the University of KwaZulu-Natal (UKZN), in partnership with the JOMBA! Contemporary Dance Experience, will host the 6th JOMBA! MASIHAMBISANE DIALOGUES (JMD) Colloquium in an online format from 27 to 29 May 2026. Under the theme “Choreographies of Activism: Moving Bodies as Disruptive Presencing,” this year’s dialogues invite scholars, artists, choreographers, and activists to explore the role of dance as a powerful form of embodied activism in contemporary global contexts.

“Across the Global South, dance has long served as a site where histories of resistance, survival, refusal, and futurity are carried through the moving body,” explains Dr Lliane Loots, the chair of the JOMBA! MASIHAMBISANE DIALOGUES steering committee. “We are looking to examine dance - not simply as metaphor - but as a practical mode of political engagement—a way that bodies assemble, appear, disrupt, and claim space, visibility, and justice within systems shaped by colonial and postcolonial power.”

Close by …  La rue d’à-côté … (JOMBA! Contemporary Dance Experience 2024) Compagnie Ex Nihilo (Marseille, France) in an encounter with FLATFOOT DANCE COMPANY (Durban, South Africa). Photo by Val Adamson

In a global moment marked by deep political upheaval, economic inequality, and the lingering impacts of colonial histories, the dialogues ask urgent questions about the role of movement and performance. How does the dancing body respond to forms of censorship, erasure, and the denial of humanity experienced in many parts of the world today? What possibilities do rhythm, gesture, stillness, improvisation, and collective movement offer as alternatives to dominant social, spatial, and political orders?

The programme will bring together international and regional contributors to engage with myriad questions including: how dance can be used as activism, and what choreographic strategies act as a form of disruptive presencing under conditions of risk, surveillance, or repression amongst others.

uXinzelelo (JOMBA! Contemporary Dance Experience 2024) BreeH Cele. Photo by Val Adamson

JOMBA! MASIHAMBISANE DIALOGUES welcomes a range of presentation formats that reflect the embodied nature of dance research and practice. These include academic papers, lecture-demonstrations, performance lectures, artist talks, facilitated movement scores, curated panels, and other hybrid or experimental forms.

Proposals of up to 450 words are invited and should be submitted by Thursday, 2 April 2026 (4pm).  Abstract submissions and enquiries email: 2024jomba@gmail.com  

For the full submission call out go to: https://tinyurl.com/yc2d7m6v

For more information about the JOMBA! MASIHAMBISANE Dialogues and archive, visit:
https://jomba.ukzn.ac.za/masihambisane-dialogues/

JOMBA! Digital and Live Open Horizons Pick of the Platform Awards

Dance-makers Brenda “BreeH” Cele (Pietermaritzburg), and Mfundiseni Ndwalane (Durban) were awarded the JOMBA! Pick of the Platform for their works in the Digital Open Horizons and Live Open Horizons, respectively this week.

Digital Open Horizons is a curated platform of screen dance films, and the Live Open Horizons platform is an opportunity for choreographers to showcase their works in a professionally supported stage presentation at the Festival. These are both presented as JOMBA!’s commitment to developing and growing contemporary dance in Durban and South Africa.

This year’s Digital Open Horizons jury included Pak Ndjamena, a multifaceted artist based in Maputo (Mozambique), Ivan Barros an award-winning Mozambican photographer and video-maker, Clare Craighead a Drama and Performance Studies lecturer at DUT, a dance writer and academic, and Thobile Maphanga, a Durban-based dancer, dance writer and researcher interested in the histories and narratives of Black women.

Brenda BreeH Cele Pic by Val Adamson

Brenda “BreeH” Cele was awarded the JOMBA! Digital Open Horizons Pick of the Platform for her striking dance film, “Simunye” cited by the jury as a compelling docu-dance film which impressed them with its powerful integration of dance, science, storytelling and activism. Tackling the very urgent issue of climate change through a South African lens it presents a strong conceptual and technical vision which is informative and emotionally resonant. 

This year's JOMBA! Live Open Horizons offered two solo performances and two group works. Jury members were Clare Craighead, (non-voting Chair), Jabu Siphika, dancer and choreographer and a member of FLATFOOT DANCE COMPANY, Tammy Ballantyne, dance writer and journalist, and Hannah Ma, choreographer, and founder of hannahmadance. 

Speaking at the awards after the performances, Tammy Ballantyne said, “The diversity in themes and content was pleasing, with a good mix of choreographic styles and production elements. We used various criteria to assist in selecting the winner, such as artistic and emotional impact; choreographic innovation; performance quality and relevance and resonance.”

Choreographer Mfundiseni Ndwalane receives his JOMBA! Live Open Horizons Pick of the Platform Award from Jury members - Tammy Ballantyne, Jabu Siphika and Hannah Ma at the Elizabeth Sneddon Theatre on 28 August. Photo: Val Adamson.

The overall winner of the platform was "Sisukaphi?", choreographed by Mfundiseni Ndwalane. Drawing on his own compositions and choreography during his research for his MA at UKZN, the work explores storytelling elements alongside a fusion of African popular music and traditional elements such as amaZulu dance. The jury praised Ndwalane for his cohesive vision in bringing together live music and singing, projections and scenic elements which brought depth to the theme and choreography. “His invitation to the audience to consider one's ancestry as a collective was a powerful visual and aural moment of using the body as a memory tool. His ensemble was focussed, polished and committed.”

Thandeka Maqebula’s "The Silent Voice", performed by Anele Makanya. Photo: Val Adamson.

The jury commended Thandeka Maqebula on the solo "The Silent Voice", performed by Anele Makanya.They commented on Makanya's powerful stage presence and strong physicality. There is opportunity for Maqebula to develop her choreographic voice which displays impressive conviction and focus. 

Tegan Peacock's "Burst my Bubble". Pic by Val Adamson

“Tegan Peacock's "Burst my Bubble" employed humour and a sense of whimsy, particularly with her choice of music. Her use of brightly coloured balloons as metaphors for hopes and dreams that are sometimes popped, shows a unique sense of intuitive timing and even clowning.”

The International School of Performing Art "Echoes of Greatness”, choreographed by Gabriel Youngstar. Pic by Val Adamson.

“The International School of Performing Arts (ISPA) students shone in a large ensemble work titled "Echoes of Greatness", choreographed by Gabriel Youngstar. The work explored rhythmical and often challenging choreography with elements of ritual. Some excellent partnering and strong lifts showed solid technique and use of trust exercises. The group was beautifully costumed and well-lit.”

“It is heartening to see the range of work being offered by young dance makers and a real engagement with physical storytelling on many levels,” said Ballantyne on behalf of the jury.

JOMBA! continues until Sunday 7 September with a range of performances, workshops and talks. For more information and to see the full programme, go to: https://jomba.ukzn.ac.za/

Tickets are R85 and R65 (concessions and groups). Booking via WebTickets. 

 

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FLATFOOT DANCE COMPANY’S NEW SEASON BODIES OF WATER 10-13 April

FLATFOOT DANCE COMPANY is set to dazzle audiences with its 2025 showcase premiere of BODIES OF WATER at Elizabeth Sneddon Theatre from 10 – 13 April 2025.

BODIES OF WATER 2025. Dancer Sbonga Ndlovu PHOTO Val Adamson

Award-winning choreographer, Lliane Loots joins forces with celebrated Durban musicians Refiloe Olifant on violin, and Mandla Matsha on percussion, to offer a beautiful, soulful and thought-provoking new season of contemporary dance.

BODIES OF WATER 2025. Dancers Siseko Duba and Sbonga Ndlovu PHOTO Val Adamson

Loots says, “BODIES OF WATER embraces a double meaning as the dance work negotiates the ecology of water alongside an awareness that the human body is made up of 70% water. Setting the dancing moving body as a breathing metaphor for climate justice, the six FLATFOOT dancers face what happens to bodies in times of personal and political crisis”. She goes on to say, “Set against our own African geopolitics, and a larger ‘body’ of social dis-ease, BODIES OF WATER comes back to the ideas of how we relate to ‘bodies of water’ as both artistic and political metaphors for survival. Even though the human body is made up of mostly water, this fluidity is not our daily reality as we see a world becoming more intractable. The remarkable thing about water is that it is always travelling back to source, back home”.

 

BODIES OF WATER 2025. Dancers Siseko Duba, Zinhle Nzama, and Sbonga Ndlovu. PHOTO Val Adamson

Loots always acknowledges the six FLATFOOT dances (Sifiso Khumalo, Jabu Siphika, Zinhle Nzama, Siseko Duba, Sbonga Ndlovu and Ndumiso Dube) as her co-creators. “In this work the dancers courageously face off with their own flow and sometimes immovability as BODIES OF WATER open space for all of us to examine the very beating of our own hearts and the (wished for) lightness of our footsteps on this Earth. BODIES OF WATER is a daring and deeply beautiful navigation of both the human condition and the ecology of our planet.”

Refiloe Olifant

BODIES OF WATER is performed to an original and live score jointly created in rehearsals with Refiloe Olifant (violin) and Mandla Matsha (percussion). Refiloe (aka Fifi) is a violinist who hails from Bloemfontein and is currently employed by The KZN Philharmonic Orchestra as a principal violinist where she also features as an assistant concertmaster with a baroque ensemble based in Durban called Baroque 2000. Loots says, “Her ability to improvise and create a score with the dancers is a unique talent and I am so grateful to have her beauty in the room when we are working. I consider her and her music to be the 7th dancer in BODIES OF WATER”.

Mandla Matsha

Fifi is joined by long time FLATFOOT collaborator Mandla Matsha. Loots says, “Mandla is a percussionist whose particular ability to score when working with dancers, is what hold BODIES OF WATER together. His range of instruments from djembe drums to the istolotolo (mouth harp) are truly phenomenal”.

BODIES OF WATER sees FLATFOOT partnering once again with lighting designer Wesley Maherry whose bespoke designs for this dance company has seen him win numerous awards. His lighting design is supported by his audio visual/cinematic stage projection designs that give BODIES OF WATER a unique performance landscape.

 

BODIES OF WATER only has four public performances at the Elizabeth Sneddon Theatre from 10 – 13 April. Performances are on 10 and 11 April at 7pm, and 12 and 13 April at 2.30m. Booking is via WEBTICKETS. Tickets cost between R95 and R120.





There is a special schools’ performance on Friday 11 April at 10.30am where learners can watch the show and engage in a special one-off Q&A with FLATFOOT after the performance. Scholars pay R60 and accompanying teachers get a free ticket. This is via prior booking only via Lootsl@ukzn.ac.za.





BODIES OF WATER is made possible by a partnership with the Elizabeth Sneddon Theatre (UKZN).





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JOMBA! Digital Open Horizons Pick Of The Platform Announced

The 26th JOMBA! Contemporary Dance Experience, which is currently running in Durban, announced its JOMBA! Digital Open Horizons “pick of the platform” awards for 2024 on Wednesday 28 August. The programme was screened on the festival’s YouTube Channel and is available for the remainder of the festival until 8 September here

The Digital Open Horizons platform invites digital submissions of original works from new and established dance-makers across Africa. These works which last 3 to 8 minutes, were reviewed by an independent jury and seven selected for this platform at the festival: Lacuna by Louise Coetzer (South Africa, Darkroom Contemporary), Echoes by Femi Adebajo (Nigeria), As the Mountain Stood Still by Dave Gardner/Jacques Batista (South Africa), Internal Struggles by Diana Gaya (Kenya), Yolk by Skyla Buchanan (SA/Cyprus),Moments by Marcia Mzindle (South Africa) and Blue Funk by Louise Coetzer (South Africa, Darkroom Contemporary)

The jury selected Yolk in first place, Echoes in second and Lacuna in third as the “picks of the platform”.

Yolk by Skyla Buchanan (SA/Cyprus)

Yolk was selected in first place for its “innovation, beautiful cinematography and interesting settings as well as its subject matter”. Filmed by Beatrice Mariani, and choreographed, performed, directed and edited by Skyla Buchanan a contemporary trained dancer, practitioner and choreographer working with a multidisciplinary approach to performance. 

Yolk is set against the oppressive heat of summer, and explores the link between womanhood and fertility - where the sense of being a woman is derived from a "bioessentialised" maternal instinct: “A woman with no children is a wasted potential of a womb, wasted space, wasted time, wasted life- the wasted yolk of a fresh egg.”

Echoes by Femi Adebajo (Nigeria),

Nigeria’s Femi Adebajo’s Echoes, performed by Adebajo and Janed Aduayom was awarded second place. This work was selected for its “interesting pace and rhythm as well as its use of location and space and his creation of tension and suspense.”

Adebajo is a creative multidisciplinary artist who focuses on exploring art as a medium of connection to the human mind. 

Echoes provides a creative representation of the concept of pressure and its influence on both the physical bodies and mental states of individuals. It aims to offer a powerful and artistic insight into the human experience, highlighting the effects of pressure and its significance in our lives.

Lacuna choreographed and performed by Mthuthuzeil November, directed by Louise Coetzer

In third place selected for its “wonderful play between dark and light, its use of slow motion and its cinematic sets” was Lacuna choreographed and performed by Mthuthuzeil November, directed by Louise Coetzer with videography: Oscar O'Ryan, and produced by Darkroom Contemporary.

Coetzer is a versatile dance artist also renowned for her multidisciplinary approach to performance art. Lacuna traces the unfilled spaces of the brutalist architecture enveloping the dancer. It is a cinematic study of light and shade, seen and unseen

The Festival offers a range of workshops, talks and performances and runs until 8 September. Tickets are available through Computicket.

All festival information is available on the festival website:  https://jomba.ukzn.ac.za/

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Honouring Durban’s Wesley Maherry’s 15 years as Production and Technical Manager for JOMBA!

In a surprise citation and award ceremony on the opening night of the 26th JOMBA! Contemporary Dance Experience on Tuesday 27 August, in Durban, the festival’s Technical and Production Manager, Wesley Maherry, was awarded a special citation in recognition of his fifteen years of committed service to the festival.

Wesley Maherry Production and Technical Manager for JOMBA! receiving the citation at the opening of the festival from Lliane Loots Artistic Director/Curator of JOMBA!, and  Ismail Mahomed, the Director of the Centre for Creative Arts at the University of KwaZulu-Natal. Photo Val Adamson

“We often forget that live theatre cannot function without deeply motivated, organised and gifted people whose work is to technically serve the vision of the artists and make their work possible on stage. Long hours in dark theatres and endless admin, are some of the challenges. In this environment, the CCA and JOMBA! has been – and is – honoured to have Wesley Maherry in the role of Production and Technical Manager for JOMBA! and all its various offerings”, said Ismail Mahomed, the Director of the Centre for Creative Arts at the University of KwaZulu-Natal.

JOMBA! is South Africa’s longest-running and most successful African contemporary dance festival. In 2022, JOMBA! was awarded the National Institute for Humanities & Social Sciences Award for Best Digital Creations. In 2023, JOMBA! received an accolade from Business Arts South Africa for the festival’s outreach and activism work. 

“Wesley’s specialised stage production and digital technology skills underline why JOMBA! remains so highly acclaimed in the creative industries. His work on the online digital delivery of the JOMBA! MASIHMABISANI dialogues and colloquium and, of course, the main JOMBA! festival in both Durban and at our JOMBA! @ The Market Theatre in Johannesburg, is unprecedented. Fifteen years speaks to a deeply committed support of artists and artistic spaces”, says Lliane Loots, the Artistic Director/Curator of JOMBA! “2024 heralds the 15thanniversary year that Wesley Maherry has worked for UKZN’s Centre for Creative Arts and the JOMBA! Festival.”

Wesley works at UKZN’s Elizabeth Sneddon Theatre as a Production Manager. He is part of a very efficient but small team – headed by theatre manager Jackie Cunniffe - that keeps the Sneddon one of eThekwini’s preferred live theatre spaces. He has an undergrad degree in Drama and Performance Studies. In 2024, he graduated with an MA (through UKZN’s Drama Progamme) where he interrogated his lighting design practice with choreographers like Vincent Mantsoe and Lliane Loots. His MA began to look at how dance lighting can respond to the challenges and needs in Africa noting that most of the research around theatre and dance lighting is still only generated from Europe and America.

JOMBA! runs until Sunday 8 September in venues in Durban with a satellite event in Hilton and then goes to the Market Theatre in mid-September.

For more info go to jomba.ukzn.ac.za

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Dancers from Bangalore (India) for this year's   JOMBA! Contemporary Dance Experience

The UKZN Centre for Creative Arts' JOMBA! Contemporary Dance Experience, which takes place from  August 27 to September 8, will feature two exceptional performances from India by the Bangalore-based dancer and choreographer Deepak Kurki Shivaswamy. These performances will be presented both at UKZN, Durban and at The Market Theatre in Johannesburg with the support of the Consulate General of India (Durban & Johannesburg), and the Swami Vivekananda Cultural Centre of the Indian Council for Cultural Relations (ICCR), Government of India.

The performances will be at the Elizabeth Sneddon Theatre in Durban on Thursday 5 and Friday 6 September, and at JOMBA! @The Market in Johannesburg on 11 and 12 September. These performances are part of a larger contemporary dance programme that includes workshops, panel discussions, and virtual screen dance presentations taking place at various venues in Durban, and followed by a condensed version in Johannesburg.

Deepak Kurki Shivaswamy.

Deepak Shivaswamy, trained in Yoga, and Indian martial art Kalaripayattu  has been developing pedagogy for contemporary dance since 2004. He is a significant figure in contemporary dance, exploring modern Indian identities and its evolving concept of home. His latest double bill, titled "Vasudaiva Kutumbakam," which also features choreographers and dancers Prashant More and Mirra, reflects this journey. The term, which translates to "the world is one family," serves as a guiding principle for his performances at JOMBA!. Shivaswamy explains, “This concept of universal kinship inspires our work, using dance as a universal language to connect and resonate with audiences globally.”

Weight of Time

Deepak Shivaswamy’s first piece, Weight of Time, challenges conventional notions of art's purpose. It invites audiences to let go of expectations and simply be present, savouring the performance as an experience in itself. His second piece, Mycelium Maatu, draws inspiration from the mycelium—a natural network of fungal threads that interconnect in intricate, organic patterns. This concept profoundly influences Shivaswamy’s approach to dance, encouraging a creation that mirrors the mycelium’s interconnected and evolving structure.

Mycelium Maatu

Among the exciting additions to JOMBA! 2024 are opportunities for audiences to engage directly with dancers and choreographers. These include special sessions where attendees can hear from the artists about their creative processes and works. On September 6, Deepak Kurki Shivaswamy will join JOMBA! curator Lliane Loots for an on-stage discussion following his performance, as part of the JOMBA! TALKS DANCE series. This conversation will offer deeper insights into Shivaswamy’s work and creative vision.

On Friday, September 6, Deepak Kurki Shivaswamy, alongside Prashant More and Mirra, will lead a free open workshop titled Aattam Idam: A Place for Playing. Scheduled from 4pm at the UKZN - Howard College Campus Drama and Performance Studies Dance Studio in Durban. This workshop is based on the concept of “PLAY.” It invites participants of all skill levels to explore dance and movement through creative and joyful expression. This is followed by another workshop on September 12 at The Market Theatre.

These workshops are offered free of charge to participants, but booking is essential as places are limited. The workshop is only open to dancers over 16 years. Book with e-mail thobimaphanga@gmail.com.

They will also present a closed workshop with Rudra Dance Company and ParamAtham Dance Theatre in Durban on Saturday 7 September,

Performance timings are 7pm on Thursday 5 and Friday 6 September at the Elizabeth Sneddon Theatre, and at 6.30pm on 11 and 12 September at The Market in Johannesburg

For more information and to see the full programme, go to: https://jomba.ukzn.ac.za/

Booking via COMPUTICKET for Durban, and by WEBTICKETS for Johannesburg.

South African Online Contemporary Dance Conference Attracts Global Participation

The annual online South African contemporary dance conference JOMBA! MASIHAMBISANE DIALOGUES, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts’ JOMBA! Contemporary Dance Experience, taking place from 22 to 24 May, 2024, has attracted significant participation from around the globe.

This conference or academic colloquium, is now in its fourth edition and will feature dance-makers, academics, dancers, educators, and researchers from 11 countries including Brazil, Canada, Cape Verde, France, Germany, South Africa, UK, USA, and Zimbabwe. The theme or “provocation” this year is (RE)TURN TO THE DRUM? looking at contemporary dance’s engagements with traditions, cultures, memory, hybridity, and contested identities.

The conference which is free and open to all interested, features keynote addresses, panel discussions, as well as “abstracts or papers” presented by participants.  An opening keynote address will be made by steering committee member Dr Mbongeni Mtshali, a performance-maker, scholar, artist, and teacher based at the University of Cape Town,  in dialogue with the rest of the steering committee that includes dance-focussed academics, researchers, and practitioners: Clare Craighead (lecturer at the Durban University of Technology), David Thatanelo April (director, teacher, choreographer, and dance lobbyist), Gift Marovatsanga (CEO and Facilitator at Refined Images Studio), Dr Lliane Loots (lecturer at the University of KwaZulu-Natal), Dr Sarahleigh Castelyn (Associate Professor/Reader University of East London UK), Thobile Maphanga (dance practitioner, scholar, creative collaborator, reading for her MA at UKZN) and Prof Yvette Hutchison (South African Reader/Associate Professor at the University of Warwick UK).

Dada Masilo

Keynote dialogues will be held with Dada Masilo, South African dancer and choreographer, known for her unique and innovative interpretations of classical ballets; SA-born, now France-based Robyn Orlin an internationally celebrated contemporary dance-maker, dancer and teacher; Mamela Nyamza award-winning choreographer and dancer who is known globally for her innovative and deeply intersectional and political dance-making; Vincent Sekwati Mantsoe, winner of international and national awards in performance and choreography, demonstrates that to be successfully integrated into the performance arena as a contemporary artist, one does not have to disavow one’s cultural heritage; Moeketsi Koena professional dancer, teacher and choreographer, and co-founder of newly incorporated Itrotra Art X Connection - a newly registered arts platform.

Additionally, Canadian Dena Davida introduces TURBA, a new journal that negotiates histories of the study and practice of live arts curation, and Thobile Maphanga chairs a fascinating panel with Albert Ibokwe Khoza (South Africa), Djam Neguin (Cape Verde) and Lorin Sookool (South Africa) titled where they will interrogate a possible common zeitgeist that is calling these contemporary artists from Africa, to dig up ‘past’ narratives and re-present them in the bold ways that they are.

Papers, digital engagements, and further dialogues open up important discussions around contemporary identity and how it relates to imagined and real histories as they intersect with culture and tradition in dance-making. The “(re)turn to the drum” is set up as both a question and as a tipping point to think about our futures.

Some of these  papers and engagements will be presented by:

Alexandra Gonçalves Dias,

Alexandra Gonçalves Dias, dance artist and Professor at UFPEL in Brazil, with a dedicated focus on decolonising narratives;

Claude Jansen, part of Dancing Instruments - In Conversation with Looted oBjeCts – a long-term journey with a team of Namibian and German curators, healers, artists and (O)Ngoma Drums;

Fabrice Mazliah, a choreographer and performer/dancer based in Germany/Switzerland, who has initiated long-term research into embodied knowledge and the heritage inscribed into dance practitioners;

Francesca Matthys, a South African Interdisciplinary dance artist, writer, facilitator and Kundalini yoga teacher based in London;

Kristi-Leigh Gresse

Kristi-Leigh Gresse, a South African dancer and choreographer known for her transformative impact on the arts.

Lara Barzon, an EUTOPIA co-tutelle PhD fellow with a joint PhD between Theatre and Performance Studies (University of Warwick) and Cultural Studies (University of Ljubljana);

Marcia Mzindle, a freelance writer, drama, and performance tutor at the University of KwaZulu Natal (Howard College), choreographer, and dancer;

Onalenna Sellwane, a writer, theatre maker, and digital marketing creative based in Johannesburg;

Rainy Demerson, a dance artist and scholar invested in global intersectional feminism and decolonial embodiments;

Saranya Devan, recognised for her versatility in drama, dance performance, and choreography and holds a Masters in Bharathanatyam from the University of Madras and a Masters in Dance from the UCT;

Moving into Dance

Sylvia “Magogo” Glasser, a cultural activist, teacher, choreographer, mentor, anthropologist, and writer, who founded Moving into Dance in 1978 as a non-racial dance company and training organisation and was director until 2013;

Tatenda Kanengoni, a Zimbabwean writer, researcher, and multimedia storyteller.

 The conference will be streamed live on YouTube on the following link https://www.youtube.com/jomba_dance. Participants will present on Zoom, and those who wish to apply to join in the “Zoom Room”, can contact Thobile Maphanga at thobimaphanga@gmail.com

 

For more information and news, as well as the schedule – go to:

https://jomba.ukzn.ac.za/masihambisane-dialogues/ 

 

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Veteran South African dance-maker, Robyn Orlin, named the 2024 JOMBA! LEGACY ARTIST

The 26th annual JOMBA! Contemporary Dance Experience, hosted by UKZN’s Centre for Creative Arts, has announced that it will honour veteran South African dance-maker Robyn Orlin as the 2024 JOMBA! Legacy Artist. 

Orlin’s work we wear our wheels with pride and slap your streets with colour… we said ‘bonjour’ to satan in 1820 … will feature at JOMBA! which takes place at The Sneddon Theatre in Durban from 27 August to 8 September, with a satellite festival at The Market Theatre in Johannesburg from 11 to 14 September 2024.

Robyn Orlin

Originally created in 2021 we wear our wheels …  is a collaboration with Johannesburg based Moving into Dance. This is a work that negotiates the complicated Durban rickshaw histories – and it finally comes to Durban.

Born in 1955 Johannesburg, Orlin’s vision of contemporary dance continues to be a kind of aesthetic eclecticism where she draws heavily on her own histories of ballet and modern, and a fascination with film and cinema. She has shifted the boundaries of what we consider dance to be, often falling into witty and biting political satire. Her love of kitsch, tutus and yellow plastic ducks has seen her creating iconic images that still haunt a South African dance landscape. 

we wear our wheels with pride and slap your streets with colour… we said ‘bonjour’ to satan in 1820 … 

Orlin was trained at the London School of Contemporary Dance (1975-1980), then at the School of the Art Institute of Chicago (1990-1995). She began her career as a dancer, choreographer and teacher in South Africa, where she was quickly spotted, as much for the singularity of her dance making, as for the chaos that reigns in her creations.  Her (multiple prize-winning) dance piece Daddy, I have seen this piece six times before and I still don’t know why they’re hurting each other, which mocks the difficulties and shortcomings of the young rainbow nation, but also classical ballet as a trajectory of discrimination, enabled her to tour in Europe and brought her international recognition. France has since become a creative territory for her and she has made her first film, Hidden Beauties, Dirty Stories (Ina/Arte, 2004), her first opera, Handel’s L’Allegro, il penseroso ed il moderato (Opéra Garnier, Paris, 2007), and her first theatre production, Les Bonnes, by Jean Genet (Théâtre de la Bastille, Paris, 2019) in France. She continues to create work in South Africa.

Artistic Director and curator, Lliane Loots says, “The JOMBA! festival’s 2024 overall curatorial theme and provocation is “the memory of home” and we can think of no South African artist better suited to unpack both the simplicity and complexity of this in her work. Memories are about history, belonging, sometimes suffocating nostalgia, and maybe also about charting new futures … Robyn’s work is all of this and more”.

“Orlin’s work has not been performed in South Africa for many years, and so it is with great thanks for the support from IFAS (Paris) and IFAS (Johannesburg), that JOMBA! welcomes her back to South Africa as our 2024 JOMBA! Legacy artist.”

JOMBA! takes place at The Sneddon Theatre in Durban from 27 August to 8 September, and the satellite festival takes place at The Market Theatre in Johannesburg from 11 to 14 September 2024.

we wear our wheels …  will be performed on 7 and 8 September in Durban and on 11 and 12 September at The Market in Johannesburg.

For more information go to www.jomba.ac.za.

FLATFOOT DANCE COMPANY 21st Birthday Season “JOURNEY”

Celebrating its 21st birthday, Durban's award-winning FLATFOOT DANCE COMPANY presents a short season of contemporary dance that promises to nourish and enrich, at The Elizabeth Sneddon Theatre on 10 and 11 May.

Titled JOURNEY, the season features two new works, one by resident choreography and artistic director, Lliane Loots, and a another by special guest from Madagascar, Gaby Saranouffi. The season not only celebrates the 21-year journey of getting to this milestone, but it also delves into the head and heart of what it means to be alive at this point in history. 

Saranouffi's SORITRA (traces) opens the evening in a fast-paced journey of self in a search for “traces of where we come from and where we are going.” Inspired by a Malagasy indigenous abstract strategy board game called “diam-panorona”, the movement of stones on a board, horizontally, vertically, and diagonally are intriguingly replicated in a contemporary dance formation with bold athletic movements. Interestingly this work is now in its own 21st-year as Saranouffi has shared it in many spaces and places. She says, “I love letting it breathe new life when new dancer step in and learn it and make it their own. This is a work about the translation of culture, history and memory from one body to another and I am so excited to give it now to FLATFOOT on their 21st birthday.”

Loots's premieres a new work for FLATFOOT, titled the salt on your skin, and begins to journey to the cities (or sites?) of the interior in an often painful, always beautiful, look at intimacy. Referencing sweat and skin, and other acts of love and labour that make up the everyday of our lives, this work is co-created with the six resident FLATFOOT dancers (Sifiso Khumalo, Jabu Siphika, Zinhle Nzama, Ndumiso Dube and Siseko Duba). Drawing on deeply personal stories of love, loss, and ultimately hope, the salt on your skin sees Loots once again using dance to delve into the small stories to imagine; and thus change the bigger narrative that hold our lives. Loots says, “we often mistake intimacy as being only about romance and sex, and while this is also true, the intimacies of raising children, being a mother or father, of mourning lost family and friends, of waking up each day to come to work, of sweating in the studio as we dance through this all, is a shared intimacy that the FLATFOOT dancers have given me. This work, on our 21st birthday, is for the six dancers – it is a love song we created together”. 

the salt on your skin is made up of four sections that traverse a landscape of intimacies, loss, love, shame, and hope. With subtle and evocative lighting by Wesley Maherry, this is a surprisingly gentle dance work given the voracity and intimacy of the unfolding stories. 

JOURNEY is at the Elizabeth Sneddon Theatre for only 3 performances, 10 May @ 7pm, 11 May @ 2.30pm, and 11 May @ 7pm. Tickets cost R120 (R85 for pensioners, students, scholars and block bookings of 10 or more). 

Booking via COMPUTICKET: https://computicket.com/event/journey/6688047

This season is made possible through a special partnership with the Elizabeth Sneddon Theatre.

Thanks to Itrotra Art X Connection NPC.

 

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Call for papers for third JOMBA! MASIHAMBISANE DIALOGUES – 24 to 26 May

The University of KwaZulu-Natal’s Centre for Creative Arts in partnership with Warwick University (UK) and the African Dance Disability Network, calls for submissions of abstracts, papers and digital participation for the third annual JOMBA! MASIHAMBISANE DIALOGUES, a colloquium to engage in robust and meaningful conversations around contemporary dance, online from 24 to 26 May.

JOMBA!’s curator, Dr. Lliane Loots is working with Warwick’s Prof. Yvette Hutchison on a two-year UKRI – AHRC funded research project entitled Encountering disability through contemporary dance in Africa, and thus the colloquium will focus into the provocation of “Integrated dance practices: moving centres”. A host of dance, practitioners, academics and associates are expected to participate including Joseph Tebandeke, a Ugandan dancer and choreographer based in Kampala, who will be one of the key-note speakers at this edition. The actual colloquium will be presented online and open to public viewing.

Unmute Dance Company - photo by Val Adamson

This third annual JOMBA! MASIHAMBISANE DIALOGUES, hosted in the 25th anniversary year of the JOMBA! Contemporary Dance Experience, sets out to engage scholarship, pedagogy and practices into integrated dance as an embodied form with a particular African focus, without being exclusive.

The call out for papers, digital scholarship and any new integrated forms of knowledge sharing is open and closes on 4 April 2023. For more details or to download the official call-out frame of reference go to https://jomba.ukzn.ac.za/masihambisane-dialogues/

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