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The Durban FilmMart Institute (DFMI) announces the project selection for the annual DFM Pitch and Finance Forum 2026

Thirty-six African film projects have been selected for the 17th Durban FilmMart Africa’s leading film finance and co-production market that will now take place from 9 to 12 October, in Durban, South Africa.

The market will present an array of projects, including 8 animation, 10 fiction features, 10 documentary features and 7 series projects in development at the Pitch and Finance Forum alongside a robust industry programme which will focus on current trends, innovations, and challenges faced by the industry.

"Our stories are our voices; they represent our culture, our history, our joy, our pain and our victories.  DFM is honoured to present a unique selection of African stories that will add to the successes that have gone before," says Magdalene Reddy, DFMI director. "We look forward to following the journey of these projects for years to come, as we do with all our project alumni. The DFM provides an important platform, not only to showcase the creative work of filmmakers but also to support them in building a cross-continental community, creating networks and access

The 36 selected projects will be given the opportunity to prepare for their participation at DFM with online one-on-one mentorship by leading industry experts to ensure that they are collaborator- and investor-ready when they get to Durban for the in-person pitch.

The 8 animation projects will receive additional support from industry experts through participation in the Digital Lab Africa (DLA) programme presented by DFM partner, Tshimologong Digital Innovation Precinct.

The 2026 DFM Official Projects:

Animated Series - Fiction               

Beast Seeker             

Producer: Danielle Retief

Director: Robyn Viljoen

South Africa               

                       

capoZOOeira             

Producers: Mary Waweru Wanjiku, Carlos Zerpa Bravo

Director: Orlymar Paredes

Kenya, Brazil

           

Hadu: The Series                   

Producer: Damilola Solesi

Director: Precious Anih

Nigeria           

                       

JUJU SOCCER                     

Producers: Oge Obasi, Somto Ajuluchukwu

Director: C.J. Obasi

Nigeria           

                       

Nerve             

Producer: Raffaella Delle Donne, coproducer: Renee Van Reenen

Director: Tshepo Moche

South Africa               

                       

Sunday Morning                    

Producer: Nahom Abiy

Director: Minasie Terefe

Ethiopia                      

                       

Animated Short - Fiction                

In Her Hands             

Producer: Gehad El Akhal

Director: Hagar Basiony

Egypt              

                       

Animated - Feature length fiction              

MIDNIGHT METRO               

Producer: Wako Sefara

Director: Lesego Vorster

South Africa               

Fiction Features

A touch of Paradise

Producer: Sarra Ben Hassen

Director: Houcem Slouli

Tunisia

Arbaa Shuhuor wu Ashara Ayam (Four Months and Ten Days)

Producer: Alsamoual Hussein

Director: Alyaa Musa

Sudan

Fairway to Freedom

Producer: Tarina Patel

Director: Jahmil Qubeka

South Africa

HOLY COW (selected at El Gouna 2025 through partnership)

Producer and Director: Asmae el Moudir

Morocco

MIETA

Producer: Neil Brandt

Director: Carla Fonseca Mokgata

South Africa

MOTHER THERESA

Producer: Shema Faustin

Director: Mutiganda wa Nkunda

Rwanda

Taht El Sama El Khadra' (Under Green Skies)

Producer: Yara Goubran

Director: Jad Chahine

Egypt

The Boy Who Spoke Static

Producer: Mathew Cerf

Director: The Agbajowo Collective

Nigeria

Vino Amargo (Bitter Wine)

Producer: David Franciscus

Director: Pablo Pinedo Bóveda

South Africa

Waslap (selected through DFM ACCESS)

Producer and Director: Batandwa Alperstein

South Africa

Fiction Series

AGAIN

Producer: Giresse Kassonga

Director: Erickey Bahati

Democratic Republic of the Congo

Daddies

Producer: Cati Weinek

Director: Sean Mongie

South Africa

Fafi

Producer and Director: Dominique Jossie

South Africa

FISI (HYENA)

Producer: Mkamzee Mwatela

Director: Sanele Zulu

Kenya

Smoke & Mirrors

Producer: Luke Rous

Director: Jozua Malherbe

South Africa

The Coven (selected through DFM ACCESS)

Producer and Director: Sihle Mthembu

South Africa

Documentary Series

Children of the Nile

Producer and Director: Tina Obo

Uganda

Documentary Features

Banat aljazira alkhadra' (GREEN ISLAND'S GIRLS)

Producer: Amrosh Badr

Director: Rogena Tarek

Egypt

DESIGNING DIVIDE (selected at Talents Durban 2025)

Producer and Director: Jessie Ayles

South Africa

Gwijo Nation

Producer: Quinton Fredericks

Director: Sesihle Manzini

South Africa

LE FIL ET LE MUR (THE THREAD AND THE WALL)

Producer and Director: Mouni Boullam

Algeria, France

MA NUIT DU DJOMELE (My Djomele Night)

Producer: Hicham Falah

Director: Barkima Nafissatou Laguempedo

Burkina Faso

Majuto si Mjukuu (Heirs of no Regret)

Producer: Mumo Liku

Director: Saitabao Kaiyare

Kenya

MDANTSANE – HOME OF BOXING (selected through DFM ACCESS)

Producer and Director: Phumlani Veto

South Africa

The Ones With The Tempered Flowers

Producer: Ivy Kiru

Director: Neema Ngelime

Tanzania

Urban Zulu: The Busi Mhlongo Story

Producer: Struan Douglas, coproducer: Vusi Mchunu

Director: Rehad Desai

South Africa

Waiting for Evolution

Producer and director: Karin Slater

South Africa

WHERE DO I BELONG?

Producer: Talal Afifi

Director: Ibrahim “Snoopy” Ahmed

Sudan

More information on this year’s theme can be found on the Durban FilmMart Institute’s website, https://durbanfilmmart.co.za/ 

Delegate registration and programme details will be announced in due course.

The 17th edition Durban FilmMart is funded by the Durban Film Office, eThekwini Municipality, Ford Foundation, the National Film and Video Foundation and IEFTF.

Wrap up of Ocean Innovation Africa Summit: Consolidating Africa’s Growing Blue Economy - Ocean Innovation Africa Summit 2026 Hope for the Future

The Ocean Innovation Africa Summit 2026, that took place in Durban at the end of March, brought together 581 delegates from 36 countries, generating over 420 business to business meetings, showcasing some of Africa’s most investable blue economy ventures, and innovations.

Opening the summit with a compelling keynote address, Charlina Vitcheva, Director‑General of the European Commission’s Directorate‑General for Maritime Affairs and Fisheries (DG MARE), emphasised that the future of the blue economy depends on turning political commitment into practical action through Africa‑Europe partnership.

“Ms Vitcheva’s message was not simply that the ocean is under pressure,” explains Alexis Grosskopf, co-founder of OIA. “But we now need to move beyond acknowledging the challenges and instead focus on what it will take to accelerate solutions: stronger cooperation, better investment pathways, science-based decision-making, and a shared commitment to building blue economies that are sustainable, inclusive, and investable.”

“It linked high-level political intent, through the European Ocean Pact and the EU’s cooperation with Africa, with concrete mechanisms such as BlueInvest Africa, fisheries and aquaculture support, regional ocean governance programmes, and new ocean observation efforts like OceanEye. In other words, the message was that partnership must be visible not only in speeches, but in finance, institutions, science, and implementation.”

Session at the Summit

Building on this, Salma Baghdadi, Innovation Lead at The Wave, an organisation dedicated to regenerating the ocean within one generation, said in her keynote address that, ocean regeneration will only happen if the right ecosystem around innovation is built, not just the innovation itself. She spoke about how all the actors need to be intentionally connected so that science becomes solutions, solutions reach markets, and collaboration turns isolated efforts into systemic change.

Several engaging and robust workshops underscored recurring themes for the various interest groups: access to finance remains a bottleneck, locally anchored delivery is preferred over top‑down design, and coordination is as critical as innovation. These workshops produced tangible outputs ranging from venture incubation to direct community finance and AI‑driven ocean literacy tools. Through the Pecha Kucha sessions, entitled Women of the Blue: Leading the Wave, women leaders shared powerful stories of reshaping the blue economy: these included Magdalyne Were, Regional Lead Gender and Blue Economy of Canadian-based Mission Inclusion, Fatuma Mang’ena, Co‑founder and CTO of Tanzanian-based Healthy Seaweed Co. Limited, and Maryke Musson, Executive from Durban of South Africa’s uShaka Sea World / SAAMBR.

“Their stories demonstrated that women are not only contributing to the sector but are actively driving innovation, resilience, and systemic change for people, climate, and nature,’ says Grosskopf. 

The summit revealed the investable opportunities that exist with the sector, with African start-ups turning waste into value, advancing aquaculture, and building cold‑chain businesses. Financing conversations moved beyond grants toward blended capital. Concrete outcomes included three OceanHub Africa accelerator graduates - Ambani Fish Leather, Fibertext Green Paper Limited, and Chitelix- winning fully funded exposure at Katapult FutureFest, an annual gathering designed to accelerate positive change by uniting, inspiring, and empowering a diverse global community of innovators and changemakers.” in Amsterdam.

The Ocean Innovation Africa Summit 2026, that took place in Durban at the end of March, brought together 581 delegates from 36 countries, generating over 420 business to business meetings, showcasing some of Africa’s most investable blue economy ventures, and innovations.

At the Summit, OceanHub Africa announced the release of its Impact Report (2020–2025), documenting how they have built Africa’s ocean-impact entrepreneurship pipeline and the partner infrastructure that helps ventures move from early traction to investable scale. It highlights 149 businesses supported, $20M+ mobilised, 1,735 blue jobs created, and a 90% portfolio survival rate, and outlines concrete ways partners can plug in across venture support, market-making, and fit-for-purpose capital.

Going forward, Ocean Innovation Africa outcomes will be taken to Our Ocean Conference (OOC), a global event, which opens in Mombasa next June “bringing African science, entrepreneurs and communities to the policy platform that OOC is, to sharpen a regeneration‑first agenda and package concrete pipelines of ventures and projects”, says Grosskopf, “Essentially OIA 2026 facilitates the development of solutions and coalitions, and then amplifies them onto the global stage, such as during Our Ocean Conference.”

“We hope that OIA 2027 can return to South Africa, building on this cycle as a recurring African launchpad into global ocean diplomacy and finance,” says Grosskopf.

For more information about Ocean Innovation Africa go to https://ocean-innovation.africa/

OceanHub Africa launches Impact Report at Ocean Innovation Africa 2026 in Durban

Durban, South Africa — 24 March 2026 — OceanHub Africa (OHA) will launch its 5-year Impact Report at Ocean Innovation Africa (OIA) 2026 in Durban on 23 March 2026.

This report reflects OceanHub Africa’s first five years of building a more regenerative and inclusive ocean economy in Africa, shaped by local entrepreneurs, stronger ecosystems, and coastal communities that can thrive alongside healthy marine environments. It shares what has been achieved, what has been built, and what is needed next to deepen and scale ocean impact across the continent.

From the beginning, OceanHub Africa’s belief has been simple: the Blue Economy must create value that stays in Africa. It must strengthen livelihoods, restore ecosystems, and unlock solutions rooted in local realities. While policy and research remain essential, OceanHub Africa has focused on entrepreneurship as a way to translate ideas into practical change with speed, adaptability, and proximity to real-world needs.

Over the past six years, OceanHub Africa’s work has focused on four strategic levers: enabling frameworks, capability development, enterprise-driven regeneration, and access to finance. Through this approach, OHA has supported 149 ocean-impact businesses, helping founders turn early ideas into stronger ventures while also building the partnerships and support structures that make the wider ecosystem more resilient.

“Rather than forcing a model the market was not ready for, we focused on building what was missing… OceanHub Africa evolved from a startup support initiative into a broader platform to support, connect and invest in Africa’s ocean-impact ecosystem.” - Alexis Grosskopf, Founder and CEO, OceanHub Africa

“Over the past five years, the impact has been measurable: ventures in our ecosystem have mobilised $20M+ in capital, women’s participation has increased from 24% to 61%, and our portfolio has created and sustained 1,700+ full-time blue jobs—proof that disciplined, tailored support can build real readiness and long-term potential.” - Herland Cerveaux, Managing Director, OceanHub Africa

With the launch of the Impact Report at OIA Durban, OceanHub Africa is bringing this momentum to the stage, sharing how an Africa-led ocean-impact ecosystem is growing, and what it will take to scale what has been proven.

Media are encouraged to request access to the report and attend the launch at Ocean Innovation Africa to hear directly from the team about the next chapter of building a future where people and the ocean thrive.

Launch details

What: Launch of OceanHub Africa’s Impact Report

Where: Ocean Innovation Africa (OIA) Summi 2026, Durban, South Africa - ICC

When: 23 March 2026, 2PM

Director-General of Maritime Affairs and Fisheries for the EU to give keynote address at Ocean Innovation Africa Summit in Durban 23-25 March 2026

 Durban, South Africa (17 March 2026): The Director-General of European Commission’s Directorate-General for Maritime Affairs and Fisheries (DG MARE), Charlina Vitcheva, will deliver the keynote address and participate in a high-level panel at the Ocean Innovation Africa Summit in Durban.

Ocean Innovation Africa (OIA), in collaboration with eThekwini (city of Durban), hosts the OIA Summit 2026 at Durban’s International Convention Centre from 23 to 25 March. The significance of this annual Summit is reflected in last year’s attendance, of 593 delegates, 59 countries including 28 African Nations. 

The Summit welcomes Ms Vitcheva, both as a keynote speaker where she will speak to the theme of the Summit, and as a panellist on Blue Finance for Resilience : shifting from aid dependency to sustainable local capital. Ms Vitcheva is responsible for EU policy on maritime affairs and fisheries, working to promote a healthy ocean, sustainable fisheries, a thriving sustainable blue economy, and vibrant coastal communities across Europe and with international partners. 

Her department is also responsible for developing, implementing and evaluating the common fisheries policy which helps to support Europe’s food security, and leads the co-ordination of the European Ocean Pact which brings together the EU’s ocean-related policies, including maritime security, international ocean governance and ocean observation. 

The OIA Summit is no ordinary conference – “it’s an innovative, and important  shift from the traditional conference format, designed to move past conversation into real, co-ordinated action with the right people and organisations,” says Alexis Grosskopf, co-founder of OIA. “Ms Vitcheva’s participation will help bridge policy, investment priorities and practical pathways to scale regenerative ocean solutions across Africa. She brings a depth of experience and expertise across all spheres of the OIA focus, from finance and innovation, to science and implementation.”

Charlina Vitcheva said “The European Ocean Pact is our blueprint for the protection and sustainable use of the ocean.  International cooperation is one of its fundamentals. Through strong international partnerships, including under Global Gateway Strategy and initiatives like BlueInvest Africa, we want to work with partners across Africa and beyond to promote sustainable ocean governance, support local value creation and unlock investment in ocean solutions. Because protecting the ocean and building prosperity for coastal communities must go hand in hand.” 

Themed Accelerating and Scaling Out Regenerative Blue Economy Action the Summit focuses on an audience of policymakers, practitioners, innovators, community leaders, investors, researchers and development partners. It will spotlight key pathways across Science-to-Business, Technology, Investment, and Policy for the uptake of African-developed solutions. It will focus on regenerative blue business models and nature-positive growth; blue finance pathways, from aid to local and blended capital, marine protection, economic expansion and community stability, pan-African innovation ecosystems.

 Ms Vitcheva’s presence at the Summit is significant for OIA 2026 bringing deep policy experience to stimulate fresh thinking, debate, and innovative solutions to the challenges faced globally around the regeneration of ocean health and management of the blue economy. 

“As the host city, we are honoured to welcome Charlina Vitcheva to the Summit,” says His Worship the Mayor, Cllr Cyril Xaba. “For Durban, a coastal city deeply connected to the ocean economy, having a global leader responsible for maritime affairs and fisheries in Europe engage directly with African innovators, policymakers and investors helps open important opportunities for regeneration, and growth.” 

For more information or to register, go to:   www.ocean-innovation.africa

Africa Positions Regeneration at the Heart of the Global Blue Economy Agenda

Durban, South Africa: Ocean Innovation Africa (OIA), in partnership with eThekwini Municipality as host city, will hold its 2026 summit in Durban, from 23 to 25 March at the International Convention Centre.

The Summit is aimed at positioning Africa at the forefront of the global shift from a sustainable to a regenerative blue economy, and brings together policymakers, investors, scientists, entrepreneurs, development finance institutions and community leaders to accelerate implementation, unlock capital and investment, and coordinate tangible action across the continent’s ocean economy.

Photo supplied by Durban Tourism

As host city and main partner, the eThekwini Municipality demonstrates its active leadership in advancing the blue economy by looking towards how to strengthen coastal management, support maritime and port-linked innovation, and align local development strategies with climate resilience and ocean sustainability objectives. By hosting OIA 2026, eThekwini reinforces Durban’s position as an important continental hub for ocean innovation, investment, and policy leadership.

“As climate pressures intensify and ocean degradation accelerates globally, our continent stands at a defining moment,” says Alexis Grosskopf Founder of OceanHub Africa and spokesperson for Ocean Innovation Africa .“With more than 38 coastal and island states and a rapidly expanding ocean economy, Africa has a unique opportunity to lead a regenerative model, one that restores ecosystems, strengthens long-term stability and drives equitable economic growth.”

Photo supplied by Durban Tourism

Unlike traditional conferences, Ocean Innovation Africa operates as an ongoing action platform. 

“We’ve structured the Summit to move past conversation and into real, coordinated action with the right people and organisations,” explains Grosskopf.

The 2026 Summit, will focus on regenerative blue business models and nature-positive growth; blue finance pathways, from aid to local and blended capital, marine protection, economic expansion and community stability, pan-African innovation ecosystems and solution-oriented workshops and curated Business-to-Business matchmaking and investor meetings and dialogues.

Following the public summit, a smaller, invitation-only Ocean Impact Retreat (25–27 March) will convene select stakeholders to deepen alignment across finance, policy, science, innovation and delivery infrastructure. While not open to the broader public, this working session is designed to ensure that momentum generated at the summit translates into practical next steps.

The global ocean economy is valued in the trillions of dollars annually, yet overfishing, habitat loss, pollution and climate change are undermining both ecological stability and economic security. Incremental sustainability is no longer sufficient.

“Africa is setting a new global benchmark for the ocean space and OIA 2026 is designed to coordinate such action - we bring finance, policy, science and entrepreneurs in the same room to ensure that commitments move into implementation. Africa has the opportunity to build a regenerative blue economy from the outset - one that restores ecosystems, strengthens communities and delivers economic growth within planetary boundaries.”, says Grosskopf.

By convening African and international stakeholders under a regenerative framework, OIA aims to move beyond commitments towards coordinated implementation and measurable outcomes.

“We expect that investors, policy-makers, and innovators will join forces and co-ordinate strategies to tackle priority bottlenecks, drive practical collaborations, scale solutions, and reinforce Africa-led regenerative framing within global ocean dialogues.”

With increasing global attention on ocean-climate solutions and post-2030 development pathways, OIA 2026 positions Africa as both contributor and leader in shaping the future of the blue economy.

For more information or to register go to:   www.ocean-innovation.africa

FLATFOOT DANCE COMPANY’S NEW SEASON BODIES OF WATER 10-13 April

FLATFOOT DANCE COMPANY is set to dazzle audiences with its 2025 showcase premiere of BODIES OF WATER at Elizabeth Sneddon Theatre from 10 – 13 April 2025.

BODIES OF WATER 2025. Dancer Sbonga Ndlovu PHOTO Val Adamson

Award-winning choreographer, Lliane Loots joins forces with celebrated Durban musicians Refiloe Olifant on violin, and Mandla Matsha on percussion, to offer a beautiful, soulful and thought-provoking new season of contemporary dance.

BODIES OF WATER 2025. Dancers Siseko Duba and Sbonga Ndlovu PHOTO Val Adamson

Loots says, “BODIES OF WATER embraces a double meaning as the dance work negotiates the ecology of water alongside an awareness that the human body is made up of 70% water. Setting the dancing moving body as a breathing metaphor for climate justice, the six FLATFOOT dancers face what happens to bodies in times of personal and political crisis”. She goes on to say, “Set against our own African geopolitics, and a larger ‘body’ of social dis-ease, BODIES OF WATER comes back to the ideas of how we relate to ‘bodies of water’ as both artistic and political metaphors for survival. Even though the human body is made up of mostly water, this fluidity is not our daily reality as we see a world becoming more intractable. The remarkable thing about water is that it is always travelling back to source, back home”.

 

BODIES OF WATER 2025. Dancers Siseko Duba, Zinhle Nzama, and Sbonga Ndlovu. PHOTO Val Adamson

Loots always acknowledges the six FLATFOOT dances (Sifiso Khumalo, Jabu Siphika, Zinhle Nzama, Siseko Duba, Sbonga Ndlovu and Ndumiso Dube) as her co-creators. “In this work the dancers courageously face off with their own flow and sometimes immovability as BODIES OF WATER open space for all of us to examine the very beating of our own hearts and the (wished for) lightness of our footsteps on this Earth. BODIES OF WATER is a daring and deeply beautiful navigation of both the human condition and the ecology of our planet.”

Refiloe Olifant

BODIES OF WATER is performed to an original and live score jointly created in rehearsals with Refiloe Olifant (violin) and Mandla Matsha (percussion). Refiloe (aka Fifi) is a violinist who hails from Bloemfontein and is currently employed by The KZN Philharmonic Orchestra as a principal violinist where she also features as an assistant concertmaster with a baroque ensemble based in Durban called Baroque 2000. Loots says, “Her ability to improvise and create a score with the dancers is a unique talent and I am so grateful to have her beauty in the room when we are working. I consider her and her music to be the 7th dancer in BODIES OF WATER”.

Mandla Matsha

Fifi is joined by long time FLATFOOT collaborator Mandla Matsha. Loots says, “Mandla is a percussionist whose particular ability to score when working with dancers, is what hold BODIES OF WATER together. His range of instruments from djembe drums to the istolotolo (mouth harp) are truly phenomenal”.

BODIES OF WATER sees FLATFOOT partnering once again with lighting designer Wesley Maherry whose bespoke designs for this dance company has seen him win numerous awards. His lighting design is supported by his audio visual/cinematic stage projection designs that give BODIES OF WATER a unique performance landscape.

 

BODIES OF WATER only has four public performances at the Elizabeth Sneddon Theatre from 10 – 13 April. Performances are on 10 and 11 April at 7pm, and 12 and 13 April at 2.30m. Booking is via WEBTICKETS. Tickets cost between R95 and R120.





There is a special schools’ performance on Friday 11 April at 10.30am where learners can watch the show and engage in a special one-off Q&A with FLATFOOT after the performance. Scholars pay R60 and accompanying teachers get a free ticket. This is via prior booking only via Lootsl@ukzn.ac.za.





BODIES OF WATER is made possible by a partnership with the Elizabeth Sneddon Theatre (UKZN).





-ends

I heart Market 4 June from 8:30am - 2pm Moses Mabhida Stadium Lawns

Durban: What’s hot this winter? June’s I heart Market offers market-goers a range of heart-warming bespoke and artisanal fare just in time for Durban’s legendary “slightly-cooler-than-summer” mid-winter!

Taking place this Saturday, 4 June from 08:30 to 2pm, on the Moses Mabhida Stadium Lawns the I heart Market, is not just a “pop-in and out” affair, it’s not only designed to make you want to take a leisurely stroll around the various stalls, make contact with the artists, crafters, and artisans who have created their wares with love and care, but to also relax in the sun and try out the delicious culinary fare on offer.

Wicked Waffles - simply delish!

Some highlights to warm the cockles of your heart include Wicked Waffles - authentic Belgian waffles that are cooked on-site on a gas-fired waffle machine. They are golden delicious outside and soft inside and topped with fresh cream or ice cream. This is a tasty toasty option to warm up your taste buds, before trying out other scrumptious eats.

 

Savage Jewellery - exquisite rings

Looking for gifts? Savage Jewellery is an iconic long-time ‘I heart” linked brand which offers tactile organic sterling silver rings that have been sand cast with beach sand. Using a unique technique to create this effect, these rings feel like ancient relics that have been discovered at the bottom of the ocean. 

 

Knotagain Macrame - the Tree of Life

Then Macrame, which incidentally was a “thing” in the Victorian era, made hugely popular in the 1960’s and 70’s, has started its fourth come-back into fashion. And it’s a fascinating craft. Visit Knotagain Macrame to see their amazing Tree of Life wall hanging, which will be the talking-point at this month’s market. The craftsmanship gone into this phenomenal piece will leave you breathless. But if that’s too big for your home - not to worry there are plenty of simply gorgeous smaller pieces for sale too.

 

Abby River has a beautiful and simple winter collection of children’s clothes

While we are reminiscing - Abby River has a beautiful and simple winter collection, of “old-fashioned-inspired” cotton children’s clothes in natural palettes – a reminder of days gone by when life was, well simpler!

 

Of course, there is so much more from décor and furnishings, clothes, and accessories, to loads of delectable food to take home- preserves, condiments, pastries, bread, biltong. And bonus – you can catch up with friends and make new ones in the sociable dining area, where you can try out a big variety of healthy and interesting cuisine, made as always, with love.

 

The market on the lawns of the Moses Mabhida Stadium is open from 8:30am to 2pm. The entrance is free and dogs on leashes are welcome.

 

For enquiries about I heart Market email info@iheartmkt.com 

 

-ends





Sharlene Versfeld
Versfeld & Associates
Public Relations and Communications
Mobile: +27 (0) 83 326 3235
Email: sharlene@versfeld.co.za
Twitter: sharlvers
Website: www.versfeld.co.za

FLATFOOT DANCE COMPANY presents UNDER THE SAME SKY Elizabeth Sneddon Theatre : 24 – 28 April 2019

MEDIA RELEASE

 

FLATFOOT DANCE COMPANY presents UNDER THE SAME SKY

Elizabeth Sneddon Theatre : 24 – 28 April 2019

 

In a remarkable feat of perseverance and beauty, Durban’s Flatfoot Dance Company celebrates its 16th anniversary with a new dance theatre work, Under the Same Sky, at the Elizabeth Sneddon Theatre  from  24 to 28 April.

 

With an international touring reputation for excellence and a host of national awards under its belt, Flatfoot’s arrival at this momentous 16th year mark as one of South Africa leading contemporary dance companies, is a testament to a dedicated team of dancers and administrators.

 

In keeping with its reputation of creating and performing edgy, controversial, beautiful and intelligent dance, Flatfoot dives heart first into the zeitgeist of contemporary South African identity, in Under the Same Sky and “asks us to remember our humanity and the place that art holds in teaching resilience”.

 

Three new dance works by Sifiso Khumalo, Jabu Siphika and Lliane Loots will premiere in this season.

 

“These works asks of us to step back to negotiate the humanity within all of us,” says Artistic Director of Flatfoot, Lliane Loots. “We take a look at where we have come from, in order to understand who we are, and who we might become. So we are delving into the heart of South African identity, which is both dream and nightmare; both nostalgia and violence. We have not doubt that these works will leave the audience overawed at the sheer beauty of the power of contemporary dance to tell our real South African stories, as it provokes and challenges through the images created, but it also allows the audience to breathe and be reminded of what makes us human.”

 

Sifiso Khumalo’s work Ngaphesheya (loosely translated to mean ‘beyond’ or ‘over there’) is a personal journey back to Khumalo’s own childhood in Clermont growing up with the scourge of ‘necklacing’ as a political weapon. In this piece, made from a questioning and very present perspective in 2019, asks where we are going if our history (and where we come from) means nothing. 

 

Jabu Siphika’s growing feminist voice as a choreographer, opens up in her latest work titled Death of a Dream.  Working from the personal to the political, Siphika has created an evocative duet that looks at disintegrated personal relationships as a metaphor for disinterred political hopes and dreams. Beautifully danced by Siphika herself in partnership with Mthoko Mkhwanazi, Death of a Dream is heartbreaking in its beauty.

 

Lliane Loots’s unsheltered, ends the programme. Loots’s award-winning style that combines video, spoken word and dance in a ‘total theatre’ experience, finds its artistic legs in her newest work. unsheltered moves Loots and Flatfoot’s quest for humanity into the global domain and starts to “unbuild” the meaning of the walls that are the prevailing political agendas of many first world nations. It asks the audience to journey with the dancers into the heart of difference and what it means to embrace a hurt, damaged and vulnerable humanity. Loots’ dance work has a poetic depth that will provoke and delight audiences.

 

Dancing in the season are Sifiso Khumalo, Jabu Siphika, Zinhle Nzama, Sbonga Ndlovu, Ndumiso Dube, Siseko Duba, and Mthoko Mkhwanazi. Lighting design is by Wesley Maherry.

 

Catch Flatfoot Dance Company’s 16th anniversary season Under The Same Sky at the Elizabeth Sneddon Theatre from 24 to 28 April. Shows are at 7.30pm on 24, 25 and 26 April and at 2.30pm on 28 April.  Tickets available through Computicket are R85 and R65 (for scholars, students, pensions and block bookings of 10 or more seats). (There is a special performance for schools at R30 per scholar and teachers come free on 26 April at 10.30am. Bookings for schools only are via Lootsl@ukzn.ac.za).

 

https://online.computicket.com/web/event/under_the_same_sky/1292038803/617314048

 

31st Annual UKZN Jazz Jol - Durban

31st Annual UKZN Jazz Jol

 

The Centre for Jazz and Popular Music is proud to present the 31st annual UKZN Jazz Jol on Saturday, April 6th, 2019. Traditionally scheduled for the 2nd half of the year, the event has been brought forward to accommodate a visit by Prof Darius Brubeck, who founded the Centre for Jazz and Popular Music, and which commemorates its 30th anniversary this year.

 

In another break from tradition, the funds generated from the Jol will be donated to the Durban chapter of Amnesty International, instead of the Ronnie Madonsela scholarship. This is an appropriate way to recognize the support of our local community for our student scholarship over these many years, and to thank them by donating the funds to newly-established chapters of Amnesty International at the UKZN School of Law, the Nelson Mandela School of Medicine, and 6 local schools to set them on the path, in their efforts to fight for human rights.

 

Besides Prof Brubeck, the concert will feature the UKZN Big Band as well as a host of Durban-based alumni, including Melvin Peters, Sazi Dlamini and SKOKIANA, Andile Yenana, Debbie and George Mari, Mfana Mlambo, and Natalie Rungan. Anchoring proceedings will be bassist Ildo Nandja, who will be visiting from the Netherlands, where he is currently registered for his Masters degree in Jazz Studies and drummers Riley Giandhari and Bruce Baker.

 

 

Join us for the 31st annual UKZN Jazz Jol on Saturday, April 6th, 2019 at 19:00. General admission to the 31st Annual Jazz Jol is R100, R80 for pensioners and R50 for students with a student card. Please contact Thuli on 031 2603385 or email Zamat1@ukzn.ac.za for more details.

SA Indian Gangster Thriller Mayfair opens to great reviews

SA INDIAN GANGSTER THRILLER MAYFAIR OPENS TO GREAT REVIEWS

Gangster tale ‘Mayfair’, the fourth film by award-winning director Sara Blecher (‘Ayanda’, ‘Dis Ek Anna’, ‘Otelo Burning’) opened to rave reviews this past weekend. This comes after several sold-out screenings in London.

‘Mayfair’ tells the story of prodigal son Zaid Randera (Ronak Patani) who returns home to Mayfair in Johannesburg, where his overbearing father Aziz (Rajesh Gopie) – a thriving import-exporter and occasional money launderer and loan shark – is facing death threats. Zaid has been unfairly dismissed from his job as an aid worker, and on his return he finds himself living in the shadow of his father and his dodgy dealings. When a murderous rival gang threatens the family’s business, Zaid is forced back into the life he’d hoped to leave behind.

Channel24’s Rozanne Els wrote, ‘The elements of this story are greatly compelling, and Sara Blecher methodically pulls each of these closer together to eventually become a tight and gripping conclusion.’ She called the film ‘a much richer blend of themes than what any genre classification…can  completely encompass.’ She praised Ronak Patani, the British actor who plays Zaid. ‘With genuine commitment, [he takes] the character’s perception of himself as a compassionate, well-intentioned man who is nothing like his father to one of disgust, and resigned to his inevitable fate.’

‘Mayfair’ follows on from the recent success of Indian stories set in South Africa, including ‘Material’, ‘Keeping up with the Kandasamys’ and ‘Broken Promises’.

South Africa Indian community site Indian Spice, said, ‘Blecher delivers a taut, fine-tuned thriller that is guaranteed to keep you on tenterhooks.’

Notably, BBC News visited the bustling suburb of Mayfair, and did a video interview with Blecher, who said that the film reveals a part of Johannesburg seldom seen on screen, and shines a light on a community often side-lined by mainstream popular culture.

In the role of Aziz is Rajesh Gopie, a well-known South African Indian actor, comedian, writer and voice artist who has appeared in such television series as Generations and Zero Tolerance, and is best known for his role in South Africa’s highest grossing film of 2017, ‘Keeping up with the Kandasamys’, a comedy that tells the story of a long-standing rivalry between two families, the Kandasamys and the Naidoos.

Shady businessman and long-standing rival of the Randera family Jalaal is played by Jack Devnarain, who has performed in numerous TV and film productions, including the heist thriller 31 Million Reasons. Devnarain describes his character as ‘a puppet-master dealing in money, power and blood’.

Movie news and reviews site Screen Anarchy praised the film, noting that the crime drama is part of ‘the current wave of high end South African films’, and that ‘Mayfair’ looks at the Muslim-Indian communities of Johannesburg through ‘a tale of conflicted loyalties and escalating violence’.

‘The film explores similar themes to the current Saif Ali Khan headed thriller ‘Sacred Games’, the first Indian Netflix Original web series, which has proved to be a game changer in the Indian entertainment scene,’ says Helen Kuun, MD of Indigenous Film Distribution. ‘The show received a huge thumbs-up from audiences and shot the lights out in India. It explores themes to those at the heart of ‘Mayfair’, including corruption, crime and the dark underworld that exists in almost every urban setting.’

Indigenous Film Distribution: www.indigenousfilm.co.za

View Trailer Here: www.youtube.com/watch?v=I-lDVJ35YBI

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All Media Queries:

David alex wilson

Mad Moth Communications

Cell: +27 83 629 2587

e-mail: davidalex@madmoth.co.za

Monark to perform at this year’s SPAR Women’s 10/5km Challenge in Durban

Monark to perform at this year’s SPAR Women’s 10/5km Challenge in Durban


The finishing area of the Durban SPAR Women’s 10/5km will be bouncing to the sounds of top South African pop band Monark who will be performing at the finish on Sunday 11 June at GrowthPoint Kings Park Stadium outer fields.


Monark, who came onto the music scene in 2013 after dominating SA’s airwaves, will be the headline act for the thousands of runners directly after the challenge’s prize giving. The band will be performing popular tracks ‘Hush’, ‘Smiling’, ‘Something’ and their recent release tune ‘Broken’ that is making waves on playlists around the country. They offer listeners something completely fresh and unique in their style and set trends sonically, stirring up tastes in the local music landscape.

The band is slowly changing the face of pop music within our borders, with their craft songs, which they say have “great meaning and soul stirring hooks”. The Monark members who are from Johannesburg and Potchefstroom, comprise of Eugene Coetzer (vocals and percussion), Ewald Jansen van Rensburg (guitar), Deon de Klerk (bass) and Graeme Wuth (drums).

Their debut album Negatives features 18 songs, was released worldwide on 14 July 2014, peaked at no. 1 on the iTunes Album Chart on the day of its release. These crowd pleasers delighted audiences after the Pretoria race last year and are sure to deliver an after-action satisfaction performance to #SHEroes participating in the Durban SPAR Women’s 10/5km race.

Monark takes to the stage directly after the top runners receive their awards at 10am. Their performance will be followed by the race lucky draw where female finishers of both the 10km and 5km events, who are present, stand a chance to win over R25,000 in lucky draw prizes.

Online entries are open at www.sparwomensrace.co.za with payment by credit card (until June 4) or EFT (until May 29). Manual entries will only be accepted at the race registration on the three days prior to the event. Entry forms are available from participating SPAR stores in KwaZulu-Natal and at Race Registration. No entries will be taken on race day.

For more info email durban@sparwomensrace.co.za or like the Facebook page KZN SPAR Women’s 10/5km Race for up to the minute postings.

 

Janet van Eeden's Double Shot At The Big Time

AFDA Durban Campus lecturer in Production Course, Academic Coordinator and Script Writing, Janet van Eeden has been invited to pitch her project at this year’s London Screen Writers Festival from 25 to 27 October and her lead actor Bradley Backhouse will pitch A Shot at the Big Time at the SME Funding Fair which will also be held in Pietermaritzburg on Friday, 25 October at the Pietermaritzburg Chamber of Business.

Hosted by Regent’s University in the heart of London, the London Screen Writer’s Festival is considered the greatest screen writers festival in the world. The festival is for writers & filmmakers, with insights into the screenwriting and filmmaking process as well as workshops and talks from top industry professionals along with pitching sessions. The Festival which is owned and operated by London Creative Festivals Ltd was launched in 2010 by Chris Jones, the filmmaker and director of The Guerilla Hanbook. Janet van Eeden and seventeen other writers and filmmakers from around the world have been selected to ‘Meet the Experts’ at this year’s festival out of 150 entries. “It is a great opportunity for me to pitch my project and find out different ways to source funding for the feature film, I am completely excited about going to this wonderful event,” said the screenwriter of White Lion, Janet van Eeden.

The panel of experts which David Nicholas Wilkinson has run annually since 1999 makes its debut at the LSF. The panel includes Producer David Nicholas Wilkinson, the founder and current owner of the Guerilla companies, David has participated in almost one hundred film panels chairing over thirty of them at the BAFTA, Screen Yorkshire, Screen South, Bradford, Galway Film Fleadh and many more. He also has devised and chaired MEET THE EXPERTS at the Edinburgh Film Festival with senior financiers, producers, commission editors and sales agents for over a decade.

British screenwriting team Richard Kurti and Bev Doyle also form part of the panel of experts, they first broke into the business by writing and selling a spec script, Newton’s Law, which then led to 14 further movie commissions from US studios such as Warner Bros, Universal, Laika and Intermedia; and UK companies such as Working Title, Pathe and BBC Films. Their shows have earned numerous awards and nominations, including… three BAFTA nominations, two Royal Television Society Awards and two RTS nominations for Going Postal; nomination for Outstanding Motion Picture Made for TV at the US Satellite Awards for Kidnapped; nomination for Best TV Series Drama at the Satellite Awards for Primeval.

Wrapping up the panel is Financier Gavin Poolman, born in Canada, Gavin graduated with an Honours B.A. in French Language and Literature from Trinity College, University of Toronto. Originally a software developer working on government and private sector contracts, after moving to the UK and graduating from the London Film School, he worked as an acquisitions and finance executive within Oscar-winning producer Jeremy Thomas’s Film Trustees/Glinwood Group, where he was involved in the financing and licensing of The Sheltering Sky, Naked Lunch, A Rage In Harlem, Howard’s End and The Crying Game. In 1994, Gavin was appointed Head of Development at sales agency Mayfair Entertainment International (Jefferson in Paris, Vanya On 42nd Street, Richard III).

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17th Poetry Africa - International Poetry Festival Workshops

 

The 17th Poetry Africa – International Poetry Festival presented in partnership with the City of Durban and the KZN Department of Arts and Culture announced the festival line up, which promises to be an exhilarating showcase of diverse voices and sounds. Organised by the Centre for Creative Arts (UKZN) to take place from 14-19 October, this festival is a critical platform for self-expression that gives a platform for cultural exchange in the city of Durban.

The Poetry Africa festival, now in its 17th edition, takes place from 14 to 19 October 2013. The event brings together some of the world’s finest poets and musicians to Durban, with artists from India, Benin, Nigeria, Ireland, Italy, Canada and The United States of America.

The Pre-Festival Creative Writing workshops taking place from 7-11 October, at the Centre for Creative Writing (University of KwaZulu-Natal) offers 15 aspiring writers an extensive week-long programme which offers to develop their creative writing tools to hone their craft. The department which is headed by poet and Poetry Africa alumni Poppy Seed, who is a lecturer in English Literature and Media, with 25 years of experience, as well as a songwriter / composer, playwright and is an internationally acclaimed performance poet.

Our extensive workshop programme also includes a pre-festival tour of Durban by the festival finale musical act, Canadian hip-hop and spoken word poet Ian Kamau.  The interactive week-long workshops will take place in various venues across the city, and is a must for all poetry lovers. Kamau is a writer, visual artist, hip hop and spoken word artist from Toronto whose discography lists five collections, including the popular album One Day Soon (2011).

Kamau’s Rhythm, Rhyme & Reasons workshops will take place on the following dates: 

Tuesday 8 October:  Ekhaya Multi-Arts Centre, 14:00-15:00.

Wednesday 9 October: BAT Centre, 17:00-18:00.

Thursday 10 October: Lindelani Arts Centre, 13:00-14:00.

 Friday 11 October: Alliance Francaise, 14:00-15:00.

To take part in the workshops presented by Ian Kamau, contact poetryafricaworkshops@gmail.com.

Along with a diverse line-up of performers, the festival has an extensive workshop programme taking place before and during the festival. Aspiring poets and poetry lovers have the opportunity to engage with Poetry Africa participants, past and present to help hone their craft with creative writing workshops that they will be hosting. The Poetry Writing Workshop at the BAT Centre Saturday 19 October, headed by Raphael D’Abdon (Italy) and Kobus Moolman (South Africa), offers poetry lovers an opportunity to discuss reading, writing and the performance aspects of poetry. D’Abdon is an Italian scholar, writer, editor and translator and a post-doctoral fellow in the English Studies Department at UNISA. As an editor D’Abdon recently published Marikana - A Moment in Time as well as an anthology of poetry about the massacre as well as his own collection Sunnyside Nightwalk. Kobus Moolman is a lecturer of creative writing and languages at the University of KwaZulu-Natal and author. Moolman has a diverse portfolio of published work and his latest collection Left Over is currently enjoying rave reviews is the press.

This year the festival will also host a workshop in partnership with Poetry Potion on Saturday 29 October at the BAT Centre, to discuss and analyse the work of their third quarterly publication Poetry is not a Luxury. Inspired by Audre Lorde’s work of the same title, this anthology of poems written by respected poets Tereska Muishond, Ayabulela Tutuse, Morula wa Kutukgolo, Mandy Mitchell, Monique Barnard, and Saurell Boyers; contemporary poets using their words to tackle and engage topics of every-day life, while discovering who they are through the art of poetry. Our panel discussion will feature 17th Poetry Africa participants Natalia Molebatsi, Malika Ndlovu, and Mandi “Poefficient” Vundla, creating a dialogue about the work and influence of female poets in the country.

For more details about this year’s Poetry Africa, visit www.cca.ukzn.ac.za or call (031) 2602506

Organised by the Centre for Creative Arts (University KwaZulu-Natal), the 17th Poetry Africa is funded by the City of Durban, the KwaZulu-Natal Department of Arts and Culture, and The French Institute. The Centre for Creative Arts is housed in the College of Humanities at the University of KwaZulu-Natal. The CCA is a special project of the Deputy Vice-Chancellor, Professor Cheryl Potgieter, in the College of Humanities at UKZN.

Caption: Canadian Poet and Hip-Hop Artist Iain Kamau will be in Durban hosting workshops as part of the Poetry Africa International Poetry Festival prior to the opening of the Festival. 

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Poetry Africa - Prelude Poet Programme

17th Poetry Africa

International Poetry Festival

14-19 October 2013

Poetry Africa Prelude Poet Programme

The Centre for Creative Arts (University of KwaZulu-Natal), with principal funding from the City of Durban and the Department of Arts and Culture, calls out to the Durban’s creative and undiscovered poets to take part in the festival Prelude Poets programme as part of the 17th Poetry Africa International Festival.

The Poetry Africa festival, now in its 17th edition, takes place from 14 to 19 October 2013. The festival brings together some of the world’s finest poets and musicians to Durban, with artists from India, Nigeria, Ireland, Italy and The United States of America.

The 17th Poetry Africa, International Poetry Festival is looking for four of Durban’s brightest undiscovered poets to take part in Poetry Africa Prelude Poet programme. The programme gives the city’s creative and original poets the opportunity to showcase their hidden talents to audiences at the country’s premier poetry festival.

Participants will be required to audition original works with a five minute limit. Auditions are to take place at The Centre for Creative Arts (University of KwaZulu-Natal Howard College Campus) on 13 September 2013. Auditions and will be assigned on a first-come-first-serve basis. To book an audition time, please send an email with your name and contact details with the Poetry Africa Prelude Auditions in the subject title to paprelude2013@gmail.com

For more details about this year’s Poetry Africa, visit www.cca.ukzn.ac.za or call (031) 2602506

Organised by the Centre for Creative Arts(University KwaZulu-Natal), the 17th Poetry Africa is funded by the City of Durban and the KwaZulu-Natal Department of Arts and Culture. The Centre for Creative Arts is housed in the College of Humanities at the University of KwaZulu-Natal. The CCA is a special project of the newly appointed Deputy Vice-Chancellor, Professor Cheryl Potgieter, in the College of Humanities at UKZN.

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General Enquiries:

Phone: +27 (0)31 260 2506/1816

Fax:+27 (0)31 260 3074

Email: cca@ukzn.ac.za

Media Enquiries:

Kwazi Ngubane/ Nolwazi Magwaza

Mobile: +27 (073) 442-9347/ + 27 (076) 638-3546

Phone: +27 (031) 811-5628

Email: kwazi@versfeld.co.za or nolwazi@versfeld.co.za

Website: www.versfeld.co.za

Ten Days To Go To SA's Top Film Event - The 34th Durban International Film Festival

It’s juts ten days to go to the start of the 34th Durban International Film Festival , South Africa’s premier film industry event which sees a host of local, continental and international filmmakers and film-lovers converge in the city to feast on everything to do with film from July 18 to 28.

The festival, is hosted by the Centre for Creative Arts, University of KwaZulu-Natal, a special project of the Deputy Vice Chancellor and Head of the College of Humanities, Prof Cheryl Potgieter, with principal funding by the National Lottery Distribution Trust Fund. Over the years, the fest has grown in global stature to being one of the most important global festivals for viewing African and South African films, as well as offering audiences the best of the most recent international films. The full programme with schedule of films and workshop and seminar as well as all synopses of films is now up on the web –www.durbanfilmfest.co.za.

Eleven venues around Durban will host 170 films in 250 screenings in a smorgasbord of the best of contemporary cinema, and film-lovers and aspiring and experienced film-makers can enjoy a comprehensive workshop and seminar programme that facilitates the sharing of knowledge and skills by film industry experts.

This year the theme focus areas are African cinema with 12 world premieres of South African films including the opening night film Of Good Report directed by Jahmil Qubeka; Contemporary Europe, American Independent films, films about sexual identifies and sexuality, a Zombie fest as well as a broad variety of films showcasing the best of world cinema.

For film-lovers, this is an opportunity to go see films from firm favourites as well as to explore new and first time directors, films from new places and foreign language films; to discuss and debate the films, and get to meet the people who make them. Festival-goers will be delighted to hear that the DIFF has created a new free public marquee with refreshments for sale in front of the Blue Waters Hotel, as a social meeting point.

For film-makers there is the Fourth Durban FilmMart, a partnership project with the Durban Film Office, and supported by the City of Durban, which is a film finance and co-production market presented in three strands – Finance Forum, Master Classes and the Africa in Focus seminars. The DFM master class and networking programme is open to registered delegates only. See www.durbanfilmmart.com for further details.

For the ninth year, DIFF partners with Wavescape – a feast of surfing cinema and shark stories including 11 features and 5 shorts with a free outdoor screening at the Bay of Plenty Lawns on Sunday 21 July, before locating at Ster-Kinekor Musgrave Monday 22 July to Friday 26 July.

The 6th Talent Campus Durban brings together the creativity of 50 selected filmmakers from 18 different countries in Africa, chosen from over 450 submissions, who will take part in a series of masterclasses, workshops and industry networking opportunities during the DIFF.

Running parallel to the DIFF is Durban Wild Talk Africa, the continent’s most respected Natural History Film Festival and Conference which takes place at the Docklands Hotel in Durban from July 23 to 26.  For more info www.wildtalkafrica.com.

Principal screening venues are Suncoast Cinecentre; Ster Kinekor Musgrave, Cinema Nouveau – Gateway, Elizabeth Sneddon Theatre; Ekhaya Multi-Arts Centre in KwaMashu; and the Blue Waters Hotel. Other venues include the Bay of Plenty Lawns, the Upstairs at Spiga D’oro and the Luthuli Museum on the North Coast, which will have a special programme of screenings.


Tickets are through the respective venues and prices range from R25 to R35 (R50 for 3D screenings), except at Luthuli Museum, Blue Waters, Ekhaya and Bay of Plenty lawns, which are free of charge.  The Short Film programme at Upstairs at Spiga d’Oro  costs  R20.

Programme booklets with the full screening schedule and synopses of all the films are available free at cinemas, and other public information outlets. Full festival details can also be found on www.durbanfilmfest.co.za or by calling 031 2602506.


Organised by the Centre for Creative Arts in the College of Humanities (University of KwaZulu-Natal) the Durban International Film Festival is supported by the National Lottery Distribution Trust Fund (principal funder), National Film and Video Foundation, KwaZulu-Natal Department of Economic Development and Tourism, City of Durban, German Embassy, Goethe Institut, Industrial Development Corporation, KwaZulu-Natal Department of Arts and Culture, and a range of other valued partners.

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