South African choreographer and arts activist, PJ Sabbagha named the 2026 JOMBA! LEGACY ARTIST

The 28th annual JOMBA! Contemporary Dance Experience, hosted by UKZN’s Centre for Creative Arts, has announced that it will honour South African choreographer and arts activist PJ Sabbagha as the 2026 JOMBA! Legacy Artist. 

PJ Sabbagha, whose name has become synonymous with issue-based dance theatre, is the Organisation Steward and Chief Collaborator / CEO of The Forgotten Angle Theatre Collaborative (FATC  - now in its 31st year), the Ebhudlweni Arts Center (in its 11th year) and the annual My Body My Space Rural Public Arts Festival (in its 11th year).

Sabbagha was the recipient of the 2005 Standard Bank Young Artist Award for Dance and the 2006 FNB Dance Umbrella award for Best Choreography for his work, Still Here. He was also awarded the 2005 and 2009 awards for Most Outstanding presentation of a new work for The Double Room and Macbeth respectively. In 2005 he was voted top South African Artist and was also placed in the top 10 of The Star Tonight’s annual top 100 South Africans. 

He has travelled across the USA as a guest of the US State Department as part of the 2007 International Visitors Leadership Program investigating HIV and AIDS and other communicable diseases. In 2017 Sabbagha visited France as a guest of the French Ministry of Culture and Communications as part of a Seminar Focusing Arts and Culture in Service of Community and Territorial Development. Sabbagha’s choreographic work has been shown at festivals and theatres in countries that include Russia, Mexico, France, Holland, Tanzania, Mali, Mozambique and Taiwan.

Currently PJ leads FATC in its delivery and work as appointed implementing agency on behalf of the Mpumalanga Provincial Department of Culture, Sports and Recreation’s Community Arts Center Support and Development Programme funded by the National Department of Sports, Arts and Culture

JOMBA!’s artist director, Dr Lliane Loots says, “Deeply significant to the JOMBA! Legacy award is PJ’s lifelong commitment to not just his choreographic excellence, but a deep-seated care for community and his pioneering work that has shifted South African dance out of urban spaces. His curation and vision have shifted our dance landscape and we are deeply humbled that we get to honour PJ in this way”. 

 “The JOMBA! festival’s 2026 overall curatorial theme and provocation is Choreographies of Activism: Moving Bodies as Disruptive Presenting and we can think of no other South African artist who has exemplified this moving across physical, economic and access borders in his dance work, whether this has been training and teaching, choreography, or curation”.

PJ and FATC will open JOMBA! on 25 and 26 August in Durban with a re-visit and re-boot of an earlier work NOAH - a multi-media dance work exploring the notions of loss, love and letting go. It uses the frame of irreversible climate change as an immersion in the moment of crisis, from which there is no return. NOAH will be performed by Nicholas Aphane, Athena Mazarakis and Shawn Mothupi, and is a layered conversation between live performing bodies, video projection and shadows that surfaces the personal and collective response to this (personal and geopolitical) moment of crisis.

JOMBA! takes place at The Sneddon Theatre in Durban from 25 August to 6 September, and the satellite festival takes place at The Market Theatre in Johannesburg from 9 to 12 September 2026.

For more information go to https://jomba.ukzn.ac.za/

JOMBA! MASIHAMBISANE DIALOGUES #6 - Choreographies of Activism: Moving Bodies as Disruptive Presencing: 27-29 May 2026 Online with Free Public Access

The Centre for Creative Arts at the University of KwaZulu-Natal, in partnership with the JOMBA! Contemporary Dance Experience, presents the 6th edition of the JOMBA! MASIHAMBISANE DIALOGUES (JMD26), taking place online from 27-29 May 2026. 

Under the theme Choreographies of Activism: Moving Bodies as Disruptive Presencing, this year’s dialogues bring together artists, scholars, choreographers, and activists from across Africa and the Global South to explore dance as a form of embodied activism and political intervention.

“At a time marked by ongoing colonial legacies, global inequality, mass displacement, ecological collapse, and political violence in regions such as Palestine, Sudan, Syria, and the Democratic Republic of Congo, JMD26 asks urgent questions about the role of the moving body in resistance, survival, memory, and collective care,” explains committee member Dr Lliane Loots. “Rather than understanding dance as metaphor, the dialogues position choreography and movement as active political practices through which bodies assemble, disrupt, claim visibility, and insist on justice. Drawing on decolonial, feminist, queer, Indigenous, and Critical Black studies frameworks, the programme interrogates how movement generates forms of knowledge beyond institutional and textual politics.: 

The three-day programme features keynote dialogues, paper presentations, panel discussions, screendance screenings, and a major book launch. International keynote guests include Hershini Bhana Young (South Africa/USA), Preethi Athreya (India), Nora Amin (Egypt), L’Antoinette Stines (Jamaica), and Kettly Noël (Haiti and Mali). Highlights include conversations on borders, memory, dance activism, ancestral embodiment, and transformative choreographic practices. Presenters from South Africa, Uganda, Brazil, Tanzania, Kenya, Haiti, Egypt, India, Jamaica, and beyond will engage questions of ecology, gender, migration, disability, and embodied resistance within the frame of activisms.

A featured event within the programme is the launch of Encountering Disability and Citizenship Through Contemporary Dance in Africa(Routledge, 2026), co-authored by Yvette Hutchison and Lliane Loots. Emerging from a UKRI-funded research project, the publication examines how integrated dance practices across Africa challenge dominant understandings of disability, citizenship, and belonging.

All sessions are free and accessible online. The dialogues will be livestreamed via the official JOMBA! YouTube channel, and you can also apply for a direct Zoom access to join the live digital discussion space.

Access Information

The livestream can be accessed via:
JOMBA! YouTube Channel

Access the full programme updates and information:
 https://jomba.ukzn.ac.za/masihambisane-dialogues/masihambisane-dialogues-issue6-2026/

To apply for direct Zoom participation, contact:
Thobile Maphanga - 2024jomba@gmail.com

The 2026 JOMBA! MASIHAMBISANE DIALOGUES invites audiences to consider how moving bodies continue to hold memory, generate political possibility, and create spaces for collective imagination in deeply fractured times.

JOMBA! FEMME FORWARD Screen Dance Residency 2026

The 2026 JOMBA! Contemporary Dance Experience, hosted by the University of KwaZulu-Natal’s award-winning Centre for Creative Arts, calls for applications for its JOMBA! Femme Forward Screen Dance Residency, which takes place during the festival from 24 August to 29 August.

Besides presenting edgy live contemporary dance, as well as workshops, talks and its dance-writers - and female-focused residencies, JOMBA! also supports, hosts and nurtures a digital dance platform that has an open call for submissions to be featured at the festival.

Darkroom Contemporary Artistic Director Louise Coetzer with company dancer Tania Mteto. Image by Oscar O’Ryan.

This year’s continuation of the JOMBA! Femme Forward Residency focuses on the development of female-identifying dance artists who are eager to develop their digital screen dance practice.  Having screened almost 50 dance films over the past 5 years JOMBA! is dedicated to investing in the craft of screen dance making and following the 2023 screen dance residency run by Mozambican duo Pak Ndjamena and Ivan Barros JOMBA is thrilled to be partnering with Cape Town based Darkroom Contemporary Dance Theatre to execute this year’s 6-day residency.  

The residency offers space for 5 female-identifying dancers / dance makers aged between 18 and 35 years who have some dance training and have a keen interest in upskilling themselves to become digital screen dance creators. 

This JOMBA! Femme Forward Screen Dance Residency is being run in partnership with  Darkroom Contemporary Dance Theatre (Cape Town, South Africa),  a project-based company which was founded in 2010, and formed as a vehicle to reimagine dance through its innovative approach to staging and presenting contemporary works.

Founders Louise Coetzer, a dancer and choreographer, and Oscar O’Ryan, a photographer and filmmaker, bring together expertise from their respective fields to form a dynamic partnership. Their projects provide platforms and create opportunities for skills development and exchange among all artists involved. They focus on the use of new technology and digital media frame their artistic approach. Similarly does interdisciplinary exploration, with project collaborators including visual artists, musicians, designers, filmmakers and digital artists.

“We remain deeply committed to creating accessible, inclusive spaces for dance-makers,” says JOMBA!’s Project Manager, Thobile Maphanga. “The Femme Forward Residency is about amplifying young female-identifying voices in dance, and this year specifically in screen-dance, giving them the tools and confidence to tell their stories in powerful new ways, making their work accessible to wider global audiences.”

“We are excited to collaborate with JOMBA! on this residency,” says Louise Coetzer of Darkroom Contemporary Dance Theatre. “Screen dance opens up fresh possibilities for choreography and creativity, and we want participants to experiment, take risks, and discover their own unique voices in the digital space.”

The Residency will focus primarily on developing dance filmmaking skills (from conceptualisation, pre-production planning, filming to editing considerations). The outcome will be a short screen dance film, created individually by each participant. Included in the residency will be access to dance workshops by choreographers visiting the festival, assistance in forging a professional image and instilling good work ethic that will aid the young makers to promote their future work.  The residents will also have access to the full festival programme and have the opportunity to meet and engage with professional companies and choreographers that are visiting the festival.

The selection will be done through an application process that requires the applicant to motivate why they want to be a part of the residency.  Participants will be expected to be available for the full 6-day duration (24-29 August 2026) with the outcomes of the residency presented at the JOMBA! Forging Futures platform on Saturday, 29 August 2026.  There is no cost to participate, and a nominal stipend is paid to support residents with transport and food for the 6 days. Applicants must reside in and around Durban.

For more information about the application criteria and selection process, go to https://jomba.ukzn.ac.za/jomba-femme-forward-screen-dance-residency-2026/.

Applications can be made here https://forms.gle/8BcWYQVZgyPx4twf7 . Applications close on Monday 22 June 2026 at 5pm.

Applications Now Open for the 2026 JOMBA! YOUTH OPEN HORIZONS Platform

Applications are officially open for the 2026 JOMBA! YOUTH OPEN HORIZONS Platform for the 28th JOMBA! Contemporary Dance Experience (24 August - 6 September), hosted by the University of KwaZulu-Natal’s Centre for Creative Arts in Durban.

Pinetown Girls High Dance Group with choreography by Lettie Nzama at the 2025 JOMBA! Youth Open Horizons. Photo by Val Adamson

In a celebration of young talent the much-loved YOUTH OPEN HORIZONS returns to the Stable Theatre, Durban, on Sunday 30 August at 2pm. This vibrant platform is a joyful, non-competitive space where dancers under 16 - across every dance style - come together to share, learn, and connect. From hip hop and pantsula to Zulu traditional dance, ballet, contemporary, and beyond, it’s a stage dedicated to honouring the next generation of movers and dance-makers. 

FLATFOOT's Project Hheshe Nsizwa (Umlazi) with choreography by Siseko Duba and Zinhle Nzama at the 2025 JOMBA! Youth Open Horizons. Photo by Val Adamson

"The YOUTH OPEN HORIZONS Platform is one of the most joyful parts of our festival,” says Lliane Loots, Artistic Director of JOMBA!  “This is where we see the spark of tomorrow’s dance-makers igniting on stage. To watch young dancers share their passion in a space that celebrates diversity and creativity is really inspiring. This is not just about performance; it’s about creating a dance community, nurturing confidence, and giving our young artists the chance to perform in front of a packed auditorium with an appreciative audience – it is truly life-changing.”

The festival is able to host 12 dance groups. Applications can be made on here: https://forms.gle/7EnrZzG7SXdawT6D6

The deadline for applications is 29 June 2026.

For more information about JOMBA! go to https://jomba.ukzn.ac.za/

Opportunity for Choreographers in JOMBA! Live and Digital Open Horizons Platforms

The Centre for Creative Arts (University of KwaZulu-Natal) has opened submissions for the 2026 JOMBA! OPEN HORIZONS Platforms, an integral part of the annual JOMBA! Contemporary Dance Experience - South Africa’s premiere contemporary dance festival which runs from 27 August to 8 September 2026 in Durban.

In its commitment to present bold, experimental, and inclusive dance, JOMBA! offers the live and digital curated OPEN HORIZONS platforms as an opportunity for dance-makers to showcase new works in a safe, and supportive environment.

JOMBA! DIGITAL OPEN HORIZONS aims to showcase screen-dance and dance film, focussing on work that is created specifically for the screen.

SIMUNYE - Breeh Cele (South Africa) (Pick of the Platform - JOMBA! Digital Open Horizons 2025)

JOMBA! invites submissions (5–10 minutes in length) from local, African and international choreographers that engage the moving body in relation to the camera, editing, framing, and digital space, where choreography extends beyond the stage into cinematic forms.

“We are looking for works conceived as screen-based choreographic experiences, where movement, lens, time, and environment are integral to the making of the film,” explains JOMBA! Artistic Director Lliane Loots.

The Space Between Us - Maulid Owino (Kenya) -JOMBA! Digital Open Horizons 2025

“We welcome innovative, experimental, and critically engaged practices within the contemporary dance idiom, including interdisciplinary and hybrid forms that push the boundaries of how dance is created, perceived, and circulated in digital space.”

Selected works will be screened publicly on the festival’s YouTube channel as part of the official programme. An award of R2000 is given to a jury-selected “Jury Pick of the Platform.”

Radix - Mario Gaglione (Italy/South Africa)   - JOMBA! Digital Open Horizons 2025

JOMBA! LIVE OPEN HORIZONS is a platform offered to live short-form dance works (6–8 minutes). The festival is looking for works that sit within the contemporary dance idiom, that are bold, experimental, and can include interdisciplinary approaches to live performance. Choreographic voices that explore innovation, risk-taking, and fresh perspectives will be at an advantage. “We want performances that can engage audiences in new ways and contribute to the beautifully evolving landscape of African contemporary dance,” says Loots.

ISPA programme in ECHOS OF GREATNESS - choreography by Gabriel Youngstar

An award of R2,500 is given to a jury-selected “Jury Pick of the Platform” work.

Both platforms are not funded, and therefore, no travel or accommodation support is provided.

Festival Director Dr Lliane Loots says: “We remain deeply committed to creating accessible, inclusive spaces for dance makers, the OPEN HORIZONS platforms are vital incubators for boundary-breaking choreographic voices, and provides a solid foundation from which to springboard new works into the world.”

SISUKAPHI - 2025 Winning work with choreography by Mfundiseni Ndwalane

All platforms have limited slots, and the selection process is competitive. Applicants are encouraged to submit their entries early to ensure full consideration.

For more information about JOMBA! go to https://jomba.ukzn.ac.za

Applications can be made on:

Digital https://forms.gle/ntqRy9uj23htX53QA  The deadline is 20 July 2026.

Live https://forms.gle/2PVJaZUeH7tFVuRh7  The deadline for submissions is 29 June 2026.

Enquiries can be emailed to jombafestival@gmail.com .

Call for Submissions for JOMBA! MASIHAMBISANE DIALOGUES #6 Online Colloquium 27–29 May 2026

The Centre for Creative Arts at the University of KwaZulu-Natal (UKZN), in partnership with the JOMBA! Contemporary Dance Experience, will host the 6th JOMBA! MASIHAMBISANE DIALOGUES (JMD) Colloquium in an online format from 27 to 29 May 2026. Under the theme “Choreographies of Activism: Moving Bodies as Disruptive Presencing,” this year’s dialogues invite scholars, artists, choreographers, and activists to explore the role of dance as a powerful form of embodied activism in contemporary global contexts.

“Across the Global South, dance has long served as a site where histories of resistance, survival, refusal, and futurity are carried through the moving body,” explains Dr Lliane Loots, the chair of the JOMBA! MASIHAMBISANE DIALOGUES steering committee. “We are looking to examine dance - not simply as metaphor - but as a practical mode of political engagement—a way that bodies assemble, appear, disrupt, and claim space, visibility, and justice within systems shaped by colonial and postcolonial power.”

Close by …  La rue d’à-côté … (JOMBA! Contemporary Dance Experience 2024) Compagnie Ex Nihilo (Marseille, France) in an encounter with FLATFOOT DANCE COMPANY (Durban, South Africa). Photo by Val Adamson

In a global moment marked by deep political upheaval, economic inequality, and the lingering impacts of colonial histories, the dialogues ask urgent questions about the role of movement and performance. How does the dancing body respond to forms of censorship, erasure, and the denial of humanity experienced in many parts of the world today? What possibilities do rhythm, gesture, stillness, improvisation, and collective movement offer as alternatives to dominant social, spatial, and political orders?

The programme will bring together international and regional contributors to engage with myriad questions including: how dance can be used as activism, and what choreographic strategies act as a form of disruptive presencing under conditions of risk, surveillance, or repression amongst others.

uXinzelelo (JOMBA! Contemporary Dance Experience 2024) BreeH Cele. Photo by Val Adamson

JOMBA! MASIHAMBISANE DIALOGUES welcomes a range of presentation formats that reflect the embodied nature of dance research and practice. These include academic papers, lecture-demonstrations, performance lectures, artist talks, facilitated movement scores, curated panels, and other hybrid or experimental forms.

Proposals of up to 450 words are invited and should be submitted by Thursday, 2 April 2026 (4pm).  Abstract submissions and enquiries email: 2024jomba@gmail.com  

For the full submission call out go to: https://tinyurl.com/yc2d7m6v

For more information about the JOMBA! MASIHAMBISANE Dialogues and archive, visit:
https://jomba.ukzn.ac.za/masihambisane-dialogues/

24th JOMBA! Contemporary Dance Experience Announces its first live programme in 2 years

24th JOMBA! Contemporary Dance Experience Announces its first live programme in 2 years

30 August to 11 September 2022

The 24th JOMBA! Contemporary Dance Experience, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts, has announced its programme for its first live festival since 2019, which takes place at the Elizabeth Sneddon Theatre, UKZN from 30 August to 11 September 2022.

The theme of this JOMBA! centres around “the (im)possibility of home”, and offers dance and theatre fans a treat of 13 days of world-class contemporary dance and performance from both local and international dance-makers. Artists hail from Mozambique, Switzerland, Reunion Island, India, and of course, includes the very best that South Africa has to offer. This edition offers a powerhouse of performances, workshops, after-performance Q & A’s, panel discussions, virtual screen dance, and the return of the JOMBA! youth dance platform that continues to support the growth of Durban’s young dance communities.

“We are thrilled and relieved to be finally presenting our much-loved festival – live and in-person, while keeping some works and events online to include those not able to attend,” says Artistic Director and Curator, Dr Lliane Loots. “This year, through the theme “the (im)possibility of home”, we have set out to interrogate a series of dance offerings that negotiate heritage, culture, nostalgia, and identity, which explore a sense of belonging and how this persists, changes, and transforms through time – and what a time (both local and global) for this moment!”

Vincent Mantsoe

Within this theme, Vincent Sekwati Mantsoe will be honoured as the 2022 JOMBA! Legacy Artist. “This year marks a 30-year history of Mantsoe’s career as a dancer and choreographer and we can think of no better way to honour this incredible icon in South Africa’s historical dance trajectory than to celebrate with him,” says Loots.

There will be a live performance of Mantsoe’s new solo work KOMA, the screening of his short dance film CUT (part 1) made during lockdown and his two-year process (2021 and 2022) of working with Durban’s FLATFOOT DANCE COMPANY and the long journey to making CUT (part 2) – which will premiere at the festival, and he will present a masterclass.

Hominal/Xaba

South Africa’s doyens of contemporary dance - the controversial and critical dance-makers – Mamela Nyamza and Nelisiwe Xaba feature with Xaba opening this year's festival in a collaboration with Swiss dance maker Marie-Caroline Hominal in a work intriguingly and simply titled Hominal/Xaba. 

Mamela Nyamza

The deeply interrogated and thoughtful Mamela Nyamza offers her newest work GROUNDED. performed with her son Amkele Mandla, in which she offers us a look into her South Africa where democracy superficially seems to be in a working condition, but actually has small cracks not easy to see.

Edna Jaime

In partnership with the Goethe-Institut South Africa, JOMBA! will host the inimitable Mozambican dance-maker Edna Jaime in her remarkable solo Um Segundo (One Second).

Fana Tshabalala

Fana Tshabalala, the 2019 JOMBA! Mellon Artist in Residence, makes a welcome return with his Broken Borders Arts Project to premiere his latest solo work Zann, which he began creating as part of the 2019 residency. 

Three new works by Durban choreographers/dancers - Sandile Mkhize, Tegan Peacock, and Pavishen Paideya will premiere at the festival. All three were given grants to help push their creation of new local work in the JOMBA! EDGE mentored platform.

The JOMBA! YOUTH OPEN HORIZONS (formerly the Youth Fringe), will feature a host of local dance talent at The Stable Theatre.

The virtual offerings include the JOMBA! AFRICAN DIGITAL VOICES, OPEN HORIZONS and an online panel discussion.

In the JOMBA! AFRICAN DIGITAL VOICES platform Mozambican choreographer and dancer Pak Ndjamena, who collaborates with photographer and filmmaker Ivan Barros, has been commissioned to make a screen dance offering One Step at a Time; while Reunion Island’s Didier Boutiana and his company SOUL CITY present a dance film titled Le Sol Oblige (The Earth Obliges) a humbling and beautiful look at the relationship of the individual to ideas of home and land, and to community. Mantsoe’s Cut (part 1) features online here too.

JOMBA! OPEN HORIZONS (formerly the JOMBA! Fringe) continues to support dance-makers working in film. A jury will select six films to showcase from a call for submissions earlier this year, and the top three will be announced after the viewing. 

The festival closes with a virtual conversation between Attakkalari Centre for Movement Arts (Bangalore, India) and artist Simon Senn (Switzerland) looks at the dance work of this amazing centre and the incredible project between Senn and Bharatha Natyam dancer Rohee Oberoi.  

There are three open workshops (dancers over 16 only) for dancers and dance-makers, an industry-related session entitled JOMBA! Forging Futures, and the much-valued JOMBA! KHULUMA online writing residency will feature write-ups, interviews and reviews. More details to be announced soon 

Live performances take place at the Elizabeth Sneddon Theatre (UKZN), the Stable Theatre (one performance and free) as well as virtual/online (free) .

Tickets for Elizabeth Sneddon Theatre performances are R80 full price, R65 – students, scholars and pensioners. Booking is through Computicket.

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