JOMBA! MASIHAMBISANE DIALOGUES #6 - Choreographies of Activism: Moving Bodies as Disruptive Presencing: 27-29 May 2026 Online with Free Public Access

The Centre for Creative Arts at the University of KwaZulu-Natal, in partnership with the JOMBA! Contemporary Dance Experience, presents the 6th edition of the JOMBA! MASIHAMBISANE DIALOGUES (JMD26), taking place online from 27-29 May 2026. 

Under the theme Choreographies of Activism: Moving Bodies as Disruptive Presencing, this year’s dialogues bring together artists, scholars, choreographers, and activists from across Africa and the Global South to explore dance as a form of embodied activism and political intervention.

“At a time marked by ongoing colonial legacies, global inequality, mass displacement, ecological collapse, and political violence in regions such as Palestine, Sudan, Syria, and the Democratic Republic of Congo, JMD26 asks urgent questions about the role of the moving body in resistance, survival, memory, and collective care,” explains committee member Dr Lliane Loots. “Rather than understanding dance as metaphor, the dialogues position choreography and movement as active political practices through which bodies assemble, disrupt, claim visibility, and insist on justice. Drawing on decolonial, feminist, queer, Indigenous, and Critical Black studies frameworks, the programme interrogates how movement generates forms of knowledge beyond institutional and textual politics.: 

The three-day programme features keynote dialogues, paper presentations, panel discussions, screendance screenings, and a major book launch. International keynote guests include Hershini Bhana Young (South Africa/USA), Preethi Athreya (India), Nora Amin (Egypt), L’Antoinette Stines (Jamaica), and Kettly Noël (Haiti and Mali). Highlights include conversations on borders, memory, dance activism, ancestral embodiment, and transformative choreographic practices. Presenters from South Africa, Uganda, Brazil, Tanzania, Kenya, Haiti, Egypt, India, Jamaica, and beyond will engage questions of ecology, gender, migration, disability, and embodied resistance within the frame of activisms.

A featured event within the programme is the launch of Encountering Disability and Citizenship Through Contemporary Dance in Africa(Routledge, 2026), co-authored by Yvette Hutchison and Lliane Loots. Emerging from a UKRI-funded research project, the publication examines how integrated dance practices across Africa challenge dominant understandings of disability, citizenship, and belonging.

All sessions are free and accessible online. The dialogues will be livestreamed via the official JOMBA! YouTube channel, and you can also apply for a direct Zoom access to join the live digital discussion space.

Access Information

The livestream can be accessed via:
JOMBA! YouTube Channel

Access the full programme updates and information:
 https://jomba.ukzn.ac.za/masihambisane-dialogues/masihambisane-dialogues-issue6-2026/

To apply for direct Zoom participation, contact:
Thobile Maphanga - 2024jomba@gmail.com

The 2026 JOMBA! MASIHAMBISANE DIALOGUES invites audiences to consider how moving bodies continue to hold memory, generate political possibility, and create spaces for collective imagination in deeply fractured times.

Call for Submissions for JOMBA! MASIHAMBISANE DIALOGUES #6 Online Colloquium 27–29 May 2026

The Centre for Creative Arts at the University of KwaZulu-Natal (UKZN), in partnership with the JOMBA! Contemporary Dance Experience, will host the 6th JOMBA! MASIHAMBISANE DIALOGUES (JMD) Colloquium in an online format from 27 to 29 May 2026. Under the theme “Choreographies of Activism: Moving Bodies as Disruptive Presencing,” this year’s dialogues invite scholars, artists, choreographers, and activists to explore the role of dance as a powerful form of embodied activism in contemporary global contexts.

“Across the Global South, dance has long served as a site where histories of resistance, survival, refusal, and futurity are carried through the moving body,” explains Dr Lliane Loots, the chair of the JOMBA! MASIHAMBISANE DIALOGUES steering committee. “We are looking to examine dance - not simply as metaphor - but as a practical mode of political engagement—a way that bodies assemble, appear, disrupt, and claim space, visibility, and justice within systems shaped by colonial and postcolonial power.”

Close by …  La rue d’à-côté … (JOMBA! Contemporary Dance Experience 2024) Compagnie Ex Nihilo (Marseille, France) in an encounter with FLATFOOT DANCE COMPANY (Durban, South Africa). Photo by Val Adamson

In a global moment marked by deep political upheaval, economic inequality, and the lingering impacts of colonial histories, the dialogues ask urgent questions about the role of movement and performance. How does the dancing body respond to forms of censorship, erasure, and the denial of humanity experienced in many parts of the world today? What possibilities do rhythm, gesture, stillness, improvisation, and collective movement offer as alternatives to dominant social, spatial, and political orders?

The programme will bring together international and regional contributors to engage with myriad questions including: how dance can be used as activism, and what choreographic strategies act as a form of disruptive presencing under conditions of risk, surveillance, or repression amongst others.

uXinzelelo (JOMBA! Contemporary Dance Experience 2024) BreeH Cele. Photo by Val Adamson

JOMBA! MASIHAMBISANE DIALOGUES welcomes a range of presentation formats that reflect the embodied nature of dance research and practice. These include academic papers, lecture-demonstrations, performance lectures, artist talks, facilitated movement scores, curated panels, and other hybrid or experimental forms.

Proposals of up to 450 words are invited and should be submitted by Thursday, 2 April 2026 (4pm).  Abstract submissions and enquiries email: 2024jomba@gmail.com  

For the full submission call out go to: https://tinyurl.com/yc2d7m6v

For more information about the JOMBA! MASIHAMBISANE Dialogues and archive, visit:
https://jomba.ukzn.ac.za/masihambisane-dialogues/

South African Online Contemporary Dance Conference Attracts Global Participation

The annual online South African contemporary dance conference JOMBA! MASIHAMBISANE DIALOGUES, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts’ JOMBA! Contemporary Dance Experience, taking place from 22 to 24 May, 2024, has attracted significant participation from around the globe.

This conference or academic colloquium, is now in its fourth edition and will feature dance-makers, academics, dancers, educators, and researchers from 11 countries including Brazil, Canada, Cape Verde, France, Germany, South Africa, UK, USA, and Zimbabwe. The theme or “provocation” this year is (RE)TURN TO THE DRUM? looking at contemporary dance’s engagements with traditions, cultures, memory, hybridity, and contested identities.

The conference which is free and open to all interested, features keynote addresses, panel discussions, as well as “abstracts or papers” presented by participants.  An opening keynote address will be made by steering committee member Dr Mbongeni Mtshali, a performance-maker, scholar, artist, and teacher based at the University of Cape Town,  in dialogue with the rest of the steering committee that includes dance-focussed academics, researchers, and practitioners: Clare Craighead (lecturer at the Durban University of Technology), David Thatanelo April (director, teacher, choreographer, and dance lobbyist), Gift Marovatsanga (CEO and Facilitator at Refined Images Studio), Dr Lliane Loots (lecturer at the University of KwaZulu-Natal), Dr Sarahleigh Castelyn (Associate Professor/Reader University of East London UK), Thobile Maphanga (dance practitioner, scholar, creative collaborator, reading for her MA at UKZN) and Prof Yvette Hutchison (South African Reader/Associate Professor at the University of Warwick UK).

Dada Masilo

Keynote dialogues will be held with Dada Masilo, South African dancer and choreographer, known for her unique and innovative interpretations of classical ballets; SA-born, now France-based Robyn Orlin an internationally celebrated contemporary dance-maker, dancer and teacher; Mamela Nyamza award-winning choreographer and dancer who is known globally for her innovative and deeply intersectional and political dance-making; Vincent Sekwati Mantsoe, winner of international and national awards in performance and choreography, demonstrates that to be successfully integrated into the performance arena as a contemporary artist, one does not have to disavow one’s cultural heritage; Moeketsi Koena professional dancer, teacher and choreographer, and co-founder of newly incorporated Itrotra Art X Connection - a newly registered arts platform.

Additionally, Canadian Dena Davida introduces TURBA, a new journal that negotiates histories of the study and practice of live arts curation, and Thobile Maphanga chairs a fascinating panel with Albert Ibokwe Khoza (South Africa), Djam Neguin (Cape Verde) and Lorin Sookool (South Africa) titled where they will interrogate a possible common zeitgeist that is calling these contemporary artists from Africa, to dig up ‘past’ narratives and re-present them in the bold ways that they are.

Papers, digital engagements, and further dialogues open up important discussions around contemporary identity and how it relates to imagined and real histories as they intersect with culture and tradition in dance-making. The “(re)turn to the drum” is set up as both a question and as a tipping point to think about our futures.

Some of these  papers and engagements will be presented by:

Alexandra Gonçalves Dias,

Alexandra Gonçalves Dias, dance artist and Professor at UFPEL in Brazil, with a dedicated focus on decolonising narratives;

Claude Jansen, part of Dancing Instruments - In Conversation with Looted oBjeCts – a long-term journey with a team of Namibian and German curators, healers, artists and (O)Ngoma Drums;

Fabrice Mazliah, a choreographer and performer/dancer based in Germany/Switzerland, who has initiated long-term research into embodied knowledge and the heritage inscribed into dance practitioners;

Francesca Matthys, a South African Interdisciplinary dance artist, writer, facilitator and Kundalini yoga teacher based in London;

Kristi-Leigh Gresse

Kristi-Leigh Gresse, a South African dancer and choreographer known for her transformative impact on the arts.

Lara Barzon, an EUTOPIA co-tutelle PhD fellow with a joint PhD between Theatre and Performance Studies (University of Warwick) and Cultural Studies (University of Ljubljana);

Marcia Mzindle, a freelance writer, drama, and performance tutor at the University of KwaZulu Natal (Howard College), choreographer, and dancer;

Onalenna Sellwane, a writer, theatre maker, and digital marketing creative based in Johannesburg;

Rainy Demerson, a dance artist and scholar invested in global intersectional feminism and decolonial embodiments;

Saranya Devan, recognised for her versatility in drama, dance performance, and choreography and holds a Masters in Bharathanatyam from the University of Madras and a Masters in Dance from the UCT;

Moving into Dance

Sylvia “Magogo” Glasser, a cultural activist, teacher, choreographer, mentor, anthropologist, and writer, who founded Moving into Dance in 1978 as a non-racial dance company and training organisation and was director until 2013;

Tatenda Kanengoni, a Zimbabwean writer, researcher, and multimedia storyteller.

 The conference will be streamed live on YouTube on the following link https://www.youtube.com/jomba_dance. Participants will present on Zoom, and those who wish to apply to join in the “Zoom Room”, can contact Thobile Maphanga at thobimaphanga@gmail.com

For more information and news, as well as the schedule – go to:

https://jomba.ukzn.ac.za/masihambisane-dialogues/ 

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Call for papers for third JOMBA! MASIHAMBISANE DIALOGUES – 24 to 26 May

The University of KwaZulu-Natal’s Centre for Creative Arts in partnership with Warwick University (UK) and the African Dance Disability Network, calls for submissions of abstracts, papers and digital participation for the third annual JOMBA! MASIHAMBISANE DIALOGUES, a colloquium to engage in robust and meaningful conversations around contemporary dance, online from 24 to 26 May.

JOMBA!’s curator, Dr. Lliane Loots is working with Warwick’s Prof. Yvette Hutchison on a two-year UKRI – AHRC funded research project entitled Encountering disability through contemporary dance in Africa, and thus the colloquium will focus into the provocation of “Integrated dance practices: moving centres”. A host of dance, practitioners, academics and associates are expected to participate including Joseph Tebandeke, a Ugandan dancer and choreographer based in Kampala, who will be one of the key-note speakers at this edition. The actual colloquium will be presented online and open to public viewing.

Unmute Dance Company - photo by Val Adamson

This third annual JOMBA! MASIHAMBISANE DIALOGUES, hosted in the 25th anniversary year of the JOMBA! Contemporary Dance Experience, sets out to engage scholarship, pedagogy and practices into integrated dance as an embodied form with a particular African focus, without being exclusive.

The call out for papers, digital scholarship and any new integrated forms of knowledge sharing is open and closes on 4 April 2023. For more details or to download the official call-out frame of reference go to https://jomba.ukzn.ac.za/masihambisane-dialogues/

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JOMBA! Masihambisane Dialogues #2 - free online Colloquium for dance-makers, dancers, researchers and academics

MEDIA RELEASE

JOMBA! Masihambisane Dialogues #2 - free online Colloquium for dance-makers, dancers, researchers and academics

The University of KwaZulu-Natal’s Centre for Creative Arts, and the JOMBA! Contemporary Dance Experience presents their second annual edition of the JOMBA! MASIHAMBISANE DIALOGUES #2 a free three-day online dance colloquium on YouTube which runs from 25 to 27 May 2022. 

Aiming to support the growth of scholarship and dialogue as it affects the evolving development of dance, physical performance and its relationship to history, memory and our current society, these 2022 dialogues take the theme of “Dancing Archives”. 

“The purpose of these dialogues is to stimulate robust discussions and debates over ideas of how embodied dance archivists (artists, scholars and curators) can be agents of change in how they create and think about an archive,” explains Dr Lliane Loots, a lecturer at UKZN and the Chair of the Colloquium Steering Committee. “We want to look at how and what is remembered, and  this specifically in decentring capitalist, heteronormative, able-bodied patriarchy within the frames of, amongst other ideas, decoloniality and postcoloniality.”

Keynote speakers include Nadine Mackenzie from Unmute Dance Company, and she is joined, over the three days of the colloquium, by artists like Gregory Maqoma, Sonia Radebe, David April and Vincent Mantsoe. Continental voices, specifically looking at the role of dance festivals in re-making African archives, include Quito Tembe (Mozambique) and Adedayo Liadi (Nigeria).

The dialogues also welcome a range of local and international young and established dance and performance scholars who will be sharing their works and ideas on this digital platform in carefully curated sessions. The final outcome of the dialogues will be an edited collection of papers (both written and digital) that will freely be available in the JOMBA! MASIHMABISANE archives to read and watch.

The international editorial and steering committee include Dr Mbongeni Mtshali (UCT), Prof Yvette Hutchison (University of Warwick, UK), Clare Craighead (DUT), Dr Sarahlegh Castelyn (University of East London, UK), Dr Lliane Loots (UKZN), Gift Marovatsanga (UniZul), David April (UP) and Thobile Maphanga (UKZN).

The JOMBA! MASIHAMBISANE 2022 DIALOGUES will be live-streamed on 25, 26 and 27 May to the JOMBA! YouTube Chanel and can be accessed free of charge: https://www.youtube.com/jomba_dance

There will also be a closed ZOOM IP for direct participants and for those who wish to apply to join and be present in the DIALOGUES room. To apply for direct access and to be present in the digital ‘room’ please contact Thobile Maphanga on thobimaphanga@gmail.com

Please also access the full three-day programme via:  https://jomba.ukzn.ac.za/masihambisane-dialogues/ 

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