Mad Solutions Boards Second South African Film ‘God’s Work’ for Worldwide Sales

MAD World, the global sales arm of Cairo-based MAD Solutions, has boarded South African feature God’s Work, written and directed by Durban-based filmmaker Michael James, for worldwide sales.

The deal marks the second South African title represented by MAD World in collaboration with Mojo Entertainment, following the company’s partnership on Zamo Mkhwanazi’s Laundry (Uhlanjululo). The latter marked MAD Solutions’ first acquisition of a non-Arab title, as the company continues to expand its international activities and build relationships with filmmakers and production companies beyond the Arab world.

Produced by Sithabile Mkhize under Maverick Resistance, God’s Work is a 2025 South African feature set in the streets of Durban, where six unhoused men find fragile refuge in a crumbling building while navigating violence, indifferent authorities and a society that has pushed them to its margins.

Blending social drama with psychological and surreal elements, the film moves between the characters’ external reality and their memories, visions and inner worlds. Through this shifting perspective, James explores the ways in which imagination, myth and memory can become intertwined with the experience of survival.

The film had its world premiere at the Durban International Film Festival and subsequently screened at the Luxor African Film Festival, marking its Arab-world premiere.

“God’s Work is exactly the kind of bold and distinctive filmmaking that we believe deserves to travel beyond its country of origin,” said Alaa Karkouti and Maher Diab, Co-Presidents of MAD World. “Michael James has created a socially urgent yet formally adventurous film, using surrealism and fiction to take us inside the realities, memories and inner worlds of people living on the margins. Our collaboration with Mojo Entertainment on Laundry introduced us to a South African filmmaking ecosystem that we found incredibly exciting, and God’s Work allows us to continue that relationship while taking on a film whose voice is deeply rooted in its local reality yet speaks to universal questions of inequality, power, dignity and survival. We are very pleased to bring this second South African collaboration with Mojo to the international market.”

Sithabile Mkhize, Producer of God’s Work, said: “We are thrilled to have MAD Solutions come aboard. Their understanding of and enthusiasm for the film give us great confidence as God’s Work begins this important journey to audiences around the world. We believe MAD’s international reach and commitment to distinctive cinema will help the film connect with audiences and partners far beyond South Africa.”

For James, the film grew out of his experience working with unhoused communities in Durban during the COVID-19 lockdown. Invited initially to document people living in government-established camps, the filmmaker began participating in weekly workshops with a group of young people who identified themselves as filmmakers. The experience ultimately led him away from a conventional documentary approach and toward a fictional narrative that could explore the intersection of lived experience, imagination and memory.

James is a filmmaker, writer, academic and artist based in Durban whose work explores the intersections of myth, history, identity, race, gender, class and religion across film, theatre and academia. His previous feature, Dreams of Gomorrah, won three Simon Sabela Awards and two African Rising Star Awards in 2020. His documentary Free Education: The Story of Bonginkosi Khanyile premiered at the Encounters Documentary Film Festival in 2018 before receiving three awards at the African Diaspora Cinema Festival in Italy.

Producer Sithabile Mkhize is a screenwriter and creative producer based in Durban. Her previous feature, Dreams of Gomorrah, was acquired by MultiChoice/M-Net and received several award nominations. She has also produced documentaries for South African broadcaster e.tv and participated in international film-industry programmes including the Berlinale, Cannes Film Festival and the Trajectory training programme.

The film features Thobani Nzuza, Mbulelo Radebe, Zenzo Msomi, Nduduzo Khowa, Omega Mncube and Siya Xaba. Cinematography is by Jared Hinde, editing by Dionysios Xenos, with an original score by internationally acclaimed composer and musician George Acogny.

God’s Work is produced by Maverick Resistance, with co-production by Marco Orsini and executive production by Toni Monty and Gary Springer. The film was made in association with the KwaZulu-Natal Film and Tourism Authority, the National Film and Video Foundation of South Africa, Amafrika Films and Mojo Entertainment LLC, with support from the Durban Film Office , MAD World is handling worldwide sales.

Award-winning South African feature opens at Ster-Kinekor Cinema Nouveau Rosebank from 10–16 July.

Before South African audiences have the opportunity to see God's Work on the big screen, the film has already attracted international acclaim for doing something few films attempt: turning the camera back on itself.

Earlier this year, God's Work won the Radwan El-Kashef Prize for Best Film Addressing an African Issue at the 15th Luxor African Film Festival in Egypt, where it celebrated its Middle East and North Africa premiere.

Named after the acclaimed Egyptian filmmaker Radwan El-Kashef, the award recognises films that engage deeply with African realities through cinematic excellence and artistic vision.

Yet the film's greatest achievement may not lie in what it shows, but in what it asks.

Set among Durban's unhoused communities, God's Work begins as what appears to be a documentary. As the story unfolds, however, the filmmaker himself enters the frame, exposing the uncomfortable power dynamics between those who are seen and those who control the act of seeing. Rather than claiming to speak for marginalised communities, the film interrogates whether that claim is ever truly possible.

Writer and director Michael James says the project emerged from recognising the limits of observation itself.

"The camera did not grant access - it revealed distance. I realised I wasn't simply documenting reality; I was constructing it through my own perspective. Rather than hide that tension, I wanted the film to confront it directly."

That bold approach drew particular praise from internationally respected South African filmmaker Ntshavheni Wa-Luruli, who served on the Luxor jury.

"What I appreciate about this film is its fearless commitment to a unique storytelling vision. It does not seek permission from established conventions, nor does it defer to the technical formalism that has too long defined and constrained South African filmmaking."

Wa-Luruli went on to praise the film's pursuit of "an authentic cinematic voice rooted in its own cultural soil" and described it as part of a new generation of South African filmmakers "willing to experiment, to dismantle inherited structures, and to build something new in their place in pursuit of a genuine South African film identity that has long been overdue."

Producer Sithabile Mkhize believes the film's greatest achievement lies in its willingness to examine the act of representation itself. "God's Work doesn't claim to speak on behalf of anyone. Instead, it asks audiences to consider how stories are told, whose perspectives shape them, and what responsibilities come with representing lives marked by inequality. Rather than offering easy conclusions, the film invites viewers into a conversation about visibility, empathy and the ethics of looking."

The film features Thobani Nzuza, Mbulelo Radebe, Omega Mncube, Siya Xaba, Zenzo Msomi and Nduduzo Khowa with cinematography by Jared Hinde and score by award-winning composer, West-African born George Acogny.

The Luxor award forms part of an expanding international festival journey that includes selections at the Joburg Film Festival, the Durban International Film Festival, and the Zanzibar International Film Festival.

Now, after travelling internationally, God's Work returns home for its first commercial theatrical engagement.

South African audiences will have just seven days, from 10 -16 July, to experience one of the country's most internationally acclaimed independent films at Ster-Kinekor Cinema Nouveau Rosebank.

South African Film God’s Work awarded prestigious prize at Luxor African Film Festival

The South African feature film God’s Work, directed by Michael James and produced by Sithabile Mkhize was awarded the prestigious Radwan El Kashef Prize for Best Film Addressing an African Issue (Silver Mask of Tutankhamun) at The Luxor African Film Festival in Egypt last week.

“The Radwan El Kashef Prize for the Best Film addressing an African issue is not granted annually, but only when the High Committee decides that a particular film deserves this special honour, marking it as a distinction reserved for truly exceptional works that embody both artistic excellence and deep engagement with African realities,” says Festival Director Ms Azza El Husseiny.

The prize is named after Egypt’s pioneering independent filmmaker Radwan El Kashef (1952–2002), and symbolizes cinema that elevates marginalized voices with empathy and poetic depth. The film was honoured for “its powerful artistic vision and its sincere exploration of African identity and collective struggle.”

The award was presented to the director, Michael James by Dr Hossam El-Mandouh El-Husseini, Egyptian Member of Parliament, in recognition of the enduring cultural ties between Egypt and Africa and the festival’s role as a platform for creative dialogue across the continent.

Reflecting on the honour, director Michael James said: “Receiving this award on behalf of the film, and all involved is deeply humbling. This award affirms the importance of telling African stories with honesty and empathy, and I hope God’s Work continues to contribute to the ongoing dialogue around affirming the humanity of the homeless community."

Sithabile Mkhize commented, “This award is especially important because it acknowledges one of the central intentions of the film, which is to use the power of cinema to build bridges across humanity."

“This recognition is a powerful validation of the collaborative effort behind God’s Work,” says Executive Producer Toni Monty. “It highlights the strength of African filmmaking and the importance of creating platforms where our stories can resonate globally. We are proud to see the film stand alongside works that embody both artistic excellence and social relevance.”

The film is supported by the Durban Film Office, KZN Tourism and Film, The National Film and Video Foundation, and co-produced with Amafrika Films and Mojo Entertainment. 

Triggerfish Scoops Multiple Honours as African Animation Shines this Award Season

Internationally renowned South Africa/Ireland-based animation studio, Triggerfish has bagged a number of honours this award season, marking a significant triumph for African animation in the highly competitive motion picture industry.

The ground-breaking Disney+ Original Series Kizazi Moto: Generation Fire has just clinched the prestigious Annie Award for “Best Limited Series” (TV/Media) at the ceremony in Los Angeles on Saturday 17 February.  The series also recently won the Kidscreen Award for “Best Animated Series (Tweens/Teens)” in San Diego, earlier this month.  These accolades recognise the creativity and storytelling expertise of the multi-talented team at Triggerfish, the lead production studio behind the anthology series

Enkai : Kizazi Moto: generation Fire

The action-packed animated sci-fi series Kizazi Moto: Generation Fire presents futuristic visions from Africa inspired by the continent’s diverse histories and cultures, and has been enchanting audiences worldwide with its compelling narrative, vibrant imagery, and original characters since its release in July last year.

This achievement is a testament to the exceptional collaboration of the team behind the scenes. Guided by Disney, executive producers Peter Ramsey, Tendayi Nyeke and Anthony Silverston and helmed by a group of 14 directors from across the African continent including Egypt, Kenya, Nigeria, South Africa, Uganda, and  Zimbabwe, the series was brought to life with authenticity and passion. The star-studded voice cast, included Florence Kasumba (Black Panther, Wonder Women), Pearl Thusi (Queen Sono), Nasty C (multi-award winning South African rapper) and Kehinde Bankole (The New Normal, Sista) delivering captivating performances, breathing life into the characters and enhancing the storytelling experience.

The winning series episode Enkai, directed by Kenyan Ng’endo Mukii and produced by Blink Industries, is a striking cosmic, end-of-the-world, high-stakes fantasy.  It was also selected as a finalist for Prix Jeunesse International in the 7-10 Years Fiction category.

Aau’s Song

Triggerfish also won an Annie Award for “Best Music - TV/Media” at the ceremony for its short film Aau’s Song, a fantasy Star Wars-inspired journey of a child finding her destiny, created for the Star Wars: Visions Vol. 2 anthology series by South African directors Nadia Darries and Daniel Clarke. Additionally, Aau’s Song has been nominated for a Prix Jeunesse International award. The series as a whole has also taken home the Lumiere Award for the "Best Episodic - Animated.”

Supa Team 4

In addition to this long list of recent accolades, Triggerfish’s original Supa Team 4 on Netflix, inspired by Zambian creator  Malenga Mulendema, is up for “Best International Series” at the British Animation Awards in March.

“The affirming acknowledgement from these global awards marks a significant milestone not only for all at Triggerfish, but the African animation industry too, highlighting the growing recognition and appreciation for fresh storytelling and authentic representation of African narratives in animation,” says Triggerfish Executive Producer, Anthony Silverston.

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