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US Jazz Legend Kirk Whalum to launch Awesome iLembe Arts Festival – Thursday, March 27

US Jazz Legend Kirk Whalum, makes a special appearance in KZN on Thursday, March 27 at the Sibusisiwe CommunityCentre in Mandeni to launch the first Awesome iLembe Arts Festival that place across the iLembe region on the North Coast later this year. An innovative and far-sighted initiative by the Department of Arts and Culture in partnership with Awesome Africa Festival Productions, this multi-cultural festival will take the music to the people – and directly into the communities at venues in Mandeni, Ndwedwe, Maphumulo and KwaDukuza.

 

This “concert of a lifetime” by Whalum, offers fans an opportunity to enjoy his much celebrated series “The Gospel According to Jazz” in Africa for the very first time. The tenor saxophonist has collaborated with industry greats such as Al Jarreau, Quincy Jones and Barbara Streisand and it is his passionate sax solo that is heard on Whitney Houston’s mega-hit, “I Will Always Love You”. Kirk considers himself as a “man of the people”, and is the recipient of numerous awards and acknowledgements for his musical excellence, and won his first Grammy award for Best Gospel Song “It’s What I Do”, featuring Lalah Hathaway. He recently recorded the next chapter in his series (Chapter IV) in New York to be released worldwide in September. He will preview some of those new songs as well as perform his anthems from the past.

 

The concert starts at 17:00 for 17:30 with a cappella gospel choir “Consuming Fire” from Mandeni followed by Whalum. 

 

Tickets are R150 and can be purchased in advance from Computicket (0861 915 8000). Only 500 tickets are available for purchase, and there will be no door sales. For more info call Gabi Nkabinde on 084-3578860. The festival website iswww.awesomefestivals.com

 

 

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17th Time of the Writer International Festival of Writers 17-22 March 2014

The Centre for Creative Arts (UKZN) is proud to announce the programme for the 17th Time of The Writer: International Festival of Writers - a weeklong showcase set to provoke, inform and inspire interesting debates and panel discussions. The festival, which brings together some of the world’s finest novelist, authors and storytellers to Durban, features participants from India, Kenya, Nigeria, Botswana, Togo, and Guinea takes place from 17-22 March at the UKZN Elizabeth Sneddon Theatre. Twenty writers will be gathering for a week of literary dialogue, exchange of ideas and stimulating discussion under the theme Freeing Our Imagination in solidarity with Kenyan writer Binyavanga Wainaina’s clarion call for Africans to use their creativity to imagine and create a continent free of the existential burdens of colonialism.

 

Opening night (March 17) will feature all participating writers as they make brief presentations at the UKZN Elizabeth Sneddon Theatre, with the first night of the festival dedicated to the late great South African thinker, academic and prolific writer, Professor Mbulelo Mzamane, a past participant of Time of the Writer. Prof Mzamane passed away on 15 February, having made his mark through his writing and scholarship with titles including The Children of Soweto, The Children of the Diaspora and other stories of Exile and Where there is no vision the people will perish: Reflections on the African Renaissance among others. Nelson Mandela described him as “visionary leader, [and] one of South Africa’s greatest intellectuals.”

 

The rest of the week’s evening presentations will be panel discussions with writers talking about their writing and the issues dealt with in their work.

 

New Voices from India

The first panel discussion of the festival on Tuesday, 18 March, entitled New Voices from India will focus on writing from the sub-continent with Indian authors Satyagit Sarna and Prajwal Parajuly. Satyagit Sarna is an author and lawyer based in New Delhi. His debut novel Angels Share, described as a love story, a political commentary, and coming-of-age novel, was published in 2012 by Haper Collins. He will be joined by Prajwal Parajuly, whose books The Gurkha's Daughter: Stories and Land Where I Flee have been lauded in international press. This panel discussion will be facilitated by author, Shubnum Khan.

 

Mzansi Women Voices

The second panel of the evening, entitled Mzansi Women Voices features South African writers Angela Makhlowa and Praba Moodley. Returning to Time of the Writer after her debut in 2007 Angela Makhlowa is an author and public relations consultant. She became the first black female crime author with her debut novel Red Ink. She has since published a drama novel, The 30th Candle and will be releasing her third novel later this year. Praba Moodley published her first novel The Heart Knows No Colours in 2003, which was followed up by two more novels, A Scent So Sweet (2006) and Follow Your Heart, the sequel to her debut novel. She writes for magazines and has been featured in publications such as Elle and Oprah Magazine. The panel discussion will be facilitated by author, Shafinaaz Hassim.

 

Writing the Policy Debate

Wednesday’s night (March 19) programme kicks off with a panel discussion titled Writing the Policy Debate, featuring South African writers and political analysts Professors Adam Habib and Paulus Zulu. As one of the country’s most recognizable political analysts and Vice-Chancellor and Principal of the University of the Witwatersrand, Professor Adam Habib has long been considered one of the most astute experts in the areas of transformation, democracy and development. He holds qualifications in Political Science from the University of Natal and Wits. He earned his master’s and doctoral qualifications from the Graduate School of the City University of New York. His latest work is the book South Africa’s Suspended Revolution.  He will be joined by Professor Paulus Zulu, author and Director of Human Sciences Research Council.  A noted writer, academic and community leader, Professor Zulu holds a PhD from the University of KwaZulu-Natal and has published extensively in the fields of politics and sociology both nationally and internationally. His latest book is entitled A Nation In Crisis. This discussion will be facilitated by Ben Fogel. 


Writing in Francophone Africa: trends and issues.

The second panel discussion of the night is entitled Writing in Francophone Africa: trends and issues. This panel discussion will look trends in Francophone literature with a discussion by authors Sami Tchak(Togo) and Tierno Monénembo(Guinea).  Togolese writer Sami Tchak won the Grand Prix of Black African Literature for the entire range of his work. He has published Femme infidèle, Lomé (1988), Place des Fêtes, (2001), Hermina (2003), La fête des masques, (2004), Le paradis des chiots, (2006), Filles de Mexico (2008). Tierno Monénembo was born in Guinea but has lived in exile in Côte d'Ivoire and Senegal before settling in France and Cuba. He has published nine novels and a stage play since 1983. Tierno Monénembo is the winner of France's 2008 prix Renaudot, which is awarded annually to the author of an outstanding original novel. He won the prize for his book, "The King of Kahel." The panel discussion will be facilitated by Bernard DeMeyer of UKZN French department and is presented in partnership with the French Institute of South Africa.

 

Writing the Historical Moment

Thursday night’s activities open with the panel discussion Writing the Historical Moment looks at key historical moments shaping the current South African political landscape. This panel will take the form of an in-depth interview that will feature activist, researcher and political economist Professor Patrick Bond. Bond is an academic with extensive research whose work draws from NGO work in urban communities and with global justice movements in several countries. He is currently the Director of the Centre for Civil Society at UKZN and is involved in research on economic justice, geopolitics, climate, energy and water. This panel discussion will be facilitated by Xolani Benedict Dube. 

 

Chronicling the Contemporary African Story

Time of The Writer has a strong history of spotlighting young talented writers dealing with contemporary topics. The festival aims to create an even greater focus on stories from the younger generation and this is highlighted in the second panel of the night. Chronicling The Contemporary African Story brings together two South Africa authors, Kgebetli Moele and Niq Mhlongo. Kgebetli Moele’s debut novel, Room 207, was published in 2006 by Kwela books and was short-listed for the Commonwealth Writer’s Prize for Best First Book (Africa) in 2007. It was the joint-winner of the Herman Charles Bosman Prize for English fiction as well as joint-winner of the University of Johannesburg Prize for Creative Writing in the debut category. His second novel, Book of the Dead received the South African Literary Award in 2010. He released his third novel Untitled-A Novel in 2013. Niq Mhlongo is a Soweto born journalist and author. Mhlongo has presented his work at key African cultural events, including the Caine Prize Workshop, and was a 2008 International Writing Program fellow at the University of Iowa.  He released his debut novel Dog Eat Dog in 2004, which has been translated into Spanish. He has since released two more novels, After Tears (2007) and the highly praised Way Back Home in 2013. The panel discussion will be facilitated by Duduzile Mabaso. 

 

Story-telling Programme

Understanding the rich history that storytelling carries on the continent, The Time of The Writer festival is excited to present a story-telling programme, in collaboration with the Gcinamasiko Arts & Heritage Trust, taking place on Friday, March 21. This will see two storytellers, Nomsa Mdlalose and Mshai Mwangola in a panel discussion that will look at the art of storytelling. Mdlalose is a South African storyteller with years of experience and is the Managing Director of Kwesukela Storytelling Academy with a Master’s Degree in Storytelling. Through her work at the Academy, she promotes the ancestral oral tradition as a heritage of sophistication, wisdom and philosophy. Nairobi-native Mshai Mwangola is talented performance scholar, storyteller, and oraturist. She has performed, conducted performance workshops, researched and worked with and for diverse performance ensembles and individuals in four continents with a career spanning over 25 years in acting, directing and story-telling. She is the chairperson of the Governing Council of the Kenya Cultural Centre. The panel will be facilitated by Dr. Gcina Mhlophe.

 

From The Mouth of Babes

The second panel of the night will focus on youth literature, From The Mouth of Babes, featuring youth literature writers, Lauri Kubuitsile (Botswana) and Khulekani Magubane (South Africa). Lauri Kubuitsile is a writer living in Botswana who has published three children’s books, two detective novellas and three collections of short stories for children co-written with two other Botswana writers. She has published three romance novels with Sapphire Press- Kwaito LoveCan He Be The One?, and Mr Not Quite Good Enough. Kubuitsile was the 2007 winner of the BTA/ Anglo Platinum Short Story Contest and the recipient of the Botswana Ministry of Youth and Culture’s Orange Botswerere Award for Creative Writing in the same year. In 2009 she won the Baobab Literary Prize (USA) in the junior category and in 2010 in the senior category. She was on the shortlist for the 2011 Caine Prize. Khulekani Magubane is a South African journalist and author. At the age of 23 has published more than 18 books in the past 8 years. Although he is a children’s author his work deals with issues such as class, race and religion. Saneliswe Ntuli will facilitate the panel discussion.

 

In addition, Time of The Writer and the Gcinamasiko Arts & Heritage Trust will host a special matinée for children to be held at the UKZN Elizabeth Sneddon Theatre on Saturday, 22 March at 14h00 – 16h30. The matinée will feature Mdlalose and Mwangola where they will be joined by Gogo MaBhengu and Lwazi Thwala.

 

New African Women Writers Rising

The final day of the festival features a discussion entitled New African Women Writers Rising, will focus on the stories and work being produced by young female writers from Africa. This panel discussion will feature prolific authors, Hawa Jande Golakai(Liberia) and Chibundu Onuzo (Nigeria).  Born in Liberia, Hawa Jande Golaka moved around extensively with her family due to political and economic unrest. She lived in Togo, Ghana and Zimbabwe before coming to Cape Town as a student in 2003. She trained and worked as a medical researcher in immunology. Her first novel The Lazarus Effect is a gripping fictional drama set in Cape Town.  She will be joined by Nigerian author Chibundu Onuzo, a young author whose debut novel The Spider’s King Daughter has received critical acclaim. She has been shortlisted for this year’s Commonwealth Book Prize and the 2012 Dylan Thomas Prize as well as longlisted for the Desmond Elliot prize in the same year. This panel discussion will be facilitated by writer Sandile Ngidi. 

Finding the South African Funny Bone features South African writers, Sarah Britten and Zukiswa Wanner. Britten is a former journalist, artist and author from Johannesburg. She has been published extensively and wrote her Master’s research report on South African humour (with a focus on Madam and Eve) and has a doctorate in Applied English Language Studies. She has published three novels focussing on the colourful and unique art of South African insults, The Art of the South African Insult, McBride of Frankenmanto: The Return of the South African Insult, More South African Insults. Zukiswa Wanner is a journalist, author and blogger. Wanner’s works include The Madams: A Wildly Provocative Novel (2007), Behind Every Successful Man (2008Men of the South (2010). Her latest work is Maid in SA: 30 Ways to Leave Your Madam (2013). She is a founding member of the ReadSA initiative, a campaign encouraging South Africans to read South African works. The panel discussion will be facilitated by writer and radio personality Ndumiso Ngcobo.

Seminars and WorkshopsIn addition to the nightly panel discussions at the Elizabeth Sneddon Theatre, the festival’s Community Outreach programme features a broad range of day activities including seminars and workshops that aim to promote a culture of reading, writing and creative expression. The festival also conducts visits to schools, and presents a prison writing programme. Book launches take place at the Elizabeth Sneddon Theatre’s Wellington Tavern deck prior to the evening shows, from 18h45.

Tickets are R25 for the evening sessions, R10 for students, and can be purchased through Computicket or at the door one hour before the event. Workshops and seminars are free.

For more details about this years’ Time of the Writer, visit www.cca.ukzn.ac.za or call (031) 2602506.

 

Organised by the Centre for Creative Arts(University KwaZulu-Natal), the 17th Time of the Writer is supported by the City of Durban, the French Institute of South Africa, and the KZN Department of Arts and Culture. The Centre for Creative Arts is housed in the College of Humanities at the University of KwaZulu-Natal and is a special project of the Deputy Vice-Chancellor, Professor Cheryl Potgieter.

 

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7th Talents Durban at the Durban International Film Festival 18-22 July 2014

The 35th Durban International Film Festival (DIFF), hosted by the Centre for Creative Arts, University of KwaZulu-Natal, with support from Berlinale Talents, is proud to announce the opening of applications for 7th Talents Durban taking place 18-22 July. Applicants can apply online atwww.durbanfilmfest.co.za before the closing date of 31 March 2014.

 

This year’s Talents Durban’ theme Continent of Contrast/ de Contrastes is an ode to the godfather of African cinema, Djibril Diop Mambéty’s, first film Contras'city (City of Contrast). Celebrating the 45th anniversary of the film, the 7th Talents Durban looks to bring film makers from across the continent draw inspiration from Africa’s long tradition of story-telling. Breaking away from the stereotypical and homogenous narrative Africa, this year’s edition of Talents Durban aims to highlight the truth that this continent is home to a myriad of cultures, colours, stories. The 7th Talents Durban looks to not only highlight the stories of Africa, but create a culture of Africans telling their own stories.

 

Now in its 7th edition, Talent’s Durban looks to continue its proud history of acting as a launching pad for filmmakers from Africa. Understanding the unique needs and challenges facing film makers on the continent, Talent’s Durban looks to provide film makers with the tools to enable their careers to thrive in the international film industry.

 

 The programme provides the selected participants with a unique opportunity to meet with international industry professionals, experts and mentors in various aspects of the filmmaking business through participation in a 5-day programme of master classes, workshops and industry networking events. Running in parallel to the 35th Durban International Festival programme, this year’s Talent Campus Durban will offer three hands-on training programmes: Doc Station which will focus on documentary-making, Talent Press which is dedicated to film criticism and Script Station which will supports story development. Doc Station will offer three selected Talents the opportunity to refine and polish documentary projects for pitching at the 5th Durban FilmMart’s DOC Circle. Meanwhile, Talent Press will mentor four African journalists in the art of film criticism with access to all the screenings of the 35th Durban International Film Festival, creating reviews that will be published on numerous platforms. Script Station will offer the opportunity to writers to develop their stories while pitching their ideas to a panel of industry experts. Talents will also have access to the networking events available during the film festival.

 

Applications for the 7th Talents Durban are completed through an online application process. Applicants must meet the criteria found on website. The application deadline is 31 March 2014. Applications and materials which arrive after 31 March will not be considered. Incomplete applications will not be considered. Successful applicants will be informed via email and the website by 21 April 2014.

 

Application forms and full regulations available at www.durbanfilmfest.co.za

 

Talent’s Durban is presented in partnership with Berlinale Talents, with support from the German Embassy of South Africa, the Goethe-Institute of South Africa, and the KwaZulu-Natal Department of Economic Development and Tourism. Through the international programme, with a networks that extends to Talents International events in Berlin, Buenos Aires, Guadalajara, Sarajevo and Tokyo, as well as Durban, participants are initiated into a global community of filmmakers and connected via a wide social network platform operated through the Berlinale.

 

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Time of the Writer International Writers’ Festival Schools Short Story Competition

The 17th Time of the Writer International Writers’ Festival hosted by the Centre for Creative Arts, University of KwaZulu-Natal invites high school learners to submit their short stories for the annual Schools Short Story Competition by Thursday, 28 February 2014.

 

Held in conjunction with the festival, The Time of the Writer Schools Short Story Competition is open to all high school learners and aims to encourage creative expression in young people. This competition is the springboard for future storytellers of South Africa. With its long-standing commitment towards nurturing a culture of reading and writing, especially amongst the youth, this competition has received wide and growing appeal in previous editions of Time of the Writer. There is no particular topic for the short stories and they can be written in English, isiZulu or Afrikaans. A maximum of 5 pages (preferably typed) are to be written. Illegible entries will not be considered.

 

The Time of the Writer festival takes place from 17- 22 March 2014. As one of the country’s premier literature festivals, Time of the Writer brings together some of the world’s best authors, publishers, and editors; it also offers a platform to KwaZulu-Natal talent. The festival provides Durban with an educational yet entertaining programme of workshops, reading sessions and panel discussions. This year’s edition of the festival will also include a storytelling focus in partnership with Gcinamasiko Arts & Heritage Trust.

 

In addition to the nightly showcases, a broad range of free day activities including seminars and workshops are formulated to promote a culture of reading, writing and creative expression. This includes the educator’s forum with teachers, on the implementation of literature in the classroom, the community writing forum with members of the public interested in literature as well as visits to schools by the festival participants. 

 

For more information on the festival or the competition, please contact the Centre for Creative Arts on 031 260 2506/1816 or email cca@ukzn.ac.za.

 

Entries can be submitted via any one of the following methods:

Email: cca@ukzn.ac.za

Fax: 031 260 3074

Hand delivery: Centre for Creative Arts, University of KwaZulu-Natal, Howard College Campus, Mazisi Kunene Ave, Durban, 4041, South Africa.

 

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Go Durban! IS ON TRACK TO MOVE THE PEOPLE OF ETHEKWINI

Go Durban! is the name of the integrated rapid public transport network (IRPTN) that aims to provide a flexible, safe, cost effective, seamless transport experience for the people of eThekwini.

 

This was revealed at the brand launch held in the City today which was attended by the eThekwini Mayor Councillor James Nxumalo, KwaZulu-Natal MEC for Transport, Community Safety & Liaison Mr Willies Mchunu, Deputy Mayor Cllr Nomvuzo Shabalala, City Manager S'bu Sithole, Acting Deputy-Director-General: Public Transport Mrs Khibi Mbuse, EXCO members, City officials, business leaders and stakeholders along with Head of eThekwini Transport Authority Mr Thami Manyathi.

 

Go Durban! promises to promote transport that is universally accessible to all of Durban’s citizens. World-class cities know that infrastructure investment is critical to the sustainability of a region, and the standard of living for its citizens. Go Durban! is identified as one of the key pillars integral to the stimulation of economic growth in the region. Initially citizens will see the development of high quality public transport linkages between Bridge City, Durban Central, Pinetown, Umlazi and Umhlanga. The aim is to provide seamless transfers across transport modes, by creating ease of access at stations and precincts, and by using electronic ticketing and providing passenger safety and security. The design of the IRPTN stations and station precincts will create a focal point for communities, as well as for new, and more sustainable economic development.

 

The initial programme includes the design stage for the stations, station precincts and park and ride facilities and includes the planning and design in each station precinct such as improved lighting, signage, landscaping, street furniture and sidewalk and road design. The design also makes provision for facilities for universal accessibility.

 

Go Durban! will see nine transport corridors linked by various modes of transport (bus, rail and taxi) across eThekwini by 2027. The provision of transport is intrinsic to the creation of a vibrant, liveable and sustainable city in line with the City’s vision which is that by 2030, eThekwini Municipality will be Africa’s most caring and liveable city. The real purpose of transport planning is the provision of access to work, social facilities such as education, hospitals, as well as including goods and services. Go Durban! is aimed at providing affordable and accessible public transport to eThekwini citizens and to not only connect different areas around the city but also to provide transport services to areas which have previously not been serviced to fully incorporate a sense of community in the City.

 

Go Durban! aims to deliver:

 

• Upgraded fleet, facilities, stops and stations

 

• Extended hours of operation (16-24hrs)

 

• Peak frequencies (5-10min) – Off peak frequencies (10-30min)

 

• Full Universal Access (special needs and wheelchair access)

 

• Safe and secure operations monitored by a Control Centre

 

• Electronic fare integration when making transfers

 

• Integrated feeder services including walking / cycling and taxi networks

 

• Integration with metered taxi services and long distance intercity services

 

• Car competitive options and alternatives – to enable strict peak period car use management.

 

Phase 1, which is prioritised around four critical corridors including rail, is expected to be completed by 2018. It will comprise three Bus Rapid Transit (BRT) routes and one rail corridor. The three BRT routes are: C1 Bridge City to Durban CBD, C3 Bridge City to Pinetown, C9 Bridge City to Umhlanga Corridor and the rail corridor: C2: Bridge City and KwaMashu via Berea Road to Umlazi and Isipingo. The Phase 1 network will accommodate approximately 25% of the Municipality’s total trunk public transport demand on road-based IRPTN services with a further 40% being accommodated by the trunk rail network as part of Passenger Rail Association of South Africa (PRASA) implementation plans. This approach ensures recognisable benefit to the maximum number of users in the shortest period of time for the given level of investment required. Of the 190km of road based trunk corridors, 60km are planned for the Phase 1 implementation of the network by 2018.

 

Through Go Durban! the City hopes to ensure that 85% of all residents will have access to safe, affordable and quality scheduled public transport. It hopes to provide opportunities for densification, mixed-use and transit-oriented development to reduce need for travel, and promote the emergence of a world-class city and to inspire a wave of architectural renewal, which will result in urban rejuvenation and revitalization of run-down areas. Through the large scale nature of the project and the timelines it will also create jobs and assist in the alleviation of poverty in the province.

 

Go Durban! is exceptional in its vision, in that it will have a fully integrated system. Although the entire project will take many years to complete, it is an environmentally, economic and societal-driven sustainable system that will be used for years into the future, becoming one the lasting legacies created for the future in this country.

 

The Go Durban! website, Facebook and Twitter internet interfaces go live tomorrow (November 2):www.GoDurban.co.za, www.facebook/GoDurban and @Go_Durban.

 

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AFDA Johannesburg Head of Live Performance Greg Homann is the Standard Bank Young Artist of the Year 2014 in Drama

AFDA Johannesburg Lecturer & Head of Live Performance Greg Homann has been named by the National Arts Festival as the 2014 Standard Bank Young Artist Award Winner for Theatre.

Greg Homann joined AFDA Johnnesburg in January this year as head of the Live Performance School on that campus. He has quickly made his mark as a valuable member of the AFDA team, working to grow and strengthen stage acting, screen acting, and musical performance with his counterparts in Cape Town and Durban.

His professional theatre productions have been nominated for 34 awards and have won 9 Naledi Awards including for Best Cutting Edge Production (The Pirates of Penzance and Delirium), a Standard Bank Ovation Award (One-Woman Farce), and a Silver Standard Bank Ovation Award (Brothers in Blood).

This year alone he has presented three of his award-winning productions across the country. Mike van Graan’s Brothers in Blood, produced by Artscape, has enjoyed seasons in Cape Town, The Playhouse in Durban and at the National Arts Festival.  At the Witness Hilton Arts Festival last month he restaged his five-man version of Gilbert & Sullivan’s The Pirates of Penzance as well as One-Woman Farce which he directed and co-wrote with actress, Louise Saint-Claire. Both were highlights of the Festival, with One-Woman Farce playing to Sold Out houses.

AFDA is proud to have facilitated Homann’s research trip to Brussels in September to advance his editorial work on an international book publication focusing on South African theatre, performance, and drama. As an academic and researcher, his primary area of research is in contemporary South African theatre with an emphasis on post-apartheid plays. He is the editor of a collection of plays entitled At This Stage: Plays from post-apartheid South Africa (Wits University Press, 2009) which includes two of his essays on contemporary South African theatre. He is also working on an international book publication that surveys South African plays and playwriting from 1994 to the present.

Homann’s views on the Arts in South Africa are well matched to AFDA’s values. He says, “I have always believed that theatre should challenge and entertain, and that these need not ever be separated. I wish to make people think while being emotionally engaged, whether that is through tears or laughter, or ideally both.” He adds, “I think it is the need to learn and connect that keeps me motivated. In a rehearsal room we become part of a family for a short time, and the text or project always results in an opportunity to learn something about ourselves or our world. I love that. I am also driven by a desire to prove that my choice to create a career in the arts is a viable one and that preconceived ideas of being an arts practitioner (poor, struggling, a dreamer, ungrounded, etc.) are simply not true.” says Homann.

AFDA founding executive member, Deon Opperman, was the winner of the Standard Bank Young Artist Award for Drama in 1992.

Under Homann’s management, the AFDA Live Performance School in Johannesburg is currently completing a well-equipped 75-seater theatre that will become operational within the next few weeks.

About The Standard Bank Young Artist Awards:

The Young Artist Awards were started in 1981 by the National Arts Festival to acknowledge emerging, relatively young South African artists who have displayed an outstanding talent in their artistic endeavours. These prestigious awards are presented annually to deserving artists in different disciplines, affording them national exposure and acclaim. Standard Bank took over the sponsorship of the awards in 1984 and has presented Young Artist Awards in all the major arts disciplines over their 30-year sponsorship, as well as posthumous and special recognition awards. The winners feature on the main programme of the National Arts Festival, Grahamstown and receive financial support for their Festival participation, as well as a cash prize.

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17th Poetry Africa - International Poetry Festival Workshops

 

The 17th Poetry Africa – International Poetry Festival presented in partnership with the City of Durban and the KZN Department of Arts and Culture announced the festival line up, which promises to be an exhilarating showcase of diverse voices and sounds. Organised by the Centre for Creative Arts (UKZN) to take place from 14-19 October, this festival is a critical platform for self-expression that gives a platform for cultural exchange in the city of Durban.

The Poetry Africa festival, now in its 17th edition, takes place from 14 to 19 October 2013. The event brings together some of the world’s finest poets and musicians to Durban, with artists from India, Benin, Nigeria, Ireland, Italy, Canada and The United States of America.

The Pre-Festival Creative Writing workshops taking place from 7-11 October, at the Centre for Creative Writing (University of KwaZulu-Natal) offers 15 aspiring writers an extensive week-long programme which offers to develop their creative writing tools to hone their craft. The department which is headed by poet and Poetry Africa alumni Poppy Seed, who is a lecturer in English Literature and Media, with 25 years of experience, as well as a songwriter / composer, playwright and is an internationally acclaimed performance poet.

Our extensive workshop programme also includes a pre-festival tour of Durban by the festival finale musical act, Canadian hip-hop and spoken word poet Ian Kamau.  The interactive week-long workshops will take place in various venues across the city, and is a must for all poetry lovers. Kamau is a writer, visual artist, hip hop and spoken word artist from Toronto whose discography lists five collections, including the popular album One Day Soon (2011).

Kamau’s Rhythm, Rhyme & Reasons workshops will take place on the following dates: 

Tuesday 8 October:  Ekhaya Multi-Arts Centre, 14:00-15:00.

Wednesday 9 October: BAT Centre, 17:00-18:00.

Thursday 10 October: Lindelani Arts Centre, 13:00-14:00.

 Friday 11 October: Alliance Francaise, 14:00-15:00.

To take part in the workshops presented by Ian Kamau, contact poetryafricaworkshops@gmail.com.

Along with a diverse line-up of performers, the festival has an extensive workshop programme taking place before and during the festival. Aspiring poets and poetry lovers have the opportunity to engage with Poetry Africa participants, past and present to help hone their craft with creative writing workshops that they will be hosting. The Poetry Writing Workshop at the BAT Centre Saturday 19 October, headed by Raphael D’Abdon (Italy) and Kobus Moolman (South Africa), offers poetry lovers an opportunity to discuss reading, writing and the performance aspects of poetry. D’Abdon is an Italian scholar, writer, editor and translator and a post-doctoral fellow in the English Studies Department at UNISA. As an editor D’Abdon recently published Marikana - A Moment in Time as well as an anthology of poetry about the massacre as well as his own collection Sunnyside Nightwalk. Kobus Moolman is a lecturer of creative writing and languages at the University of KwaZulu-Natal and author. Moolman has a diverse portfolio of published work and his latest collection Left Over is currently enjoying rave reviews is the press.

This year the festival will also host a workshop in partnership with Poetry Potion on Saturday 29 October at the BAT Centre, to discuss and analyse the work of their third quarterly publication Poetry is not a Luxury. Inspired by Audre Lorde’s work of the same title, this anthology of poems written by respected poets Tereska Muishond, Ayabulela Tutuse, Morula wa Kutukgolo, Mandy Mitchell, Monique Barnard, and Saurell Boyers; contemporary poets using their words to tackle and engage topics of every-day life, while discovering who they are through the art of poetry. Our panel discussion will feature 17th Poetry Africa participants Natalia Molebatsi, Malika Ndlovu, and Mandi “Poefficient” Vundla, creating a dialogue about the work and influence of female poets in the country.

For more details about this year’s Poetry Africa, visit www.cca.ukzn.ac.za or call (031) 2602506

Organised by the Centre for Creative Arts (University KwaZulu-Natal), the 17th Poetry Africa is funded by the City of Durban, the KwaZulu-Natal Department of Arts and Culture, and The French Institute. The Centre for Creative Arts is housed in the College of Humanities at the University of KwaZulu-Natal. The CCA is a special project of the Deputy Vice-Chancellor, Professor Cheryl Potgieter, in the College of Humanities at UKZN.

Caption: Canadian Poet and Hip-Hop Artist Iain Kamau will be in Durban hosting workshops as part of the Poetry Africa International Poetry Festival prior to the opening of the Festival. 

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AFDA Film School at the Witness Hilton Arts Festival

AFDA Durban Campus, The South African School of Motion Picture Medium and Live Performance will be at this year’s Witness Hilton Arts Festival hosting two workshops aimed at scholars from grade 10 to 12 to help them make decisions about a possible career in the film industry on Friday, 13 September at 10:30am and at 13:00pm with a repeat of the 13:00pm workshop on Saturday, 14th and Sunday, 15th both at 12:30pm.

Richard Green, the head of film school at the AFDA Durban Campus will be hosting one of the two workshops on Friday, 13 September at 10:30am titled “Directing and Shooting a Film”. Having studied at the London International Film School from 1977 to 1979, Richard Green comes with loads of experience and expertise having worked as a cameraman, production manager, 1st director, director and producer. Richard has been involved in numerous well known films such as Sara Blecher’s award winning film ‘Otelo Burning’, Donovan Marsh’s novel based film ‘Spud’, ‘District 9’ and Anant Singh’s ‘Long Walk To Freedom’ which is currently in post production along with other award winning films that he has personally directed and produced through his company Richard Green and Associates.

AFDA Alumni and Durban Campus Lecturer, Amy Barns will host the second workshop on Friday, 13 September at 13:00pm titled “Performance for the stage VS performance for the Screen”. Local Actress Amy Barns has a huge passion for acting and her documentary style Honours film 'The Brave Unseen' (2012) recently received the ‘Best South African Short Film’ award at the 34th Durban International Film Festival.

Prospective students for the New Year are also welcome to meet and engage with the lecturers and staff of the film, television and performance school about enrolling into one of the degree courses offered at AFDA. For parents and students looking to book an interview with the lecturers of the campus they can e-mail Milena Gevers on milenag@afda.co.za or contact her on (+27) (031) 569-2252.

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25th Standard Bank Jazz Jol at Centre for Jazz and Popular Music

25th Standard Bank Jazz Jol

The Centre for Jazz and Popular Music located at the University of KwaZulu-Natal will host the 25th Edition of the very popular Standard Bank Jazz Jol on Saturday, 31 August at 19:00pm with the likes of Cape Town resident Shane Cooper, Kesivan Naidoo, Africa Plus and Mozambican quartet Afro Latino to take the stage.

With the event having become a popular feature on the Durban calendar, this year’s event will feature the recipient of the Standard Bank Young Artist Award 2013, bassist Shane Cooper with the event having featured last year’s Standard Bank Young Artist Award winner Afrika Mkhize. Sharing the stage with Shane Cooper will be members of his band which consist of previous Standard Bank Young Artist winner Kevisan Naidoo on the drums, Reza Khota on the guitar and Justin Bellairs on the alto saxophone.

The young and exciting Durban based trio of Africa Plus consist of Prince Bulo on the bass, Sphelelo Mazibuko on the drums and Lungelo Ngcobo on the piano and keyboards. Their musical influence is drawn from rich traditional African elements with the base drawn from Western advanced harmonies. Formally trained at the University of KwaZulu-Natal this vibrant outfit full of rhythmic complexities and melodies that include mainly original music composed by the band are sure to entertain audiences.

The Mozambican quartet of Afro Latino will bring the night to a close and they consist of guitarist and vocalist Milton Chissano who provides the Latin grooves to the group, Ildo Nandja as percussionist and bassist, Alberto Chemane on the percussion and drums and lastly Njabulo Shabalala on the percussion.

Proceeds from the concert go towards the Ronnie Madonsela Scholarship which is a scholarship that assists disadvantaged jazz students at the University of KwaZulu-Natal with general support, financial aid, and bursaries. The scholarship also helps fund the travelling and accommodation costs for educational festivals such as the National Youth Jazz Festival held annually in Grahamstown along with workshops and conferences.

Tickets are R 100 (R 80 for pensioners and R 50 for students) there are early bird discounts of R 80 and group discounts for pensioners at R 75 for groups of ten. To book your tickets you can call Thulile Zama on (031) 260-3385 or e-mail her on Zamat1@ukzn.ac.za, tickets will also be available at the door on the night.

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AFDA Johannesburg masters student makes headway at SA’s major festivals

Tapiwa photo.jpg

AFDA Johannesburg masters student Tapiwa Chipfupa makes headway at SA’s major festivals

AFDA Johannesburg masters student Tapiwa Chipfupa, from Zimbabwe is staking her claim in the local and international film industry. Her film “The Bag on My Back” was recently screened at the Encounters Film Festival in Cape Town in June, and she has been selected as one of 40 participants in the 6th Talent Campus Durban at the Durban International Film Festival, which opens on July 18.

Chipfupa, a cum laude graduate from AFDA and a 2008 Mandela Rhodes Scholarship nominee, is currently completing her Masters Degree in Fine Arts in Motion Picture Medium at AFDA. As part of an exchange programme with Finland, she produced and co-directed two documentaries currently screening at festivals in Europe, and has won the Best Student Award at Tampere International Film Festival (2010). She pitched “The Bag on My Back” at Africadoc, securing sales in Europe and West Africa.

Well-known South African producer David Max Brown mentored Chipfupa through the production of the film, which is about her life in exile and the land issues in Zimbabwe as she followed her parents from farm to farm in the 80’s and 90’s until her outspoken father was retrenched from his job as a farm manager. 

“I am really please that this film is getting so much attention,” says Chipfupa. “It was really encouraging to have had David’s guidance, and I have learnt so much in the process. As far as Talent Campus is concerned, I am really looking forward to being in Durban, as I have heard such great things about it from the opportunities to gather information and expert knowledge and networking with peers from across the continent to meeting film-makers from around the globe who are top of their game. And of course seeing so many brilliant films, we would not usually be able to access.”

For more information contact Mandy Day, office 27 21 448 7600, mobile 071 473 6412 or go on www.afda.co.za.

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Talent Campus Durban Participants at 34th Durban International Film Festival (18-28 July)

The 34th Durban International Film Festival (DIFF), hosted by the Centre for Creative Arts, University of KwaZulu-Natal, with principal funding by the National Lottery Development Trust Fund, has finalized selection of participants for the 6thedition of the Talent Campus Durban which takes place from 19 to 23 July.

Forty African filmmakers and film experts will come together in Durban to be inspired and enlightened in the medium and industry of cinema. The programme provides the selected participants with a unique opportunity to meet with international industry professionals, experts and mentors in various aspects of the filmmaking business through participation in a 5-day programme of masterclasses, workshops and industry networking events.

This year’s candidates, chosen from over 450 submissions, hail from 15 different African countries, including Algeria, Cameroon, Egypt, Ethiopia, Ghana, Kenya, Morocco, Mozambique, Namibia, Nigeria, Rwanda, Senegal, South Africa, Tunisia, and Uganda. Participants will be also be able to attend the DIFF.

Running in parallel to the general Festival programme, this year’s Talent Campus Durban will offer three hands-on training programmes: Doc Station  which will focus on documentary-making, Talent Press which is dedicated to film criticism and Script Station which will foster story development. 

For the third consecutive year, Doc Station will offer three selected Talents the opportunity to refine and polish documentary projects for pitching at the 4th Durban FilmMart’s DOC Circle. Meanwhile, Talent Press will mentor four African journalists in the art of film criticism with access to all the screenings of the 34th Durban International Film Festival. This initiative, promoted in collaboration with FIPRESCI (International Federation of Film Critics) and the Goethe Institute of South Africa, will welcome film writing experts Didi Cheeka (Nigeria), Espera Donouvossi (Benin and South Africa), Leon Van Nierop (South Africa) and Katarina Hederen (Ethiopia and South Africa) as  programme mentors.

For the first time, Script Station will offer the opportunity to four selected writers to develop their stories in the Writers Circle, while being mentored by qualified script editors Tracey Lee Dearham-Raniers and Karima Effendi. This new activity is presented in collaboration with the NFVF’s Sediba SPARK Scriptwriting workshop.

In 2013, the Talent Campus Durban theme is “Memetic Africa?” highlighting and interrogating the continent of Africa as a source of myriad narratives which offer possibilities to be re-imagined, re-told, overlapped and adapted within numerous contexts.

Talent Campus Durban is presented in partnership with the Berlinale Talent Campus, with support from the German Embassy of South Africa, the Goethe-Institut of South Africa, and the KwaZulu-Natal Department of Economic Development and Tourism. Through the international programme, which extends to Talent Campuses in Buenos Aires, Guadalajara, Sarajevo and Tokyo, as well as Durban, participants are initiated into a global community of filmmakers and connected via a wide social network operated through the Berlinale.

Talent Campus Durban 2013:

Drifa Mezenner (Algeria), Pierre Loti Tawokam Simo (Cameroon), Tumbo John Wani (Democratic Republic of Congo), Alia Hassab (Egypt), Kamal Elmallakh (Egypt), Dawit Zewedu (Ethiopia), Hiwot Getaneh (Ethiopia), Anita Afonu (Ghana), Joseph Wairimu (Kenya), Mercy Mkaiwawi Mwakaba (Kenya), Sarah Muhoho (Kenya), Ng’endo Mukii (Kenya), Saad Eddine Said (Morocco), Inadelso Cossa (Mozambique), Oshosheni Hiveluah (Namibia), Aderinsola Ajao (Nigeria), Adeyinka Edward Daniyan (Nigeria), Kayambi Musafiri (Rwanda), Thiaw Rama (Senegal), Antoinette Engel (South Africa), Ari Kruger (South Africa), Caitlin Pansegrouw (South Africa), Dylan Bosman (South Africa), Howard Fyvie (South Africa), Katey Lee Carson (South Africa), Maanda Ntsandeni (South Africa), Nduduzo Shandu (South Africa), Nosipho Sharon Mngoma (South Africa), Pierre Paul De Villiers (South Africa), Rolisizwe Nikiwe (South Africa) Siphamandla Ngcobo (South Africa), Siphiwe Dominic Mpanza (South Africa), Sivela Mgudu (South Africa), Zethu Mashika (South Africa), Zwelethu Radebe (South Africa), Ahmed Jlassi (Tunisia), Narjes Torchani (Tunisia), Nathan Magoola (Uganda), Polly Kamukama (Uganda) ,Tapiwa Chipfupa (Zimbabwe).

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Durban International Film Festival / Durban FilmMart form strategic partnership with Durban Wild Talk Africa

Durban, South Africa: The Durban International Film Festival (DIFF), hosted by the Centre for Creative Arts (University of KwaZulu-Natal), with principal funding from the National Lottery Distribution Trust Fund, and the Durban FilmMart (DFM), the joint project of the Durban Film Office (DFO) and DIFF, are pleased to announce that a strategic partnership has been formed with Durban Wild Talk Africa, the continent’s most respected natural history film festival and conference, which takes place at the Docklands Hotel in Durban from July 23 to 26. 

The return of Wild Talk Africa to Durban is supported by the City of Durban through Durban Tourism and the Durban Film Office. “We are pleased that after a number of years we can welcome back this prestigious conference and festival to our City,” says Philip Sithole, Head of Durban Tourism and Business Support. “Durban Wild Talk Africa combined with the continent’s two major film events – the Durban International Film Festival and the Durban FilmMart, firms up a truly strong film industry package for visitors and we look forward to welcoming the many local, continental and international industry guests to our shores.”

Durban Wild Talk Africa is considered to be Africa’s key film festival and conference for natural history and wildlife film and television programming. The event includes; workshops, seminars, masterclasses, open pitching sessions, commissioners panels and exhibitions, and is a valuable networking forum with both local and international delegates and industry leaders. This year DWTA will include the Wildlife Photographer of the Year exhibition to be held at uShaka Marine World and sponsored by National Geographic, from 25 July to 25 September 2013.

The Durban International Film Festival is SA’s largest and longest-running film festival, which takes place from July 18 to 28. The Durban FilmMart, which runs parallel to the DIFF from July 19 to 22, is the continent’s premier film industry event, which provides opportunities for selected projects to pitch to financiers and producers, as well as offering a series of master classes and top-drawer networking opportunities with industry players.

A selection of natural history films have been chosen from 445 entries from across the globe, to be screened during 9 slots as part of the DIFF programme. These films were entered as part of Durban Wild Talk Africa’s ROSCAR Awards competition. The Durban Wild Talk Africa has scheduled its conference in the footprint of DIFF, as part of a greater vision to build Durban’s golden mile as a hub for film market activity in the month of July. 

“Forming this strategic partnership with Durban Wild Talk Africa, adds a valuable new dimension to DIFF,” says Peter Machen, Manager of DIFF. “The Wild Talk Africa Film Festival selection complements our huge variety of more than 200 factual and fiction films screened at the DIFF. This, no doubt will add to the dynamic and vigorous discourse that usually takes place during the festival both informally and formally in seminars and workshops, as well as in the media.”

“We have chosen our dates to co-incide with the DIFF and DFM in a united effort to build the film festival and market environment for factual content and feature films in Durban,” says Donfrey Meyer, Director of Wild Talk Africa. “As the DWTA is an autonomous conference, running concurrently with the DIFF, we believe that film-makers and industry players will take advantage of the abundance of content, industry representation and opportunities to discuss, network and start conversations about content generation and distribution. There is a global focus on the natural history of this continent and, with this in mind, we are pleased to be welcoming commissioning editors and representatives from Discovery Networks International, NHK Japan Broadcasting Corp., BBC NHU, ORF Austrian Broadcasting Corp., ABC Australian Broadcasting Corp., National Geographic, SABC, NFVF, e.tv. NHU Africa and others to Durban.”

“The success of the Durban FilmMart is clearly demonstrated by the fact that we have seen many of the projects pitched in the finance forum successfully make it to festivals and theatrical release over the past four years.” says Toni Monty of the Durban Film Office. “The DFM provides an important platform for the business of film to be conducted. This, together with the industry events at both the DIFF and DFM, promises to create a conducive environment for delegates to exchange ideas and forge partnerships and relationships.. All of this helps to further develop a dynamic and robust industry on the continent. We see the alignment with Durban Wild Talk Africa as a great opportunity to further promote and develop factual film content in Africa. We are hoping that film-makers and industry representatives attending the DFM will stay on a little longer to engage with Wild Talk Africa, and take in the additional industry opportunities available.”

Registration for the DWTA is now open on www.wildtalkafrica.com. The delegate pass includes full access to workshops, seminars and panels, as well as evening networking events and functions.  

Registration for the Durban FilmMart is now open on www.durbanfilmmart.com. For more information about the Durban International Film Festival go towww.durbanfilmfest.co.za

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Note to Editors: 

The Durban FilmMart (DFM) is a co-production and finance market and is a joint programme of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF). DFM provides filmmakers from across Africa a valued opportunity to pitch projects to financiers, distributors, sales agents and potential co-producers, and participate in meetings, project presentations and a series of master classes and workshops on latest industry trends. www.durbanfilmmart.com

The Durban Film Office (DFO) is the film industry development arm of the eThekwini Municipality, mandated to position Durban as a world-class film production destination and facilitator for the development of the local film industry.  The DFO drives activity and development in the sector in order to boost tourism, job creation and the development of core skills and SMME’s in the region.   www.durbanfilmoffice.com

The Durban International Film Festival (DIFF) presents over 250 screenings from different countries and cultures with special focus on Africa; it includes development programmes such as Talent Campus Durban. DIFF is a flagship project of the Centre for Creative Arts, University of KwaZulu-Natal, which facilitates creative platforms and economic opportunities for artists and related industries, intercultural exchange and network development, training, audience development and strategic Pan-African and international cooperation in the cultural sectors.  www.cca.ukzn.ac.za

 

Delegate Registration Opens for Durban FilmMart

Durban South Africa: Delegate registration for Durban FilmMart (DFM) opens today (June 6), with the continent's premier film finance and co-production forum urging industry delegates to take advantage of the discounted early bird registration. Now in its fourth edition, the DFM takes place from 19-22 July and promises an exciting programme of masterclasses and networking opportunities.

The Durban FilmMart - a joint project of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF) - is an African co-production market that provides a platform for international experts, broadcasters, financiers and filmmakers to meet and develop strategic partnerships that get films made. The four-day event comprises of a programme of Master classes, Africa in Focus panels, networking functions, the DOC Circle Pitching Forum and the Finance Forum for selected projects of the market. Delegates will also get to enjoy the selection of films screening at the  Durban International Film Festival.

“The FilmMart objective is to facilitate the development of African film content and to fuel business and employment opportunities within this sector on the continent,” says Durban Film Office’s Toni Monty. “We have seen some strong projects emerge from the Finance Forum programme into theatrical exhibition and onto important international film festivals. We have also seen how the DFM has become an important meeting point for film-makers from South Africa, Africa and increasingly from beyond the continent to network and engage in meetings, discussions, master classes and further develop their professional careers.”

The Durban FilmMart programme features a range of masterclasses presented by leading industry experts on a wide range of topics ranging from world trends in co-production to finance, distribution, script development and new media. Africa in Focus is comprised of a range of seminars and panel discussions featuring local and international filmmakers experts, specifically dealing with salient issues in African cinema. DOC Circle Pitching Forum is a high-level pitching event where the selected documentary projects of the DFM as well those of as Talent Campus Durban's Doc Station pitch to an audience of financiers, commissioning editors and broadcasters as well as DFM delegates. This pitching forum is invaluable for the development of new filmmakers. In addition, Durban FilmMart  delegates have access to a range of networking events attended by key industry professionals . Delegates can also attend workshops, seminars and screenings in the festival . 

World-renowned film expert Clare Downs will present a scriptwriting workshop entitled Strategies for development: the Agony and Ecstasy. Clare Downs is a founding member of the script analysis team for EAVE and has worked in training, script development, producing and writing for over three decades.  Clare has been involved in many international development and training programmes including the Southern African Producer training programme AVEA (2000 -2005). 

Filmmaker, author, strategist and consultant John Reiss will present a transmedia masterclass drawing from his critically acclaimed book Think Outside the Box Office -The Ultimate Guide to Film Distribution in the Digital Era. John Reiss is the director of numerous films including the documentaries Bomb It and Bomb It 2, which look at the subversive and often controversial international subcultures around graffiti. 

Presenting a masterclass on co-production entitled The Art of Working Together is Christoph Thoke, a German film and television producer and president of Mogador Film, who has worked for leading German/French broadcaster ARTE and German production companies including Bavaria Films, Taunus Film and CineMedia. Mogador’s first film Lorna's Silence by the Dardene Brothers was selected in competition for Cannes 2008 and screened at the Durban International Film Festival.

Marketing and Publicity for Cinema: the Mentality to Promote is the masterclass to be presented by film distribution and marketing expert Alvaro Vega of Vertigo Films - Spain's leading distribution company (recently incorporated into Wild Bunch). Vega has been involved in the distribution of films for leading directors including David Lynch, Gus Van Sant, Wong Kar-Wai, Mike Leigh and Sofia Coppola.

A number of local, continental and international broadcasters,as well as various government agencies, film commissions, and distribution agencies will be in attendance, enabling delegates to establish contact and engage in one-on-one meetings. 

This year the DFM partners and supporters include the International Film Festival Rotterdam's (IFFR) CineMart, the International Documentary Film Festival Amsterdam (IDFA), the Berlinale Film Festival, Worldview, and others. Attending DFM this year, the Hot Docs Documentary Film Festival - North America’s largest documentary film festival - through its Blue Ice Fund Group initiative will continue to facilitate a financing and mentorship program for six African film grantees, awarded earlier this year. New partners include Paris Cinema’s film market Paris Project, who will select one project for their 2014 edition. Independent Filmmakers Project, America’s largest independent film non-profit, will select one DFM project to attend their lab for this year. ARTE returns to award a cash prize to the best fiction project, while Festival des 3 Continentes – Nantes and the International Organisation of Francophone will also be in attendance.

Renowned South African film and television pitching coach, Howard Thomas of Busvannah Communications will deliver four one-hour primers on proposal writing and pitching, covering the areas of research, target audience, writing and budgeting. These primers are aimed at beginner and intermediate producers active in content producing and will form part of the Durban FilmMart and Talent Campus Durban programme, with limited seats available to the public.

Following the DFM, and running from 23 to 26 July, is Wild Talk Africa, Africa’s key film festival and conference for natural history and wildlife film and television programming. “This is also a great opportunity for delegates to stay on in Durban and take advantage of the valuable opportunities in factual television-producing and broadcasting that Wild Talk presents.” says Monty.

“This year DFM’s has a really strong contingent of top quality experts and industry representatives, which adds significant weight to the level of engagement that will take place.” says Peter Machen, Manager of the Durban International Film Festival. “We look forward to welcoming delegates and hope that they seize the opportunity to network with the peers and experts in a meaningful way, and that this year’s Durban FilmMart continues to stimulate the growth of the industry on the continent.”

The 4th edition of Durban FilmMart takes place from 19 - 22 July 2013 during the Durban International Film Festival and is now open for delegate registration. Early bird registration, which enables the delegate to be included in the industry manual closes on July 2 and costs R1250. Registration thereafter costs R1750 and closes on July 18.

For more information and to register visit www.durbanfilmmart.com

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