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Jyoti Mistry's grisly new thriller Impunity to screen at Durban Internationsl Film Festival

MEDIA RELEASE

JYOTI MISTRY’S GRISLY NEW THRILLER IMPUNITY TO SCREEN AT DURBAN INTERNATIONAL FILM FESTIVAL

Noir thriller “Impunity”, the latest film by celebrated South African director Jyoti Mistry, will be screened at the Durban International Film Festival (DIFF), which opens on Thursday, 16 July, giving audiences a sneak preview prior to the film’s release in August. This follows the screening of the film in the Contemporary World Cinema section at the 2014 Toronto International Film Festival.

The film tells the story of a Special Crimes Unit investigator Dingande Fakude (Desmond Dube) and a local police detective and trained psychologist Naveed Khan (Vaneshran Arumugam), who find themselves caught up in political corruption and conspiracy when they investigate the gruesome murder of a cabinet minister's daughter, found in an exclusive African safari resort after a party celebrating her engagement to a rising political star.

A young couple, Derren (Bjorn Steinbach) and Echo (Alex McGregor), who were working as waiters at the engagement party, are taken in for questioning by the two lawmen. As they begin to piece events together, it becomes clear that there is much more to the high-profile murder case than first imagined. The two uncover a trail of murders and are faced with a moral dilemma involving the new political elite.

With the themes of corruption and brutality at its centre, Impunity is a profound investigation into contemporary South Africa and the seat of power. The film has been lauded for it rich visual language, which features picturesque beachfronts and bushveld, intercut with harsh CCTV footage. The Toronto Film Festival organisers described “Impunity” as “an eye-opening jolt, casting an unwavering gaze on South Africa's increasingly troubling surrender to the banality of violence.”

Mistry studied filmmaking and cinema studies at New York University. Her short films include “We Remember Differently” (2005) and “I Mike What I Like” (2006). “Impunity” is her second feature film, after “The Bull on the Roof” (2010). “Impunity” is produced by Shadowy Meadows Productions and Bioskope Pictures, with cinematography by Eran Tahor.

Impunity is being released by Indigenous Film Distribution at selected cinemas on 28 August.

All media queries

david alex wilson

cell: 27 83 629 2587 / e-mail: davidalex@madmoth.co.za

Restored Anti-apartheid Film - A Dry White Season will Screen on Mandela Day for DIFF

Media Release

Restored Anti-apartheid Film, A Dry White Season, will Screen on Mandela Day 2015 for DIFF

The award-winning and world-renowned French filmmaker Euzhan Palcy will showcase her most celebrated work, A DRY WHITE SEASON (1989), as part of the film’s 25th anniversary at this year’s Durban International Film Festival (DIFF). The film was adapted from a book by the acclaimed South African writer Andre Brink who died earlier this year. Palcy will be honoring Brink on Mandela Day (July 18).

Additionally, in a tribute to her contribution to the South African film industry, Palcy will be honoured at the Simon Sabela Awards on July 19. Karina Brink, Dame Janet Suzman and Thoko Ntshinga will attend both the screening and the awards.

At the time the film was produced, Ms. Palcy was distinguished for being the first black female director to be hired by a major Hollywood studio (MGM) and to direct an anti-apartheid film during Nelson Mandela’s prison sentence. She is also the only woman to have directed Marlon Brando and the first black person to win a French Oscar.

Andre Brink’s book, a narrative about the social movements of South Africa and the 1976 Soweto riots inspired Palcy’s impassioned response to illustrate an accurate account of the reality of apartheid. Palcy made the film in 1989 after doing extensive research undercover in Soweto. The film stars Donald Sutherland, Janet Suzman, Marlon Brando, Zakes Mokae, Susan Sarandon, John Kani, Winston Ntshona, Jürgen Prochnow amongst others.

“We are pleased to be able to present an important work created by a black woman, which highlights and even represents the lost voices of the people of this continent; the unspoken narratives and the untold stories,” says Pedro Pimenta, Director of DIFF. “Her courage to create a work which could stand out and give three dimensional life to Brink’s book, and by association the voiceless at the time, required an enormous amount of bravery. We are proud to be able to salute her at the DIFF this year.”

The South African event will kick off on 17 July with the opening of an exhibition of David James’ still photographs from A DRY WHITE SEASON at the KwaZulu-Natal Society of Arts. James is the 2011 Society of Cinematographer Lifetime achievement award winner in stills photography and was the official photographer of the 81st to the 84th Oscars ceremonies. The exhibition will run for the duration of the DIFF until the 26 July.

A DRY WHITE SEASON will be screened on Mandela Day at Suncoast on Saturday, 18 July at 20:00. This will be followed by a question and answer session with Ms. Palcy. Her first classic award winning film, SUGAR CANE ALLEY, which Brink apparently screened in secret to his students, celebrates its 30th anniversary and will be screened as a South African premiere at Suncoast on Monday, 20 July at 19:30, in which she will also be in attendance.

Comment from Patrick Aglae director of communications for Euzhan Palcy and producer of A DRY WHITE SEASON: the 25th anniversary tour:

It has been a long journey since we decided to officially screen A DRY WHITE SEASON in South Africa on the big stage. Euzhan Palcy had made the promise to Nelson Mandela to comeback one day to officially screen the film. In March at the Andre Brink’s Memorial at the University of Cape Town she said “Let’s make it happen”. So to do it on the Mandela Day is magnificent. I’d like to thank DIFF’s new leadership to make this dream a reality alongside MGM and Park Circus, its worldwide distribution partner which played a key role to restore this film and make the DCP on time. To make it so fast speaks volume about their respect for the film.

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For the full DIFF programme go to www.durbanfilmfest.co.za. @EuzhanPalcy

Urucu Media launches inaugural South African edition of Cannes prestigious La Semaine de la Critique at DIFF 2015

Media Release

Urucu Media launches inaugural South African edition of Cannes prestigious La Semaine de la Critique at DIFF 2015

Urucu Media, one of South Africa’s newest feature film production houses, which recently produced the internationally acclaimed Necktie Youth, is proud to announce that they have partnered with Cannes’s La Semaine de la Critique (Critic’s Week) to host a dynamic selection of the top films emerging from this programme in recent years. 

The South African programme launches as part of the Durban International Film Festival 2015, at Cinecentre, Suncoast Casino on July 21, with the support of Institute Francaise. Five critically acclaimed films will be screened during the course of the festival with additional screenings scheduled for Johannesburg and Cape Town the following weekend.

Established in 1961, the Semaine De La Critique competition is dedicated to showcasing emerging filmmakers from around the world. Since it's inception the competition has featured the early works of numerous famous auteurs including Ken Loach, Wong Kar-Wai and Alejandro González Iñarritu.

The travelling Semaine de la Critique programme is part of a broader initiative by Urucu Media, supported by the French Institute of South Africa, to promote unique cinematic voices and innovation, while cultivating an audience for the types of films Urucu believes are worth making.

Opening the South African edition of La Semaine de la Critique is Hope, French writer-director, and documentarian, Boris Lojkine's first fiction film.

According to The Hollywood Reporter Hope is a “scrupulously well-researched” recounting of a journey of desperation taken by a Nigerian woman and a Cameroonian man across the Sahara in an attempt to reach Europe. Cine Europa Online highlighted the “incredible and moving realism that emerges reveals a director whose work should be kept an eye on.” 

Award winning director Lojkine will be in attendance at DIFF where he will present a Master Class, as part of the Talents Durban programme, on bringing reality and authenticity to fiction filmmaking.

Other films include The Kindergarten Teacher by Nadav Lapid (Israel, 2014) about a crèche teacher and aspiring poet, who discovers unusual poetic talent in her five-year old student. Informed by her own deprived past and a fear that the world will eat his sensitive soul alive, she takes it upon herself to protect the boy and the gift he carries.

Yann Gonzalez’s debut feature You And The Night by  (France, 2013) is an erotic-existential-queer comedy. Starring legendary French footballer Eric Cantona in the role of a well-hung stud/former child-poet and one of seven member of a meticulously cast orgy, it explores and intentionally confuses memory and fantasy.

From Italy and France comes Salvo the winner of last year’s La Semaine de la Critique of Cannes Film Festival directed byFabio Grassadonia and Antonio Piazza (2013). It tells the story of Salvo (Saleh Bakri) – a merciless body guard/hit man in Sicily’s underworld.  Meeting Rita (Sara Serraiocco), the blind sister of one of his victims – and a witness at that – changes not just Salvo’s life, but Rita’s too, and offers the pair a relief from the literal and metaphorical darkness in which they are stuck.

Writer/director Katell Quillévéré’s second feature, Suzanne  (France, 2013) follows Suzanne (Sara Forestier) during 25 years of her life. Suzanne grows up with her sister (Adèle Haenel) and widowed truck-driver father (François Damiens). When Suzanne falls pregnant while still in school, the family with its new member remains a tight unit, but when she falls in love with a gangster, the stability is threatened. 

 “My business partner, John Trengove and I are, incredibly excited about hosting the first official platform for La Semaine de la Critique in Africa and hope to cultivate strong local audience base for the wonderful films that emerge from this inspiring competition every year.” says Urucu’s Elias Ribeiro.

For more information about the La Semaine de la Critique go to www.urucumedia.com and for the Durban International Film Festival go to www.durbanfilmfest.co.za

 

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La Semaine de la Critique screening times:

Durban: Suncoast Casino

21st July         20:00   HOPE   - Opening Night Film - La Semaine de la Critique

22nd July        17:30   SALVO

23rd July         22:00   SUZANNE

24th July         17:30   THE KINDERGARTEN TEACHER

25th July         17:00   YOU AND THE NIGHT

 

Johannesburg: Rosebank Nouveau &

Cape Town: V&A Waterfront Nouveau

 

31st July         20:00   HOPE

1st August     17:30   SALVO
          

1st August     20:00   SUZANNE

2nd August    17:30   THE KINDERGARDEN TEACHER 

2nd August    20:00   YOU AND THE NIGHT 

 

Note to editors:

 

La Semaine de la Critique: The Films

Hope by Boris Lojkine (France, 2014, 91 min)

In his debut feature, the French helmer takes on the forever-relevant topic of migration from Africa to Europe. Léonard from Cameroon (Endurance Newton) and Hope from Nigeria (Justin Wang) form a contested partnership on their dangerous journey to Europe – a dreamland where even mosquitoes drink coca cola.

Trailer: https://www.youtube.com/watch?v=Fycw0Q0ahlo

 

The Kindergarten Teacher by Nadav Lapid (Israel, 2014, 120 min.)

Nira (Sarit Larry), a crèche teacher and aspiring poet, discovers unusual poetic talent in Yoav (Avi Shnaidman), her five-year old student. Informed by her own deprived past and a fear that the world will eat his sensitive soul alive, she takes it upon herself to protect the boy and the gift he carries.

Trailer: https://www.youtube.com/watch?v=IP3Wo1uGzTk

 

You And The Night by Yann Gonzalez (France, 2013, 92 min.)

Gonzalez kick-started his feature film career with an erotic-existential-queer comedy. Starring legendary French footballer Eric Cantona in the role of a well-hung stud/former child-poet and one of seven member of a meticulously cast orgy, it explores and intentionally confuses memory and fantasy.

Trailer: https://www.youtube.com/watch?v=gS2q6AYBnkQ

 

Salvo by Fabio Grassadonia and Antonio Piazza (Italy/France, 2013, 110 min.)

The winner of La Semaine de la Critique of Cannes Film Festival 2014 tells the story of Salvo (Saleh Bakri) – a merciless body guard/hit man in Sicily’s underworld.  Meeting Rita (Sara Serraiocco), the blind sister of one of his victims – and a witness at that – changes not just Salvo’s life, but Rita’s too, and offers the pair a relief from the literal and metaphorical darkness in which they are stuck.

Trailer:  https://www.youtube.com/watch?v=yI5qkz91ohU

 

Suzanne by Katell Quillévéré (France, 2013, 94 min.)

Writer/director Quillévéré’s second feature follows Suzanne (Sara Forestier) during 25 years of her life. Suzanne grows up with her sister (Adèle Haenel) and widowed truck-driver father (François Damiens). When Suzanne falls pregnant while still in school, the family with its new member remains a tight unit, but when she falls in love with a gangster, the stability is threatened. 

Trailer:  https://www.youtube.com/watch?v=CJyzQ3CboJ8

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Artwatch Africa at Durban International Film Festival 2015

Media Release

Artwatch Africa at Durban International Film Festival 2015

Public interest in freedom of expression has escalated dramatically since the Charlie Hebdo killings in January. An Al-Jazeera news item reported that media coverage of freedom of expression jumped from 2% in 2014 to over 23% in early 2015. Whilst freedom of expression is a right widely enshrined in the constitutions of nations across Africa, these rights are frequently not upheld. It is not just political parties or journalists that are vulnerable constituencies, but also activists from the arts and culture sectors; increasingly in some countries, artists that speak out on social and political issues are subjected to harassment, censorship or even arrest.

 

These and related issues are a core feature of Arterial Network’s three-fold presence at the 36th edition of the Durban International Film Festival, as part of its Artwatch Africa artist rights programme.

Aimed at artists, cultural practitioners, journalists and human rights organisations, and coordinated by Arterial Network South Africa, a closed 3-day workshop provides an opportunity to deepen understanding of human rights, cultural rights and artist rights, and will empower advocacy activities for the promotion, monitoring and defence of freedom of creative expression within local contexts. Similar Artwatch Africa workshops have taken place in Nigeria, Zimbabwe, Burkina Faso, Mali, DRC, Uganda, Ghana, Cameroon, Namibia, Algeria, Zambia, Gabon, Tanzania, Republic of Congo, Benin, Kenya, Rwanda, Ivory Coast and Morocco during the past year.

An open-to-all session in conjunction with DIFF’s Talents programme is the  "Behind the Veil - Arterial Network and ArtWatch Africa Exchange on Creativity and Censorship" on 21st July at 14.00 in Suite 4, Elangeni Hotel. This interactive engagement explores censorship in Africa and includes a data gathering component aimed at understanding the nature of restrictions that inhibit artistic practice in respective countries.

Finally, during the Durban International Film Festival Award Night, an Artwatch Africa Award will be presented to an African film that meaningfully engages with the issues of Freedom of Expression. The Artwatch Africa project promotes the value of creative expression for society and the role creativity plays in personal development, social cohesion or social change; it recognises the transformative power of cinema and its importance in raising awareness and conscientisation. This award celebrates activism in the arts, and honours the courage of filmmakers and their subjects. The Award is accompanied by a R15,000 cash prize.

The Artwatch Africa Jury comprises Junaid Ahmed - award winning filmmaker; Gcina Mhlophe - award winning author, poet, playwright, director, performer and storyteller; René Alicia Smith - Executive Dean (Acting): Faculty of Arts & Design at Durban University of Technology; and Peter Rorvik - Secretary-General of Arterial Network.

Artwatch Africa is supported by Swedish Foundation for Human Rights, Swedish Postcode Lottery, Swedish Institute, HIVOS, Mimeta, Goethe Institute and Doen Foundation.

With representation in more than 40 African countries Arterial Network is engaged in building sustainable networks, information dissemination, training, policy formulation,advocacy, and African-centred research, all geared towards growing and strengthening the cultural and creative sectors in Africa.

Visit  www.arterialnetwork.org or call 021-4612023 for more information.

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Durban FilmMart 2015 announces partners' awards for this year's market

Media Release

Durban FilmMart 2015 announces partners’ awards for this year’s market

The Durban FilmMart (DFM), the joint initiative of the Durban International Film Festival (DIFF) and Durban Film Office (DFO) the film industry development arm of the City of Durban, which takes place from July 17 to 20, has announced partners’ awards for this year’s market, with an exciting new award being presented by the Sundance Institute Documentary Film Program.

Considered one of Africa’s most important film finance platforms and industry gatherings, the FilmMart sees about 500 film-makers from around the globe, with a significant representation from Africa, attend the festival for four days of industry development forums and networking sessions. An integral part of the DFM is the finance and co-production forum, which this year has 10 features and nine documentary films selected for intense mentoring and pitch sessions to financiers and distributors, and other industry representatives.

Over the years the DFM has developed key relationships with a myriad industry partners that have seen the value of supporting and developing African content for both continental and global markets.

This year the Sundance Institute Documentary Film Program will award a documentary film project that demonstrates potential for strong storytelling craft, artistic use of visual language, originality, feasibility, and relevance with a cash award of $7000 for further development. “In light of the tremendous talent for documentary filmmaking in Africa and the significant work of the DFM to celebrate those artists, the award is designed to contribute to and support the work of an African non-fiction filmmaker.” explains Rahdi Taylor, Film Fund Director of the Sundance Institute Documentary Film Program. “In supporting a broad spectrum of cinematic and creative non-fiction projects globally, Sundance Institute embraces contemporary storytellers as part of the collective consciousness of culture, and documentary film as a vital contributor to the language of the 21st century.”

Partners and awards this year include:

Afridocs, the broadcast stream that sees African and other international documentaries screened across 49 countries of sub-Saharan Africa on a weekly basis, will offer a €3000 grant for one outstanding documentary project.

The CineMart Award, sponsored by the co-production market of the International Film Festival Rotterdam, provides a fiction project with an opportunity to attend the Rotterdam Lab, a five-day training and networking event bringing together producers from all over the world.

The International Documentary Film Festival of Amsterdam (IDFA) awards the most promising documentary project at the DFM with an opportunity to attend the  IDFA Forum, the largest and most influential meeting place for documentary filmmakers, producers, commissioning editors, funds, private financiers and other documentary stakeholders in Europe, from November 23 to 25.

The New Cinema Network awards will give an official project an opportunity to attend the 10th edition NCN in Rome, where the producer/director will be able to present the project to film companies at an international level.

Produire au Sud of Festival des 3 Continents (Nantes), will give one fiction project an opportunity to attend its developmental workshop program, PAS, where they will be given tools, expertise, and opportunities to develop European networks.

The Restless Pitch award, is a one-year representation deal for the project by Restless Talent Management, who provide development services such as image-building and positioning, project packaging, PR, and advises its clients on film sales, distribution and promotion.

Durban’s Videovision Entertainment, will once again award the “Best South African Film Project” a prize valued at R75 000, which guarantees its release once it is completed. The prize includes marketing and distribution support from Videovision Entertainment.   

‘We are immensely grateful to all our partners for the generous opportunities they have created for the DFM selected projects,” says Toni Monty of the Durban Film Office. “For independent film-makers, this is such an ideal opportunity to take their projects to the next level through the mentorship and support provided at the Market. We are looking forward to a robust and stimulating market this year, and seeing how the projects will evolve and develop through the  DFM process.”

For more information about the DFM go to www.durbanfilmmart.com.

 

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SPAR KZN Regional Hockey Tournament Finals 25 & 26 July

Media Release

SPAR KZN Regional Hockey Tournament Finals

25 & 26 July

The top ten girls’ first teams from around KZN converge in Kloof in the grand finals of the 2015 SPAR KZN Regional Hockey Tournament over the weekend of 25 and 26 July.

Twenty-nine games will be battled out at St Mary’s DSG and Thomas More College in the hunt to be the 2015 champion. The ten teams who have been victorious in their regionals around KZN will take each other on in the conclusion to this annual tournament now in its fifth year. Ten regionals have been played through the early part of this year, with the finalists from each region participating in the grand finals.

Favourites are the in-form teams from St Mary’s DSG and Durban Girls’ College that are just outside the top ten rankings in South Africa for girls’ first teams. Not far down the list are Pietermartizburg Girls’ High School and St Anne’s College.

Durban Girls’ College are the defending champions, having raised the trophy in the last two years. Promising to give them a run for their money are previous winners St Mary’s DSG and St Anne’s College.

Teams that will compete in the tournament are Ferrum Hoërskool from Newcastle; Amanzimtoti High School from the Durban South Regional; Ashton International College from the Durban North Regional; defending champions Durban Girls’ College from the Durban Central Regional; Pietermaritzburg Girls’ High and St Anne’s College from the Pietermaritzburg Central and Northern Regional; St Mary’s DSG from the Highway Regional; King Edward High School from the Southern KZN Regional; Empangeni High School from the Northern KZN Regional and Wartburg Kirchdorf High School from the Inland KZN Regional.

Another vital ingredient to this tournament is the growth of umpires. At each regional, one umpire was selected as the “Most Promising Umpire” and these have been invited to officiate at the grand finals.

The Most Promising Umpires are Ansie Joubert (St Dominic’s Academy) from the Northern KZN regional; Jason Naidoo (Kingsway High School) from the Durban South Regional; Ziyaana Booley (Northlands Girls High) from Durban North Regional; Pam Daniel (Durban Girls High School) Durban Central Regional; Craig Warren (Treverton) Pietermaritzburg Central Regional;  Bryn Merton (Grace College) Pietermaritzburg North Regional; Chiara Benati (St Mary’s DSG – making her second appearance) from the Highway Regional; Tessa Van Vuuren from the Southern KZN Regional who also is making her second appearance; Storm Blignaut (St.Catherine’s) Northern KZN Regional and Sarah Wheeler (Greytown High School) Inland Regional, who makes her fifth appearance.

“As with the actual game of hockey, a tournament of this size requires some great teamwork and good strategies to win.” says MD of SPAR Rob Philipson. “I would like to thank everyone involved - the tournament director, Les Galloway, the technical team, the schools, coaches, managers and teachers and the girls and their parents, who have worked together to create and develop this winning event. So successful has this model been, that other provinces are looking to emulate it.”

“We look forward to a great weekend of top schoolgirl hockey,” says Les Galloway, tournament director. “It has been truly exciting to see how this tournament has helped to grow a love for hockey in KZN. The festive atmosphere created by SPAR, has really given schoolgirls an opportunity to have fun playing in a competitive tournament and have seen the interest in the game increasing. In fact this year, we were pleased to welcome Inanda Seminary, a school that has not played hockey in recent years, participate in the Durban Central regionals, giving some of the more experienced teams a good competitive match.”

Pool matches will be played on Saturday, July 25 from 08:30 at St Mary’s and Thomas More in Kloof.  On Sunday, July 26 the play-offs will start at 08:30 at St Mary’s.

For more info and the fixtures list -  “like” the SPAR KZN Regional Hockey Tournament Facebook page or follow the tournament on Twitter @SPARGirlsHockey.

Fifth appearance

Ferrum High School – tenth 2014

Pietermaritzburg Girls’ High School – bronze 2014

Durban Girls College – defending champions 2014 / 2013

 

Fourth appearance

Empangeni High School – seventh 2014

St Anne’s College – silver 2014

St Mary’s DSG – bronze 2013

 

Third appearance

Wartburg Kirchdorf High – ninth 2014

Second appearance

Ashton International College – ninth 2013

 

First Appearance

Amanzimtoti High School

King Edward High School

 

ENDS

 

Videovision Entertainment Premieres Six Films at the 2015 Durban International Film Festival

Media Release

Videovision Entertainment premieres Six Films

at the 2015 Durban International Film Festival 

Videovision Entertainment announced today that it will premiere six films at the 36th Durban International Film Festival, which takes place from July 16 to 26.

The films, which will all have either South African and African premieres at the festival, are Wolf Totem, Khalil Gibran’s The ProphetStrangerlandMommy Coming Home and White Bird in a Blizzard.

“As a proudly Durban based company, we are pleased to be continuing our partnership with the DIFF by bringing these great films by some of the world’s top film-makers to the festival.” says Sanjeev Singh, director of acquisition and distribution for Videovision Entertainment. “Of particular significance for Durban, is the attendance of the award winning director Jean-Jacques Annaud at the African premiere of his visually spectacular film Wolf Totem on July 20 and the selection of the animated adaptation of Khalil Gibran’s seminal work, The Prophet directed by Roger Allers, as the closing night film of the festival.”

The much-lauded Wolf Totem by the celebrated, award-winning French director Jean-Jacques Annaud is a visually beautiful adaptation of the Chinese best-seller by Jiang Rong. The film has received critical acclaim with Variety calling the film a ‘viscerally powerful drama,’ while The Hollywood Reporter said that the film was ‘spectacularly staged…stunning’ and Screen International pronounced the film to be ‘a proud throwback in look and spirit to a kind of filmmaking we don’t see much anymore.’ The film has also achieved box office success, reaping in US$ 111 million in China and US$9 million in France.  

“We are pleased that director Annaud who has a string of blockbusters to his name such as Seven Years in TibetQuest for FireThe Name of the Rose and The Bear, will be attending the festival.” says Sanjeev Singh. “This is great news for Durban, the festival and indeed the film industry as well, as his presence will stimulate the conversation around film-making in the country, on a global level. The French Institute in South Africa and ourselves look forward to hosting him in Durban and giving him a unique South African experience.”

“Jean-Jacques Annaud is one of the most internationally renowned French filmmakers and an Academy Award winner having worked with many stars like Brad Pitt, Sean Connery and Jude Law, to name a few.  The French Institute of South Africa is proud to have made it possible for him to attend the DIFF, together with UniFrance and Videovision Entertainment, as part of its efforts to strengthen the links between France and South Africa in the film industry”, says Frédéric Chambon, Film and Media Regional Attaché at the French Embassy in South Africa.

Inspired by the beloved classic Kahlil Gibran’s The Prophet, the film is a richly-animated tale of an unlikely friendship between a young, mischievous girl and an imprisoned poet. Interwoven with Gibran’s lyrical and inspiring words on the true nature of love, work, freedom and marriage, the film is written and directed by Roger Allers and features the voices of Liam Neeson, Salma Hayek-Pinault, Quvenzhané Wallis, John Krasinski, Frank Langella and Alfred Molina.  The film had its World Premiere in the Official Selection of the Cannes Film Festival this year.

White Bird in a Blizzard directed by Gregg Araki (Mysterious Skin), stars Shailene Woodley, Eva Green and Angela Bassett. This dramatic thriller, which premiered at the Sundance Film Festival, has been described as sexy and haunting, tells the story of a young woman discovering her own sexuality when her mother mysteriously disappears. At first she is not impacted by it, but on returning home on a break from college, finds herself confronted with the truth about her mother's departure, and her own denial about the events surrounding it.

The multi award-winning, Mommy, by acclaimed director Xavier Dolan (Heartbeats, Tom at the Farm), had its World Premiere at the Cannes Film Festival.  The film is set in a fictional Canada, where a new law allows parents to abandon their troubled children to the hospital system. Diane “Die” Despres (Anne Dorval), a feisty single mother, has to pick up her teenage son Steve (Antoine-Olivier Pilon) from the institution where he lives, because he's hurt a smaller boy and so sets into motion the events of Mommy.

Strangerland directed by Kim Farrant starring Nicole Kidman, Hugo Weaving and Joseph Fiennes, which premiered at the Sundance Film Festival, is about a family that finds their dull life in a rural outback town rocked after their two teenage children disappear into the desert, sparking disturbing rumours of their past.

Chinese director Zhang Yimou’s drama romance, Coming Home, which was in the Cannes Film Festival’s Official Selection, is an epic story of love and loss, is pitted to become a new classic in Chinese cinema. Coming Home is described as “a deeply affectionate film with great ideological power, a milestone for Chinese cinema by Mao Yu, Deputy Director of the China Film Bureau.

“We would like to thank Videovision Entertainment for their constant interest in, and contribution to, the festival by providing top-end films from celebrated directors.” says Pedro Pimenta, Director of DIFF. “We have a vision to provide our audiences with films that are at once accessible and aesthetically pleasing, and to ensure that some of the films screened provide stimulation for the growth of the South African film industry, and these titles certainly speak to both of these notions.”

The 36th Durban International Film Festival is organised by the Centre for Creative Arts at the University of KwaZulu-Natal (a special project of the Deputy Vice Chancellor of the College of Humanities, Cheryl Potgieter) with support from KwaZulu-Natal Department of Economic Development & Tourism, KwaZulu-Natal Film Commission, City of Durban, German Embassy, Goethe Institut, Industrial Development Corporation, KwaZulu-Natal Department of Arts and Culture and a range of other valued partners.

For more information go to www.durbanfilmfest.co.za.

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Talents Durban 2015 Participants Announced

Media Release

TALENTS DURBAN 2015 PARTICIPANTS ANNOUNCED

The 36th Durban International Film Festival (DIFF) is proud to announce the participants of the 8th edition of Talents Durban, presented in cooperation with the Berlinale Talents an initiative of the Berlin International Film Festival. Talents Durban is a five day development programme made up of workshops and seminars for African filmmakers delivered by film professionals, academics and intellectuals. The Talents, who are selected through a rigorous application process, will also have the opportunity to attend screenings and events at the Festival.

Talents Durban is one of the 6 Talents International programmes formed by Berlinale Talents in Africa and around the world including Talents Beirut in Lebanon, Talents Buenos Aires in Argentina, Talents Sarajevo in Bosnia-Herzegovina, Talents Tokyo in Japan and Talents Guadalajara in Mexico.

40 filmmakers from 10 countries across the continent including South Africa, Kenya, Ghana, Uganda, Nigeria, Tunisia, Zimbabwe, Rwanda, Zambia and Cameron will be in attendance.

The following are the selected participants of Talents:

Oluwakemi Adesoye (Nigeria), Ssenkumba Adnan (Uganda), Lawrence Agbetsise (Ghana), Isabella Akinseye (Nigeria), Kassim Braimah (Nigeria), Bentley Brown (Tunisia), Lucky Nhlanhla Cele (South Africa), Karien Cherry (South Africa), Joanne Corrigall (South Africa), Angeline Dimingo (Zimbabwe), Daniel Ecwalu (Uganda), Daniella Esua (Nigeria), Polani Fourie (South Africa), Mehluli Hikwa (Zimbabwe), Benjamin Johnson (South Africa), Njata Joseph (Rwanda), Andrew Kaggwa (Uganda), Joel Kapungwe (Zambia) Godisamang Khunou (South Africa), Trent Kok (South Africa), Makundi Lambani (South Africa), Sheetal Megan (South Africa), Theoline Maphutha (South Africa), Francisca Meyer (South Africa), Ali Mwangola (Kenya), Samantha Nell (South Africa), Simphiwe Ngcobo (South Africa), John Nyoka (South Africa), Roselidah Obala (Kenya), Agbor Obed (Cameroon), Temotope Ogun (Nigeria), Olawale Oluwadahunsi (Nigeria), Kennedy Omoro (Kenya),Osei Owusu Banahene (Ghana), Davashni Rajoo (South Africa), Charne Simpson (South Africa), Samson Ssenkaaba (Unganda), Tendai Charles Tshuma (South Africa), Amy Van Den Houten (South Africa), Mark Wambui (Kenya).

Presented under the theme Start Motion, Talents Durban aims to boost the already rising flow of current filmmaking in Africa, and to encourage filmmakers on the continent to share their stories through their own cultured lense. Participants interact with over 600 delegates of DIFF and Durban FilmMart, the co-production and finance forum which takes place from July 17 to 20 at the festival. Selected participants get to be part of numerous project-oriented, hands on skills development programs. Practical development programmes within Talents Durban include Talent Press, Script Station and Doc Station.

Script station is a script development programme for short films which pairs four writers with script editors who assist in clarifying story and getting to an advanced draft of their script. Our participants this year are John Nyoka, Mark Wambui, Quwakemi Adesoye and Polani Fourie. The mentors for the programme are Tracey Dearham-Rainers and Karima Effendi.

Talent Press is presented in cooperation with Fipresci, an association of national organizations of professional film critics and film journalists from around the world which lobbies for the promotion and development of film culture. The programme invites four critics to cover the films and events of the Durban International Film festival for online and print publication. Talent press has four participants and they are Andrew Kaggwa, Oluwale Oluwadahunsi, Isabella Akinseye and Kennedy Omoro. They will be mentored by film writers/reviewers Sarah Dawson, Oris Aigbokhaevbolo, Debashine Thangevelo and Shaibu Hussein.

DOC station selects three documentary projects in development for coaching and mentoring towards participation in a public pitch at the DFM’s pitching forum, The African Pitch. Participants are given mentoring prior to the pitching and during preparations at the festival. Doc Station participants are Bentley Brown, Sheetal Megan and Tendayi Tshuma and the producer mentor is Odette Geldenhuys. They will receive additional mentorship from Andy Jones, Jihan El Tahri and Khalo Matabane.

Talents Durban is supported by the KwaZulu-Natal Film Commission, Goethe Institute SA, German Embassy in South Africa and Gauteng Film Commission.

The 36th Durban International Film Festival is organised by the Centre for Creative Arts at the University of KwaZulu-Natal (a special project of the Deputy Vice Chancellor of the College of Humanities, Cheryl Potgieter).

For more information about Talents Durban at the DIFF go to www.durbanfilmfest.co.za, or call Sandile Gumede on (031) 260 3586.

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SA Film Ayanda announced as DIFF's opening night film

Media Release

SA Film Ayanda announced as DIFF’s opening night film

The highly anticipated South African film Ayanda, directed by Sara Blecher and produced by Real Eyes in association with Leading Lady Productions, has been announced as the opening night film of the 36th The Durban International Film Festival (DIFF) which takes place from 16 to 26 July this year.

Set in the vibrant, Afropolitan community of Johannesburg’s Yeoville, Ayanda is a coming-of-age story of a twenty-one year old Afro-hipster, who embarks on a journey of self-discovery when she has to fight to save her late father’s legacy – a motor repair shop - when it is threatened with closure. She’s thrown into a world of greasy overalls, gender stereotypes and abandoned vintage cars once loved, now in need of a young woman’s re-inventive touch to bring them back to life again.

The film stars Fulu Mugovhani (of Scandal fame) and Nigerian actor OC Ukeje, with a star South African cast including Ntathi Moshesh, Kenneth Nkosi, Jafta Mamabola, Thomas Gumede, Sihle Xaba and veteran star of stage and screen Vanessa Cooke.

“We are pleased that this feel-good film will open this year’s festival,” says Pedro Pimenta, Director of the DIFF. “The opening film of this, the most prestigious international film event in SA, needs to reflect a clear priority established by the festival to reach and develop local audiences.”

“The recently published NFVF report on audiences in this country, is very informative and revealing in that while the industry has been successfully structured and supported from all quarters to allow a regular flow of SA content, much still needs to be done for this content to reach local audiences. By once again opening the DIFF with a strong SA film, we endorse this objective.”

This is the second opening night film at DIFF for director Sara Blecher. Her film Otelo Burning opened the 2011 edition of DIFF to critical acclaim. “We are very proud of Ayanda and are thrilled to have it selected as the opening film at this year’s festival.    The film had a very successful screening in Cannes last month and we look forward to screening it to festival-goers in Durban,” says Blecher.

Ayanda offers an interesting and positive convergence of talents style , resources and distribution potential for the film market.” says Pimenta. “There is a real sense that reaching an audience has been the most important motivation equally shared by the filmmakers and their financiers in its creation.”

“Ayanda celebrates the diversity of our country and revels in the fact that we are a multi-cultural, colourful and exciting melting pot of Africa,” says co-producer Terry Pheto.  “With this film we have tried to capture the Afropolitan nature of our country and the energy of its people.”

“What is also particularly encouraging in terms of the South African film industry is that the film, originally titled, Andani and the Mechanic, was a project in the 2013 Durban FilmMart, the co-production and finance forum of the DIFF and the Durban Film Office.”  says Pimenta. “The film is one of five titles that have been part of the DFM process over the years that will be screened this year at DIFF.”

The festival includes more than 200 theatrical screenings and a full seminar and workshop programme, as well as the Wavescapes Film Festival, and various industry initiatives, including the 8th Talents Durban (presented in cooperation with the Berlinale Talents) and the 6th Durban FilmMart co-production market (presented in partnership with the Durban Film Office).  For more information go to www.durbanfilmfest.co.za.

The 36th Durban International Film Festival is organised by the Centre for Creative Arts at the University of KwaZulu-Natal (a special project of the Deputy Vice Chancellor of Humanities, Cheryl Potgieter) with support from the National Film and Video Foundation, KwaZulu-Natal Department of Economic Development & Tourism and Environmental Affairs, KwaZulu-Natal Film Commission, City of Durban, German Embassy, Goethe Institut, KwaZulu-Natal Department of Arts and Culture and a range of other valued partners.

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The Smoking Dragon Adrenalin Festival - It's more than just a festival

My Smoking Dragon Adrenalin Festival Experience 

By Ayanda Mabanga

I had never been to Northern Drakensberg until this past weekend (May 22 – 24), and I must admit that the Smoking Dragon Adrenalin Festival was a perfect way to be introduced to this part of KwaZulu-Natal’s magnificent world heritage site.

The festival, which was hosted by the Amphitheatre Backpakers and Lodge is a unique event that merged music with adrenalin packed activities such as sky-diving, mountain biking and hiking to the highest waterfall in Africa.

Mornings are not everyone’s friend, especially me! But on Saturday, I had to dust myself up early before sunrise. From Durban to Drakensberg I took what is known as the Bazbus, a mini bus tailored for backpackers that want to explore our beautiful country. Oh boy! did I feel like royalty since I was the only passenger on that day. The 2 hours spent on the bus gave me rare moments for introspection, living in a bustling city, I hardly get to do that.

It was my first experience being at a backpackers and Amphitheatre was quite impressive with its friendly staff and grand facilities. I had the opportunity to meet people from different parts of the world.  Stefan, a twenty-two year old from Germany was on his way to Durban when he caught the festival. “I wish this experience could go on for another week,” he said. Boutie and Margie a couple from Midlands near Pietermaritzburg attended the festival in celebration for their fifteenth year annivesary over the weekend and they couldn’t find a better place to do so.

I was a lone traveller with a book to keep me company, just in case nobody wanted to talk to me. Well, I forgot about my book the moment I stepped out of the bus. I was allocated to a dorm[SV1]  , sharing it with a few other people, I murmured a short prayer. “At least I am not in a tent, I am a city girl afterall,” I thought to myself.  “Hey buddy, welcome to the jollers heaven,” were the first words I heard when I met my dorm mates. The flamboyant Dr Pachanga with the chilled out Reece and quirky Lisa were an interesting bunch to be bunking with I joined them on the lawn as they recovered from the previous night’s activities.

Later in the day the music started. I plunged myself onto a comfy couch, just to take in the scene. While the music pumped, a bonfire gleamed in the middle of the camp site, kids lined up excitedly to ride an automatic bull and people kept dropping from the sky. I was in ore of their daring nature and thought I would summon up my courage for later.

Earlier in the day the ‘jollers’ and I went on a drive to the nearest town. With the hippies I was with, we stuck out like a sore thumb. My most memorable moment was when we drove to a supermarket that was blasting music and we just started dancing on the road. The town was at a stand still for a few minutes and then it was back to the festival.

In the midst of adrenalin pumped festivities I bumped into Hezron Chetty. Born in Durban and based in Cape Town, Hezron is a violinist and a member of The Accidentals. “I have been coming to the Smoking Dragon New Year’s festival for the past few years, I just can’t get enough of it,” said Hezron. Other performances included the soulful Stelth Ulvang of The Lumineers, melodic sounds of Tidal Waves and The Meditators. DJ Invisible with his band had everyone in a trance with their captivating performance.

The morning after was like no other. I woke up early, with coffee on one hand and my book in the other while watching the sun rise over the eye-catching foothills,  I could have locked myself forever in that moment of that scene. 

It was fascinating to see people jumping out of planes, running around mountains while others simply relaxed by the pool with kids playing games. It is not often that we get to witness such a combo of fun. Lisa from Durban said she came up to the Drakensberg to enjoy nature. “This is my way of reconnecting with nature and rejuvenating my spirit. The music and outdoor activities are icing on the cake,” Lisa said.  

The diversity that was represented in the contained space of Amphitheatre was simply amazing and showed a glimpse of how people can coexist peacefully. I look forward to attending the festival again next year, and maybe I will venture to tandem jump….or hot air balloon…or quad bike…or maybe just maybe I will attempt the hike to the Tugela Falls the highest falls in Africa, right here on our doorstep. Now that will be after I have finished my book!


Photo credits: Alastair Fraser

 


Official Project Selection for the 6th Durban FilmMart Announced in Cannes

Media Release

Official Project Selection for the 6th Durban FilmMart Announced in Cannes Yesterday

Nineteen documentaries and fiction feature film projects from around Africa have been selected for this year’s Durban FilmMart (DFM) which takes place in Durban, South Africa from July 17 to 20, 2015. The details of the selection were announced at a networking function held at the South Africa Pavilion at the Cannes International Film Festival last night.

The Durban FilmMart, now in it’s it 6th edition has selected these projects from 120 submissions by African filmmakers who wished to participate in the continent’s premier finance and co-production market. 

A joint initiative between the Durban Film Office and the Durban International Film Festival, the Durban FilmMart aims to raise the visibility of African cinema, stimulate production on the continent, and facilitate project collaboration between African filmmakers. The DFM creates an optimum platform for African filmmakers, financiers, broadcasters and top film experts to converge, network and spark creative thinking around current and future projects.

“This year, we are pleased to welcome projects from a diverse range of countries on the continent, including Ghana, Cote d’Ivoire, Uganda, Nigeria, Kenya, Zimbabwe and South Africa,” says Toni Monty, of the Durban Film Office. “The DFM has become an important springboard for projects that have been conceptualized by African filmmakers, to support them as the projects move from the idea to exhibition. Over the last five years we have seen many projects go on to be awarded further opportunities to develop at various other markets, and eventually be screened in cinemas and festivals around the globe. In previous years, past DFM projects have been selected for the Durban International Film Festival, testimony to the value this market adds to the development process.”

A Reader Panel, comprising of African and international film professionals had to moderate and score submissions, culminating in a rigorous selection discussion over shortlisted projects in both the documentary and fiction section.

These feature and documentary film-makers will be attending the DFM for one-on-one meetings with potential investors and co-producers in the Finance Forum. The projects will also have an opportunity to pitch to a panel of commissioning editors from local and international funders and financiers.  The selected project participants will also be given opportunities to network and meet industry professionals during several scheduled industry sessions.

Selected Projects:

9 Documentaries

After Marikana – The End of Democracy  (South Africa), Producer Anita Khanna, Director Rehad Desai

Amal (Egypt) Producer Sara Bökemeyer, Director Mohamed Siam

Life and Times of John C (South Africa) Producer Neil Brandt, Director Francois Verster

Truck Mama (Kenya) Producer Zipporah Nyaruri, Director Zipporah Nyaruri, Co-director Peggy Mbiyu

Not in My Neighbourhood (South Africa) Producer and Director Kurt Orderson

Project Delight (South Africa) Producer and Director Karin Slater

Terre Jaune (Togo) Producers Sitou Ayite and Madje Ayite with Elisabeth Guthmann, Director Bouna Cherif Fofana and Sitou Ayite

The Other Half of the African Sky (Zimbabwe) Producer and Director Tapiwa Chipfupa

The Rainbow: Jazz for the Struggle, and the Struggle for Jazz (South Africa) Producer Antoinette Engel, Director Niren Tolsi

10 Fiction

Cactus Flower (Egypt) Producer Hossam Elouan, Director Hala Elkoussy

Inkabi (The Hitman) (South Africa) Producer Anco Henning, Director Norman Maake

Laughter is the best Colour (Nigeria) Producer  Mohammed  Musulumi, Director Chike Ibekwe

On the Way to Paradise (South Africa) Producer Imraan Jeeva, Director Sara Blecher

One More Night in Lagos (Cote d'Ivoire) Producer Tosin Coker, Director Marina Niava

Riot Waif (South Africa) Producer Jean Meeran, Director Zinaid Meeran

Selma and Charlize (South Africa) Producer Junaid Ahmed/Helena Spring, Director Robyn Aronstam

Sunflowers Behind a Dirty Fence (Uganda) Producer Nathan Magoola, Director Simon Mukali

The Tall Assassin (South Africa) Producer Carolyn Carew, Director Roy Zetisky

Unbalanced (Ghana) Producer Akosua Adoma Owusu, Director P. Sam Kessie

The DFM also invites filmmakers who do not have projects selected for the market and industry professionals, to attend as delegates for the programme of  masterclasses, forums and networking events during the four-day market.  Registration is now open and early bird rates apply until 27 June 2015. Delegates who register within the early bird window, get discounted registration rates and inclusion in the DFM’s Industry Manual, a valuable networking tool during and after the market.

The 6th Durban FilmMart takes place in Durban, at the Tsogo Sun Elangeni from 17 to 20 July 2015, during the 36th edition of the Durban International Film Festival (16-26 July 2015).

For more information on the Durban FilmMart and to register as a delegate visit www.durbanfilmmart.com

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Issued on behalf of The Durban FilmMart by:

Sharlene Versfeld & Ayanda Mabanga

Versfeld & Associates

 031-8116528/ 083 326 3235

Sharlene@versfeld.co.za/ info@versfeld.co.za

 

Note to Editors:

The Durban FilmMart (DFM) is a co-production and finance market and is a joint programme of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF). DFM provides filmmakers from across Africa with a valuable opportunity to pitch projects to financiers, distributors, sales agents and potential co-producers, and to participate in meetings, project presentations and a series of master classes and workshops on the latest industry trends.  www.durbanfilmmart.com

The Durban Film Office (DFO) is the film industry development arm of the eThekwini Municipality, mandated to position Durban as a world-class film production destination and facilitator for the development of the local film industry. The DFO drives activity and development in the sector in order to boost tourism, job creation and the development of core skills and SMMEs in the region.  www.durbanfilmoffice.com

 The Durban International Film Festival (DIFF) presents over 250 screenings from different countries and cultures with a special focus on Africa. The festival includes development programmes such as Talents Durban and a rich schedule of workshops. DIFF is a flagship project of the Centre for Creative Arts, University of KwaZulu-Natal, which facilitates creative platforms and economic opportunities for artists and related industries, intercultural exchange and network development, training, audience development and strategic Pan-African and international cooperation in the cultural sectors.  www.cca.ukzn.ac.za

SPAR Women’s 10/5km: Durban: Sunday 7 June

Glamour and fun ahead of the SPAR Women’s 10/5km  -  South Africa’s most Beautiful Road Race  with (from left) Kirsten Sayers (musician), Kirsty Ndawo (dancer), Julia Hosmer (dancer), Ayanda Shabangu (dancer), Ella Mari (dancer) and Charlotte Marshall (musician). The SPAR Women’s 10/5km is set to take place in Durban on 7 June 2015 Fashion by by Karen Monk-Klijnstra. Hair by Fay Abdulla from Hoi Polloi. Make up by Jackie Jetnarayan. Photography by Val Adamson.

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Awesome Africa International Arts Festival

Media Release

Awesome Africa International Arts Festival – April 26 and 27, 2015

As a fitting finale to the Celebration of 20 years of Freedom and Democracy in South Africa, the KwaZulu-Natal Department of Arts and Culture, in partnership with Awesome Africa Festival Productions, is set to host the Awesome Africa International Arts Festival featuring a host of world-renowned performers across a number of genres. The festival will take place over two days in different venues, kicking off with a Gala Concert at The Playhouse on Sunday, April 26 and followed by a full day at the Sibusisiwe Community Hall and Lovelife Centre in Mandeni, iLembe District on the North Coast on Monday, April 27.

For the Playhouse concert, doors open at 5pm and the concert begins at 6pm. Headlining the festival is the legendary Salif Keita from Mali, the “Golden Voice of Africa”  whose place in the pantheon of African music has been well documented and revered. He performs with his dynamic 13 piece band from Dakar.

The award winning South African hip hop artist Khuli Chana in collaboration with MuzArt will also perform at both venues.  Khuli is a multitalented musician well known for his ‘Motswako’ rap style which includes street-talk and highly influential messages in Setswana, English and other South African languages. MuzArt is a five piece musical collective that has collaborated with noteworthy musician. The group was nominated for South African Music Awards, Metro FM Music Awards and UK’s Soul Survivor Awards

Awesome Africa has become known for its unique collaborations in the past, and this year’s festival is no exception. The “Freedom Suite” collaboration, which will perform at both venues, brings together the extraordinary talents of South African living legend Ray Phiri together with the “Jimi Hendrix of the kora” N’Faly Kouyate from Guinea in West Africa, who besides fusing storytelling, jazz, dance and traditional griot music is also known for his collaborations with the Afro-Celt Sound System which blend Irish Celtic music with that of West African countries. The powerful and trance-like Drummers of Burundi from Central Africa will also form part of this unique collaboration.

Other featured artists are Christine Salem, the maloya superstar from Reunion Island, award-winning guitar maestros Nibs van der Spuy and Guy Buttery, the alluring maskandi duo Qadasi and Maqhinga Radebe, and a 72nd birthday homage to Steve Fataar who will perform with master Cape Town guitarist Errol Dyers. Pride of the Zulu will also serenade the audience with their accapella styled traditional melodies.

The Mandeni festival kicks off at 11am on Monday April 27 with a free Business Management Workshop for up and coming artists as well as relevant arts practitioners. Topics that will come under the spotlight include; performing platforms and funding, contracts and copyright, studio etiquette and the value of quality sound, the digital freeway and international marketing and identity.

A broad spectrum of genres will be represented and the illustrious visitors to Mandeni will include Ray Phiri, N’Faly Kouyate, The Drummers of Burundi, the ground breaking DJ Websta, Holly - known for her “Kasi” vibes, house music and crowd rocking stage performances, Christine Salem, Existing Consciousness and the sizzling Afro-Latino sounds from Napalma (Brazil / Mozambique),

In keeping with the theme of showcasing talent from the Mandeni, KwaDukuza, Ndwedwe and Maphumulo regions of iLembe, artists include traditional Indian sounds from Kalakara featuring Keeran Eshwarlall, traditional Zulu dancing with Amasokemvelo, popular gospel band Mandeni Soul Healers, choral accapella from Central Voices, maskanda star Sgora, kwaito sensations GS, Ndwandwe Sister and Ukujabula Kuyashiyana the winners of Ndwedwe’s Isigekle Competition. Comedian Siyanda Maphumulo, DJ Dope and Groutville’s Uhuru Poets Society will keep the audience entertained between sets. Festivities close at 9pm.    

Besides many pro-active socio-economic elements, the Festival commemorates Freedom Day by linking a concert in Durban with a project to take the music and the arts back to the people - in essence straight into the communities who have supported our fight for freedom and democracy.” says MEC for Arts & Culture Mrs Ntombikayise Sibhidla-Sapetha.  “This important synergy also addresses the vital aspects of social cohesion and nation building in our country. No longer will iconic events and artists be the domain only of the big cities.  Whilst offering our local artists a platform to showcase their talents on an international stage, this event also serves to bring a signature event to Durban as well as helping to boost tourism levels and create jobs in the Mandeni area.”

Tickets for both the Playhouse and Mandeni events are R150 per person available via Computicket and Shoprite Checkers. Tickets will be available at the door but it is preferable to book early.

For more information go to www.awesomeafrica.co.za, or call Gabi on 081 419 4509.

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Sharlene Versfeld/Ayanda Mabanga

Versfeld & Associates

sharlene@versfeld.co.zamabanga.ayanda@gmail.com

031-8115628 / 083 326 3235

Time of the Writer - Day Programme

Time of the Writer - Day Programme

A select group of writers from South Africa and Africa will gather together for a week of thought provoking literary dialogue and exchange of ideas at the Time of the Writer Festival. Presented by the Centre for Creative Arts (University of KwaZulu-Natal) and made possible by the National Department of Arts and Culture, the City of Durban, the French Institute (IFAS) and the Goethe-Institut, this 18th edition takes place in Durban between 16 and 21 March. The festival features a host of free events as part of the day programme that are spread across Durban and the surrounding areas as part of the festival’s ongoing efforts to promote and creative expression through reading and writing. This includes school visits, a publishing forum and a range of seminars and workshops.

Writers in Media

Hosted by the School of Journalism at the Durban University of Technology, this seminar explores the role played by writers in shaping popular media. To lead discussions will be Mzilikazi wa Afrika, Margaret Von Kempler and Futhi Ntshingila at the Durban University of Technology, City Campus, Room 149, on Tuesday 17 March between 11:00 and 12:30. 

Schools Writing Forum

The Schools Writing Forum connects teachers of literature with festival writers to discuss the teaching of literature in the classroom, and in particular, creative and engaging teaching approaches. This important interface will see writers ZP Dala, Dilman Dila and Charlotte Otter present their views and engage with teachers at the Chatsworth Education Centre, 219 Florence Nightingale Drive, Westcliff, Chatsworth, on Tuesday 17 March between 12:30 and 14:30.

 Writers visit Luthuli Museum

The Luthuli Museum is responsible for managing the safeguarding of Nobel Peace Prize-winner Chief Albert Luthuli’s life, history and philosophy. Festival writers Sue Nyathi and Nthikeng Mohlele will visit this national monument and share their experiences as writers with learners and community members at the Luthuli Museum, 3233 Nokukhanya Luthuli Street, Groutville, on Wednesday 18 March between 10:00 and 12:00.

Writers visit Workers College

The Workers College provides the opportunity for adult learners to engage festival participants Jacob Dlamini and Mzilikazi wa Afrika, who will share their insights and perspectives on the intellectual processes that direct their writing. This invaluable discussion will take place at the Workers College, 127 Magwaza Maphalala Street, on Wednesday 18 March between 12:00 and 13:30.

Coffee Conversations

A discussion with MJ Mngadi and Ousmane Diarra will take place at Alliance Française- 22 Sutton Crescent, Berea Wednesday 18 March between 15:30 and 16:30

 Writers Speak Out

Festival writers will speak out to University students and offer insight into their philosophies, writing processes and literary works. Writers will be visiting the following tertiary institution campuses:

  • English Studies (UKZN Howard College)
  • isiZulu Studies (UKZN Howard College)
  • Mangosuthu University of Technology
  • Gcina Mhlophe Studio (UKZN Edgewood Campus)

Book Day

Time of the Writer will host Time of the Writer “Book Day” at the Open Plan Studio on Saturday 21 March. This day-long event will be featuring a whole range of publishing forums, book launches, a creative writing workshop and a storytelling programme for the young readers, presented by the Gcinamasiko Arts and Heritage Trust.

                                          

See programme or website for details: www.cca.ukzn.ac.za.

Organised by the Centre for Creative Arts (University of KwaZulu-Natal) the 18th Time of the Writer, festival is made possible by support from our funders; the National Department of arts and Culture, eThekwini Municipality's Parks, Recreation and Culture Unit, the Goethe-Institut, the French Institute of South Africa (IFAS) and Adams Booksellers as well as support from our partners; Pan Macmillan, Daily News, Computicket and the Elizabeth Sneddon Theatre. The Centre for Creative Arts is housed in the College of Humanities at the University of KwaZulu-Natal and is a special project of the Deputy Vice-Chancellor, Professor Cheryl Potgieter.

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Time of the Writer Festival Evening Panels and Programme

Media Release

Time of the Writer - Evening Panels - Programme

A select group of 20 writers from South Africa and Africa will gather together for a week of thought provoking literary dialogue and exchange of ideas at the Time of the Writer Festival from Monday (March 16)the opening night  untilSaturday (March 21) next week.

Audiences can expect to hear the opinions of multiple award winning writers, from a wide variety of political and social contexts, on the creative and technical processes and perspectives which shape their writing. Evening readings and discussions will take place at the Elizabeth Sneddon Theatre (Howard College Campus) beginning at 7pm each evening.

 

Tuesday, 17 March

Female Narratives

The first panel of the festival pairs two South African authors as they discuss with the challenges and opportunities faced by female authors in the modern landscape and unpack the female narratives in their writing.

Z.P Dala (South Africa) is a therapist and full-time writer. Dala has been included on the 2015 Goodreads Sunday Times list of Top Novelists to look out for in 2015.

Kirsten Miller (South Africa) has published short stories in six collections, a short play, a children’s book, and was a finalist in the SA PEN literary award three times. She held a dual career as a freelance writer and in early intervention for Autism for many years. She also worked as a Drama lecturer, a Creativity lecturer and a dolphin trainer early in her career.

The panel will be facilitated by UKZN research and PhD student Alan Muller.

 

Writing Without Permission

In the face of growing censorship across the world, Time of the Writer brings together two fearless authors with reputations for tapping into hard truths no matter the consequences.

Jacob Dlamini (South Africa) holds a PhD from Yale University. Having previously worked as a journalist and was the political editor of Business Day newspaper. He is the winner of the University of Johannesburg’s Creative Writing Debut Prize for his book Native Nostalgia.

Mzilikazi wa Afrika (South Africa) is a multi-award winning journalist working for the SundayTimes investigations unit in Johannesburg, South Africa. The Bushbuckridge born scribe was awarded two international scholarships to study in the UK and USA for the recognition of his outstanding achievements in the field of journalism.

Scholar and activist Jackie Shandu will facilitate the panel.

 

Wednesday, 18 March

Telling Stories, Bridging Divides

This panel highlights the power of literature to transcend borders and cultures, Telling Stories, Bridging Divides highlights two authors who have reached audiences beyond their regions through their stories being translated as well as the telling of stories that transcend borders.

Born in Bassala, Ousmane Diarra (Mali) is a storyteller, poet, novelist and author of many children’s books.

M.J Mngadi (South Africa) was the recipient of the SALA (S.A.) Lifetime Achievement Award in 2009 for lifelong dedication to African and World literary excellence. Whilst employed at the Commissioner’s office as an Interpreter/Clerk Mngadi spent his spare time reading books and learning Authorship and Freelance Journalism.

Head of the French Department of University of KwaZulu-Natal Bernard De Meyer will facilitate the discussion.

 

Murder, She Wrote

With the rise in popularity of crime novels coming out of South Africa, this panel brings together two established female authors with the focus on this burgeoning genre.

Charlotte Otter (South Africa) is a writer living in Germany, where she works as a corporate communicator in the IT industry. Otter’s first novel, Balthasar’s Gift, which is crime fiction set in her home town of Pietermaritzburg, was published to critical acclaim.

Books editor for the Witness Margaret von Klemperer (South Africa) was arts editor of the newspaper for 16 years until she decided to give up full time work and see whether she could write a publishable book. She was born in Britain but has lived in Pietermaritzburg for more than 40 years.

This panel will be facilitated by PhD student Olivier Moreillon.

 

 Thursday, 19 March

Letters From Zimbabwe

The festival shifts its gaze north bringing together two of Zimbabwe’s new generation of authors to provide insight and perspective on the stories of Zimbabwe, often told from the diaspora.

Multiple award winner, NoViolet Bulawayo (Zimbabwe) shortlisted for the Man Booker prize for her novel entitled We Need New Names.

Sue Nyathi (Zimbabwe) began writing at the tender age of 10 and nurtured this passion through her teenage years.  Holder of a Master’s Degree in financeNyathi is a freelance writer, scriptwriter and a novelist.

Poet, author and activist Menzi Maseko will facilitate the panel.

 

Blurring the Lines- Memoir and Fiction

This panel brings together two prolific authors who sometimes channel real life experiences, to create honest pieces of work that tread the fine line between reality and fiction.

Nthikeng Mohlele (South Africa) was listed by Bloomsbury Publishing, Hay Festival and Rainbow Book Club among the 39 most promising authors under the age of 40 from sub-Saharan Africa and the diaspora.

Growing up in the streets of Makhado town, reformatory school and maximum security prisons,Tshifhiwa Given Mukwevho (South Africa)was released from prison on 11 November 2010, He went on to become  a writer, poet, freelance journalist and has also authored a novel, The Violent Gestures of Life.

This panel will be facilitated by Sunday Tribune senior journalist Nathi Olifant.

 

Friday, 20 March

Written in the Margin

Written in the Margin; highlights the untold stories of marginalised South Africans often forgotten in classic and popular literature, taking an audience into worlds overlooked.

Author and journalist Carol Campbell (South Africa) has worked in print media for 24 years and during that time covered South Africa’s transition to democracy in 1994 going on to win a British Council award for education reporting the following year.

Futhi Ntshingila (South Africa) is a former Sunday Times journalist and recipient of the 2004 Vodacom Journalist of the Year Editor’s Choice Award, with a Postgraduate Diploma in Journalism at Rhodes University and Master’s Degree in Conflict Resolution at the University of KwaZulu-Natal. Her work deals with women who are in the peripheries of society whose stories have been historically ignored.

Senior Sunday Times journalist Matthew Savides will facilitate the panel discussion. 

 

Words Weaving Worlds

This panel focuses on the power of words to create in-depth pieces of fiction that mirror the complexities of real life experiences.

Ekow Duker (South Africa) is an oil field engineer turned banker turned author with a heartfelt passion for writing. He is the author of two novels White Wahala and Dying in New York whichwere published simultaneously in July 2014.

Thando Mgqolozana (South Africa) is a novelist and screenwriter. His novel A Man Who Is Not a Man was long-listed for the International IMPAC Dublin Literary Award, and was adapted for screen into Ibhokhwe (The Goat), which won the Best Short Film and Best Director of a Short Film awards at the Independent Mzansi Short Film Festival in 2014.

Publisher and photographer Russell Grant will facilitate the panel.

 

Saturday, 21 March

Shapeshifting- Form and the Modern Writer

The festival brings two chameleon-like authors who aren’t hampered by the boundaries of traditional mediums. Both panelists are known for their ability to produce work across platforms and genres – theatre, screen and novel - to bring their stories to the world.

Author and filmmaker Dilman Dila (Uganda) has been shortlisted for the prestigious Commonwealth Short Story Prize (2013), twice long listed for the Short Story Day Africa prize, and nominated for the 2008 Million Writers Awards.

Internationally acclaimed author and playwright Craig Higginson (South Africa) was born in Zimbabwe and has lived in London, Stratford-upon-Avon, Paris and currently resides in Johannesburg. He is the recipient of the Sony Gold Award for the Best Radio Drama in the UK, the UJ Award for South African Literature in English and the Naledi Award for Best South African play.

The panel discussion will be facilitated by writer and critic Sihle Mthembu.

 

The Writer is the Witness

The final panel of the festival brings together two respected South African writers as they journey through our past, bringing a fresh perspective on well-known realities told through fiction.

Imraan Coovadia (South Africa) is a writer and director of the creative writing programme at the University of Cape Town. His novel The Institute for Taxi Poetry (2012) is the winner of the M-Net Prize.

Growing up in KwaMashu Township, Mandla Langa (South Africa) received his BA at the University of Fort Hare. In 1991, he became the first South African to be awarded an Arts Council of Great Britain Bursary for Creative Writing. His diverse work includes penning an opera, Milestones, with music composed by jazz musician Hugh Masekela.

The Writer is the Witness, will be facilitated by City Press KwaZulu-Natal Bureau Chief and investigative journalist Paddy Harper.

 

Ticket prices are R25 for the evening sessions and R10 for students on presentation of a student card. Workshops, seminars and book launches are free of charge. Book through Computicket Tel: 0861 915 8000 or 011 340 8000 or online at online.computicket.com or at the Elizabeth Sneddon Theatre from 18h00.

Organised by the Centre for Creative Arts (University of KwaZulu-Natal) the 18th Time of the Writer, festival is made possible by support from our funders; the National Department of arts and Culture, eThekwini Municipality's Parks, Recreation and Culture Unit, the Goethe-Institut, the French Institute of South Africa (IFAS) and Adams Booksellers as well as support from our partners; Pan Macmillan, Daily News, Computicket and the Elizabeth Sneddon Theatre. The Centre for Creative Arts is housed in the College of Humanities at the University of KwaZulu-Natal and is a special project of the Deputy Vice-Chancellor, Professor Cheryl Potgieter.

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For more information contact:

 Centre for Creative Arts, University of KwaZulu-Natal

 Tel: +27 31 260 2506/1816

Fax: +27 31 260 3074

Email: info@cca-ukzn.co.za

 

 

 

 

18th Time of the Writer - Schools Short Story Competition

18th Time of the Writer - Schools Short Story Competition

The 18th Time of the Writer, International festival of writers, hosted by the Centre for Creative Arts, University of KwaZulu-Natal invites South African high school learners to submit their short stories for the annual Schools Short Story Competition section of the festival, by Friday 27 February.

Held in conjunction with the Time of the Writer festival, the Schools Short Story Competition section is open to all South African high school learners and aims to encourage creative expression in young people while functioning as a springboard for the future writers of South Africa. With the festival's long standing commitment toward nurturing a culture of reading and writing, this competition has received a wide appeal that continues to grow with each edition of the festival.

Winners will be awarded cash prizes, book vouchers and complimentary tickets to the festival.

The Time of the Writer takes place from 16-21 March 2015. As one of the country's longest running literature festivals, Time of the Writer brings together some of the best authors, publishers, and editors from around the world, while focusing on providing a platform to KwaZulu-Natal talent.  In addition to the nightly showcases at the Elizabeth Sneddon Theatre the festival alsoorganisesa broad range of free daily activities including an educational and entertaining programme of workshops, reading sessions and panel discussions. This includes the Educator's Forum with teachers, on the implementation of literature in the classroom; the Community Writing Forum with members of the public interested in literature as well as visits to schools by the festival participants. The 18th Time of the Writer will also include a Storytelling Focus in partnership with Gcinamasiko Arts & Heritage Trust.

For more information on the festival or the competition, contact the Centre for Creative Arts on 031 260 2506/1816 or email:schools@cca-ukzn.co.za

The competition is open to all South African high school students.Terms and Conditions

  • There is no particular topic for the short stories.
  • The short stories can be written in English, Afrikaans or isiZulu.
  • Illegible entries will not be considered (Typed entries preferred).
  • Short stories are to be a maximum of 5 pages in length.
  • Deadline for submissions is 27 February 2015.

How to Enter

Entries can be submitted by one of the following methods:

Email:  schools@cca-ukzn.co.za

Fax: 031 260 3074

Hand Delivery: Centre for Creative Arts, University of KwaZulu-Natal, Howard College Campus, Mazisi Kunene Avenue, Durban, 4041, South Africa

All entries must include:

  1. Name of School (Contact and physical address)
  2. Name of submitter (Grade, age and contact details)

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Durban International Film Festival calls for entries for 2015

            Durban International Film Festival calls for entries for 2015

Durban, South Africa: The Durban International Film Festival (DIFF) will celebrate its 36th edition from 16 to 26 July 2015. Presenting over 250 screenings of cutting-edge cinema from around the world, with a special focus on films from South Africa and Africa, the festival exhibits films in a diversity of venues around the city. DIFF is the premiere platform for the launch of African films and a key gateway to the African film industry. The festival also includes a local and international awards component.

Only films completed in 2014 and 2015 will be considered, and there is no charge for entry. Submissions will be accepted with either a DVD SCREENER or an ONLINE SCREENER. All submissions must be entered via the DIFF Visitor Page online at vp.eventival.eu/cca. In order to submit a film, an account needs to be created if this has not already been done in previous years. The deadline for all entries (short films, documentaries and feature fiction films), including delivery of screeners, is 20 March 2015.

The extensive seminar and workshop programme featuring local and international filmmakers and industry professionals will include the 8th Talents Durban programme (17 to 21 July), in cooperation with Berlinale Talents, and the 6th Durban FilmMart (17 to 20 July), in partnership with the Durban Film Office, as well as various other streams of programming.

Specific streams of programming for 2015 will include a focus on climate change, as well as films that explore our relationship to the earth’s changing ecology. “We are very excited about receiving a wealth of challenging and high quality films from around the world,” says festival manager Peter Machen. “We also welcome engagement with current and potential partners who support the development of cinema in Africa and beyond. Such collaboration is a major part of the festival and helps to provide filmmakers and the public with a programme of brilliant films and a solid development programme.”

For more information check out the festival Submission FAQs or visit: www.durbanfilmfest.co.za or email diff@ukzn.ac.za

Follow the festival on Twitter (@DIFFest) and on Facebook.

The festival is hosted by the Centre for Creative Arts, University of KwaZulu-Natal and is supported by the National Film and Video Foundation, the KwaZulu-Natal Department of Economic Development and Tourism, the KwaZulu-Natal Film Commission, the City of Durban and other valued funders and partners. 

Janet’s shot at her big time!

 

Janet's shot at her big time!

In the beginning was the Word. Without it, there is nothing! These are words to live by for the award winning short filmmaker, screenwriter and AFDA Durban scriptwriting lecturer, Janet van Eeden. She recently returned from the UK where she attended and participated at the London Screenwriters Festival (LSF) 2014 that was held October. Last year she was invited to the LSF to the Meet the Experts panel for which she pitched her feature film A Shot at the Big Time. The short promo for the feature secured a number of nominations and won at eThekwini Film Awards 2013 for Best Cinematography. The short film was chosen to be screened at the Cannes Film Festival 2014 which took place in May and support and mentorship was offered to Janet during this process by Anant and Sanjeev Singh.

This year, Janet went to the LSF to represent AFDA along with other international film schools, and to pitch her new feature project The Hyena in Petticoats. “At the London Screenwriters’ Festival, writers have just a few minutes at the Pitch Fest to convince high-ranking producers to take on their project. explained Janet.  It is no easy task but for the South African writer, it was enough to leave tears trickling down one of the producer’s faces after pitching her new project. “It’s a very topical subject and it has resonance around this world right now more than any other film I’ve pitched before. Within one minute of me pitching to her she was in tears. She couldn’t stop crying. When our five minutes were up she told me to wait after the whole session was over and to talk to her more” Janet explained.

The AFDA Durban lecturer was selected to participate in a number of sessions that included the Legal Clinic at which she had a one-on-one discussion with the Legal Expert, Julian Wilkins, regarding copyright issues which many filmmakers fall victim to. This particular issue involved someone assuming credit for a project which was all Janet’s work.

Regarding the position of writers, “there tends to be a lack of recognition of screenwriters within the film industry”, Janet elaborated. “Directors are given full credit for making a film and the screenwriters are often not even mentioned. I think this is remiss and those directors and producers who give credit to the writers usually have an incredible film as a result”.

The biggest challenge facing South African filmmakers is funding. To produce Shot, Janet opted for crowd - funding which is a relatively new concept in the country. “Making my short film A Shot at the Big Time with crowd-funding finally made people realise that I was serious about becoming a filmmaker. Before then I’d been told by many men who were older than me at the time that “a woman your age” should not be interested in making films she said.

This goes to show that if one has a vision and is driven by passion, boundaries are limitless. With over 18 years of experience in the industry and still going strong, telling stories on film and changing people’s lives one film at a time is what keeps Van Eeden inspired. South African filmmakers have the expertise to match anything produced internationally in all areas. Janet stresses that our audience needs to be encouraged to value local productions before watching Hollywood’s outpouring. Also there need to be ways to fund filmmakers in a more equitable manner.

There was never a moment to be idle for this talented writer at the LSF. After all she was surrounded by the likes of Ted Tally, the screenwriter of Silence of the Lambs, William Nicholson, the screenwriter of Shadowlands and Gladiator and David Reynolds, one of the writers of Finding Nemo. She recalls her best moment being a full hour spent with Paul Bassett-Davies, who has co-written many British Comedies such as Have I Got News For You, Spitting Images and many more. She described it as both useful and inspirational. “After talking through the concept of my new project, I realised the best way forward to writing the script in the most engaging way possible, thanks to his suggestions”, she said.

Janet shares her experience of working with world class talent with her students at AFDA. As part of their sessions, students have had the opportunity to skype with Lucy Hay, a writer, script editor, blogger and trained teacher who helps writers as well as Chris Jones who is a filmmaker and author of the iconic Guerrilla’s Guide to Filmmaking and the organisers of the London Film Festival. 

International festivals such as the London Screenwriters Festival grant talented people like Janet an opportunity to meet and establish relationships with like-minded individuals from different walks of life. They also present a rich foundation to gain invaluable experience coupled with a pool of networking prospects. It truly is a meeting of true minds.

For more info about the LSF go to www.londonscreenwritersfestival.com and for more info about AFDA go to www.afda.co.za.

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RED EYE RETURNS

RED EYE RETURNS!

Initiator and creative director of Red Eye Durban, Suzy Bell, is bringing Red Eye back to Durban. Red Eye, a legendary arts project born in Durban, originally took place at the Durban Art Gallery back in 1998 and attracted record crowds who flocked to the gallery to celebrate art. It is now returning to Durban as #REDEYEDURBAN every first Friday of the month, kicking off on Friday November 7 at The Bakery in the cultural precinct of Khuzimpi Shezi Road in Umbilo from 6pm to midnight.

“There is a beautiful big fat building on the top floor of a bakery, just across the road from acclaimed artist, Andries Botha’s art studios and opposite the iconic Sugar Terminals on Durban’s harbour in downtown Umbilo. This historic building was home to the Durban Rickshaw Pullers where they originally set-up shop in the early 1900s and the original traditional Zulu Beer Hall is in nearby Dalton Road. It’s a culturally historical and wonderful, culturally-diverse community for Red Eye Durban,” said Suzy Bell, cultural activist and creative director  of this highly successful, multi-media, art-soaked project.

For the upcoming relaunch of Red Eye Durban on November 7, Bell says we can expect a celebration of art and music with Squeaky Takkie Studios doing Red Eye sound for the music line-up which includes “sublimely talented brothers and crunching hip-hop heads,” MINDCOAST ISA from Equatorial New Guinea. Also performing are THE SISTERS [of famed Black Math] with their “messy Garage-Stoner” grooves,the “super-sonic all-girl band,” THE VOLSUNGA SAGA and SATMA isicathamiya nominees, THE KHOLWA BROTHERS.”

Bell says it will get further: “flicked up” with the talented LOUD LUNGS , DJ RAWS and MVSTVBV as well as the dance crews  Amaguyz, The Goodfellas and Zoey Dudumashe.”

For Red Eye Performance Art, there’s a dark and funny performance in Mr Skaireeeee (Sibo Masondo), devised by Durban theatre legend Gisele Turner. There’s fresh comic art with Red Eye Youth from the up-and-coming talents of: Findlay ‘Rapscallion’ Atkinson,  and the well-known Deon Lange.

“There will be live graff-bombing,  light painting, and  photography and graphic art for sale. There’s kick-ass poetry and arty T-shirts and jewellery on sale as well as  fashion photography , digital films and video installations,” –enthuses Bell.

Bell’s grand idea back in 1998 was for a monthly, full-on, multi-media, culturally-diverse arts experience taking place in one space, on one night only.. Red Eye  has since travelled as a creative concept around the country and has attracted international attention as well as emulation as far afield as Chicago and Fort Lauderdale. 

“The aim now is to further stimulate Durban’s creative community into a creative economy,” said Bell. “In 2015 we want to run creative and arts marketing workshops under Red Eye mentors and then create a Red Eye App as a tool to market ourselves professionally.. The idea is to empower young emerging artists to create their own creative projects, brand more professionally and generally offer a higher standard of art as merchandise to the buying public,” she added. 

“Red Eye , together with numerous arts activations happenings in the city, will actively work towards Durban becoming one of the most creative and liveable cities in the world,” concludes Bell. 

RedEyeDurban takes place on Friday 7 November 2014 from 6pm to midnight at The Bakery, 106 Khuzimpi Shezi, formerly Williams Road. Tickets: R100  Webtickets.co.za  or R100 at the door / students with card: R80.Children 12 and under enjoy free entrance. Family-friendly time: 6 - 8pm. Early bird parking for 80 vehicles inside. Security provided. Food on sale and The Winston run a cash bar. HOW TO GET THERE: Taxi: The Workshop catch Umbilo 7 taxi. Hop off on Blake Road, walk down towards the Harbour, turn right into Khuzimpi Shezi, formerly Williams Road and The Bakery is 20 metres down on the RHS.

 For more info online: Facebook: RedEyeDurban Twitter: @RedEyeDurban   Google Plus: RedEyeDurban Instagram: RedEyeDurban  Artists may send their artist bios for future Red Eye Durban participation or to become a member to: suzybell@redeyedurban.com

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Flatfoot Dance Company Summer School

Flatfoot Dance Company Summer School

The award winning Flatfoot Dance Company will host its second annual four day dance Summer School from 16-19 December 2014. This intensive Summer School is aimed at pushing the technical skills of dancers in the contemporary idiom and will allow dancers (still training or already professional) to work in an environment with skilled choreographers, teachers and workshop facilitators.

“This is an opporutnity for dancers to have great fun, get themselevs into shape and open up to a life changing dance experience.” says  Lliane Loots, Artistic Director of the company. Dancers will be nurtured and supported as they take on the challenge of dancing for four full days with Flatfoot Dance Company. The Summer School is designed for dancers from the age of twelve and upwards, and “all levels of ability are welcome”, assures Loots. All dancers will receive a certificate of attendance and participation on completion of the 2014 Summer School.

The technical dance training will work in Flatfoot’s own ‘African Release Technique’, which is “a confluence of Graham, Hawkins, Horton and the American Skinner Release Technique”, explains Loots. Dancers who participate in the full programme will also work on choreography towards a performance at the end of the four days. The Summer Intensive Teaching Team from the Flatfoot Dance Company includes Lliane Loots, Clare Craighead, Sifiso Khumalo, Sifiso Majola, Julia Wilson, Jabu Siphika and Zinhle Nzama.

There are two levels at which dancers can participate in the programme. The first option is the full four day Summer School Programme which will run from 9:30am to 3pm across the four days. There is also a second option to partake only in the four morning technique classes which will run each day from 9:30am – 11:15am.

The Summer School will take place at the Flatfoot Dance Studio and Square Space Theatre, both of which are on UKZN’s Howard College Campus, Durban. The cost of the full programme is R520 and the option of only the four technique classes is R320. Applicants must contact Clare Craighead on 082 875 6065 or craighead@ukzn.ac.za (in the subject line type “summer school”) to secure their place for either Option 1 or 2 in Flatfoot’s Intensive Summer School.

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