Choreographer BreeH Cele’s work “uXinzelelo” wins Pick of the JOMBA! Live Open Horizons Platform

In the first time since COVID hit the globe in 2019, JOMBA’s popular Live Open Horizons made its way back live into the theatre to an appreciative audience, with Pietermaritzburg Choreographer BreeH Cele’s work uXinzelelo taking the honours receiving the “Pick of the Platform” award last night (29 August).

BreeH Cele (2nd from left) receiving the Pick of the Platform Award from Tammy Ballatyne (left) Jabu Siphika and Yaseen Manuel (Right) - Pic by Val Adamson

Jurors for the Open Horizons were dancer/choreographers Yaseen Manuel (Unmute Dane Company) and Jabu Siphika (FLATFOOT Dance Company) and dance writer and researcher Tammy Ballantyne.

uXinzelelo by BreeH Cele- Pic by Val Adamson

The jurors' citation read: “The Pick of the Platform was “uXinzelelo”, choreographed by BreeH Cele, with a carefully conceptualised work encompassing the weight of unique struggles faced by the black community when it comes to mental health concerns. Cele wove magic through the use of powerful, live vocals, strong voiceovers, evocative lighting choices, and disciplined, focussed performers. The stage was covered in white maize meal, which the performers became caked in as the strong choreography unfolded, with good use of the floor and imaginative partnering. At times, there was a sense of call and response between singers and dancers, as well as clever changes in pace and rhythm. An impressive work by a young woman who is using this research as part of her Master's studies.”

uXinzelelo  was performed by Nandile Khumalo, Sabelo Cele, Asanda S. Khathi, BreeH Cele, Slindile Mthethwa, Thulisile Sithebe, S'khona Mathenjwa, Pertunia Msani, Neo Dube and Nomthandazo Nxabela.

Accepting the award, which carries a small cash honorarium, BreeH Cele, said that she is looking to use it to further develop a short film on the work.

Inescapable, choreographed and performed by Siphesihle Vilakazi and Anneline Mazibuko- Pic by Val Adamson

Other works included Inescapable, choreographed and performed by Siphesihle Vilakazi and Anneline Mazibuko, from Durban, SA; SACRIFICIUM choreographed by Versatile Youth Company’  Thimna Sitokisi from Gugulethu, SA, and performed by Inam Dyonasi; Ndimphiwe Koloti; Sandile Dyushu; Buntu Anta and Simthembile Mampufo, and Giselle and me choreographed and performed by Sarahleigh Castelyn (SA/UK) .

SACRIFICIUM choreographed by Versatile Youth Company’  Thimna Sitokisi - Pic by Val Adamson

The jurors noted the common threads binding the four works on this platform – the deep, inner struggles with mental health and emotional trauma. All four found inventive ways to communicate their stories through well-rehearsed and conceived works, with attention to effective lighting and a variety of choreographic choices.

Giselle and me choreographed and performed by Sarahleigh Castelyn (SA/UK) - Pic by Val Adamson

JOMBA! continues until 8 September with performances workshops and discussions.

For more info go to jomba.ukzn.ac.za

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JOMBA! Digital Open Horizons Pick Of The Platform Announced

The 26th JOMBA! Contemporary Dance Experience, which is currently running in Durban, announced its JOMBA! Digital Open Horizons “pick of the platform” awards for 2024 on Wednesday 28 August. The programme was screened on the festival’s YouTube Channel and is available for the remainder of the festival until 8 September here

The Digital Open Horizons platform invites digital submissions of original works from new and established dance-makers across Africa. These works which last 3 to 8 minutes, were reviewed by an independent jury and seven selected for this platform at the festival: Lacuna by Louise Coetzer (South Africa, Darkroom Contemporary), Echoes by Femi Adebajo (Nigeria), As the Mountain Stood Still by Dave Gardner/Jacques Batista (South Africa), Internal Struggles by Diana Gaya (Kenya), Yolk by Skyla Buchanan (SA/Cyprus),Moments by Marcia Mzindle (South Africa) and Blue Funk by Louise Coetzer (South Africa, Darkroom Contemporary)

The jury selected Yolk in first place, Echoes in second and Lacuna in third as the “picks of the platform”.

Yolk by Skyla Buchanan (SA/Cyprus)

Yolk was selected in first place for its “innovation, beautiful cinematography and interesting settings as well as its subject matter”. Filmed by Beatrice Mariani, and choreographed, performed, directed and edited by Skyla Buchanan a contemporary trained dancer, practitioner and choreographer working with a multidisciplinary approach to performance. 

Yolk is set against the oppressive heat of summer, and explores the link between womanhood and fertility - where the sense of being a woman is derived from a "bioessentialised" maternal instinct: “A woman with no children is a wasted potential of a womb, wasted space, wasted time, wasted life- the wasted yolk of a fresh egg.”

Echoes by Femi Adebajo (Nigeria),

Nigeria’s Femi Adebajo’s Echoes, performed by Adebajo and Janed Aduayom was awarded second place. This work was selected for its “interesting pace and rhythm as well as its use of location and space and his creation of tension and suspense.”

Adebajo is a creative multidisciplinary artist who focuses on exploring art as a medium of connection to the human mind. 

Echoes provides a creative representation of the concept of pressure and its influence on both the physical bodies and mental states of individuals. It aims to offer a powerful and artistic insight into the human experience, highlighting the effects of pressure and its significance in our lives.

Lacuna choreographed and performed by Mthuthuzeil November, directed by Louise Coetzer

In third place selected for its “wonderful play between dark and light, its use of slow motion and its cinematic sets” was Lacuna choreographed and performed by Mthuthuzeil November, directed by Louise Coetzer with videography: Oscar O'Ryan, and produced by Darkroom Contemporary.

Coetzer is a versatile dance artist also renowned for her multidisciplinary approach to performance art. Lacuna traces the unfilled spaces of the brutalist architecture enveloping the dancer. It is a cinematic study of light and shade, seen and unseen

The Festival offers a range of workshops, talks and performances and runs until 8 September. Tickets are available through Computicket.

All festival information is available on the festival website:  https://jomba.ukzn.ac.za/

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Dancers from Bangalore (India) for this year's JOMBA! Contemporary Dance Experience

The UKZN Centre for Creative Arts' JOMBA! Contemporary Dance Experience, which takes place from  August 27 to September 8, will feature two exceptional performances from India by the Bangalore-based dancer and choreographer Deepak Kurki Shivaswamy. These performances will be presented both at UKZN, Durban and at The Market Theatre in Johannesburg with the support of the Consulate General of India (Durban & Johannesburg), and the Swami Vivekananda Cultural Centre of the Indian Council for Cultural Relations (ICCR), Government of India.

The performances will be at the Elizabeth Sneddon Theatre in Durban on Thursday 5 and Friday 6 September, and at JOMBA! @The Market in Johannesburg on 11 and 12 September. These performances are part of a larger contemporary dance programme that includes workshops, panel discussions, and virtual screen dance presentations taking place at various venues in Durban, and followed by a condensed version in Johannesburg.

Deepak Kurki Shivaswamy.

Deepak Shivaswamy, trained in Yoga, and Indian martial art Kalaripayattu  has been developing pedagogy for contemporary dance since 2004. He is a significant figure in contemporary dance, exploring modern Indian identities and its evolving concept of home. His latest double bill, titled "Vasudaiva Kutumbakam," which also features choreographers and dancers Prashant More and Mirra, reflects this journey. The term, which translates to "the world is one family," serves as a guiding principle for his performances at JOMBA!. Shivaswamy explains, “This concept of universal kinship inspires our work, using dance as a universal language to connect and resonate with audiences globally.”

Weight of Time

Deepak Shivaswamy’s first piece, Weight of Time, challenges conventional notions of art's purpose. It invites audiences to let go of expectations and simply be present, savouring the performance as an experience in itself. His second piece, Mycelium Maatu, draws inspiration from the mycelium—a natural network of fungal threads that interconnect in intricate, organic patterns. This concept profoundly influences Shivaswamy’s approach to dance, encouraging a creation that mirrors the mycelium’s interconnected and evolving structure.

Mycelium Maatu

Among the exciting additions to JOMBA! 2024 are opportunities for audiences to engage directly with dancers and choreographers. These include special sessions where attendees can hear from the artists about their creative processes and works. On September 6, Deepak Kurki Shivaswamy will join JOMBA! curator Lliane Loots for an on-stage discussion following his performance, as part of the JOMBA! TALKS DANCE series. This conversation will offer deeper insights into Shivaswamy’s work and creative vision.

On Friday, September 6, Deepak Kurki Shivaswamy, alongside Prashant More and Mirra, will lead a free open workshop titled Aattam Idam: A Place for Playing. Scheduled from 4pm at the UKZN - Howard College Campus Drama and Performance Studies Dance Studio in Durban. This workshop is based on the concept of “PLAY.” It invites participants of all skill levels to explore dance and movement through creative and joyful expression. This is followed by another workshop on September 12 at The Market Theatre.

These workshops are offered free of charge to participants, but booking is essential as places are limited. The workshop is only open to dancers over 16 years. Book with e-mail thobimaphanga@gmail.com.

They will also present a closed workshop with Rudra Dance Company and ParamAtham Dance Theatre in Durban on Saturday 7 September,

Performance timings are 7pm on Thursday 5 and Friday 6 September at the Elizabeth Sneddon Theatre, and at 6.30pm on 11 and 12 September at The Market in Johannesburg

For more information and to see the full programme, go to: https://jomba.ukzn.ac.za/

Booking via COMPUTICKET for Durban, and by WEBTICKETS for Johannesburg.

Green Corridors, ETH Zürich and Kimberly-Clark Collaborate to Tackle “Nappy” Waste Crisis in Durban Informal Settlements

In partnership with Swiss University ETH Zürich and Kimberly-Clark, Green Corridors, the NPO dedicated to environmental and social initiatives in Durban, earlier this year embarked on a groundbreaking project to address the pressing issue of dumped disposable nappies and other absorbent hygiene products (AHPs) such as panty-liners, wipes and sanitary pads in informal settlements.

Amina Keneta (Supervisor AHP Collections) at Johanna Road informal settlement, shows one of the dedicated AHP bins that has helped to lessen the impact of improperly disposed hygiene products on the community, environment and public health. Pic by Val Adamson

“Disposable AHP’s which are designed to absorb fluid, are made from plastic and other materials, posing a significant environmental challenge due to their non-biodegradable nature,” explains Green Corridors Green Spaces Project Officer, Musa Shange. “Their improper disposal leads to environmental contamination and health hazards, including the spread of diseases. These products, especially nappies, also often cause blockages within sewerage systems, which can result in sewerage overflow and contamination of waterways.” 

This Green Corridors initiative, known as the Inhlanzeko Bin Project aims to pilot an AHP collections system to lessen the impact of improperly disposed hygiene products on the community, environment and public health. The project has been rolled out in Johanna Road and Blackburn Village informal settlements, with trained community liaison officers participating in educating and guiding residents.  In most informal and rural settlements, the ‘normal’ option for nappies disposal by residents is nearby open dumpsites.

Specialized nappy bins have been provided in selected locations, ablution blocks and creches in these settlements. The bins have been managed by the three part time employed community members in each community. They encourage residents to dispose of nappies safely, collect, check and weigh the bagged contents from the bins, and remove the bags to temporary storage containers, for weekly collection by CSW contractors and disposal at registered landfill sites. 

The “nappy” bins are being trialled at the two settlements, and different methodologies for fostering change in disposing behaviour are being tested. This included providing incentives and training community field workers to conduct caregiver meetings, home visits, and creating online caregiver networks.

:Amina Keneta (Supervisor AHP Collections), with Nontuthuko Ncopheni (Field Worker), Martin Mekkattu Master’s student from the Department of Mechanical and Process Engineering at ETH Zürich (Switzerland), and Okuhle Mdutshane (former Field Worker in the  Johanna Road Informal Settlement.

Three Swiss Master’s students, supervised by Dr. Marc Kalina from the Department of Mechanical and Process Engineering at ETH Zürich, have been responsible for designing and implementing the collection system. The locations for the bins were mapped out by Engineering student Timo Stutz. Another engineering student Dominik Huber, planned and helped design and install the network of bins and their management for his Master’s thesis. While a third Master’s student, Martin Mekkattu, has been responsible for optimising and evaluating the implemented collection system.

As community engagement and education plays pivotal roles in driving behaviour change, the programme has trained local fieldworkers, over a couple of years, who conduct home visits and host meetings to raise awareness about the importance of safe AHP disposal. 

Communication tools such as WhatsApp messages, posters, and videos are being used to reinforce the message and engender personal responsibility.

Results show more than 1,000 kg of AHP waste collected monthly per community, with 93% purity of collected AHP waste.

“While challenges persist in applying integrated and effective waste management systems in Durban’s informal settlements, this Green Corridors project marks a positive step towards mitigating the AHP waste crisis in our informal settlements, alongside drives towards redesign for re-usable AHPs,” says Shange.  “We hope that by providing a well-managed case study with solid data, it lays a foundation for informing future strategies for safe and environmentally-friendly AHP waste disposal.”

For more information or to become involved in the Green Corridors AHP project contact Musa Shange, musa@durbangreencorridor.co.za

 More info about Green Corridors:  https://durbangreencorridor.co.za/

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Creatives Focus on Climate at Durban FilmMart

Durban, South Africa: In a major film industry collaborative effort Climate Story Lab South Africa, Doc Society – Climate Story Unit, STEPS, and the Global Impact Producers Alliance (GIPA) presents the Climate Focus at this year’s Durban FilmMart which takes place from 19 to 22 July.

Climate Focus promises stimulating sessions to seek tangible approaches to communicate the climate-crisis through film with panel discussions, hands-on dialogues around potential impact strategies to effect change through film, brainstorming sessions, and networking opportunities for film industry participants creating content for this secto

Emily Wanja, who is Director of African Programmes at Doc Society - Climate Story Unit, says, “This climate focus at DFM is part of Climate Story Unit’s commitment to support transformative storytelling that advances a climate just and biodiverse future by storytellers, impact producers, and movement builders. Collectively we can envision, experiment and share how an abundant world for all could look like. DFM provides an opportunity to strengthen partnerships across the information ecosystem on the continent for this work to thrive.”

Filmmakers and activists, in an invigorating panel titled Don’t Stop Talking About Climate Chaos! discuss the role creatives play in sounding the alarm on the climate crisis, and inspiring effective action, including the building of African climate movements. Nasreen Al Amin (Climate Story Lab Lagos), Kudzayi Ngwerume (UMI Fund), Pete Murimi (BBC Africa Eye), Simeon Letoole  (Human Rights Activist) and Kumi Naidoo on video (Activist and former Director of Greenpeace) feature with moderators Anita Khanna (Human Rights Media Trust/Uhuru Productions) and Emily Wanja (Doc Society - Climate Story Unit).

In the session titled Partnerships and Pathways to Reach Audiences, the need for collective focus and political will to effectively address climate change is unpacked and paralleled with the HIV/AIDS crisis in South Africa, where miscommunication, denialism, and fake news hindered efforts to change behaviour and create impactful solutions. The progress in reducing HIV/AIDS-related deaths was achieved through collective efforts. The panel will address how the climate crisis needs a similar collective effort from all sectors including filmmakers through innovative partnerships with funders, broadcasters, and alternative distribution models, decentralised to unlock impactful audience reach.

Nadine Cloete (NFVF), James Smart (Nation Media Group), Pete Murimi (BBC Africa Eye), Noel Kok (NEWF), Nonto Sibanyoni (Sunshine Cinema), Theresa Hill/Tiny Mungwe (STEPS) and Cindy Makandi (Tunga Afrika) feature here with Miki Redelinghuys (Climate Story Lab ZA) as moderator.

In practical tool-kit styled approach the session Impact Strategy in Action, aims to equip impact producers with the insights necessary to create effective impact strategies. The panel will explore key issues such as identifying target audiences, setting measurable goals, leveraging partnerships, and maximising impact through media and outreach efforts.

Tiny Mungwe (STEPS) moderates this session which features Emily Wanja (Thank You For The Rain Impact Producer), Rumbi Katedza (Transactions Director) and Anita Khanna (Temperature Rising Co-Director).

Well-known impact producers and strategists Liani Maasdorp (Climate Story Lab ZA), Emily Wanja  (Doc Society), Nasreen Al Amin (Climate Story Lab Lagos) and Tiny Mungwe feature on the panel in the Impact Hackathon moderated by Miriam Ayoo (Global Impact Producers Alliance). Here one of the Africa Labs Showcase projects which has been working with mentors during the DFM, will participate in a high-energy, interactive session to unpack the impact potential of the film.

Aspiring impact producers will also have an opportunity to connect with GIPA members at a session at the DFM, to find out more about joining GIPA which nurtures the work of the unique, often overlooked, but powerful community of impact producers.

In a practical session Who’s Watching Our Films?  Alternative Distribution Mapping, Doc Society - Climate Story Unit, CSL ZA, STEPS, DOCA, TUNGA Afrika partner in a session moderated by Cindy Makandi (Tunga Afrika) to ignite an initiative they have started to help film industry professionals to unlock both existing, new and effective distribution pathways to ensure stories reach the people they are meant for. In this session they will map out alternative distribution avenues that extend beyond conventional routes. The goal is to create an open-source model that filmmakers can use to discover viable distribution partners across the continent.

Award-winning impact producer Anita Khanna, (Uhuru Productions), says, “It's shocking how little attention is being given to the biggest threat humanity has ever faced, but we know as activists that this is often because people face many challenges that are more immediate to them. If we can use our artistry and our campaigns to, at the very least, keep people fully informed of what the climate emergency means to them, and at most, get people motivated to organise around climate demands, then we will see some serious movement. It's a thing that artists have done in the past, around vital social matters, we need to be doing it now, on steroids.”

For more information about the Climate Focus at DFM in Durban go to https://climatestorylabza.org/dfm-2024/

For more information on the DFM go to https://durbanfilmmart.co.za/

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JOMBA! dance residency 2024

A new residency that focuses on the development of young women in dance has been announced as an exciting new addition to the JOMBA! Contemporary Dance Experience which takes place in Durban from 27 August to 8 September 2024.  The 7-day residency runs during the festival and aims to encourage and support women in dance. 

“Over the years we have observed that there are fewer female dancers working professionally in the contemporary dance space, and so we identified a strong need for more female-focused dance development to be done in Durban,” explains Dr Lliane Loots, Artistic Director of JOMBA!, which is hosted by the Centre for Creative Arts (UKZN).

This year the residency offers space for 6 female dancers aged between 18 and 30 years who have some dance training and now seek to push their skills and make their mark in the dance world as professionals. 

The JOMBA! residency will be led by Gaby Saranouffi (Madagascar/South Africa). Pic Val Adamson

The JOMBA! residency, led by Gaby Saranouffi (Madagascar/South Africa), will focus on further developing the dancers’ technical abilities, as well as include workshops around forging a professional image and work ethic that will aid in preparing these young dance professionals for future work opportunities.  The dancers-in-residence will have access to the full festival programme and have the opportunity to meet and engage with professional companies that are visiting the festival.

The selection process will be done through auditions in the form of a contemporary dance class with some improvisation on Saturday 6 July at 10am at the Flatfoot Dance Studio (UKZN). Dancers-in-residence will be expected to be available for the full 7-day duration (26 August – 1 September 2024) with the outcomes of the residency presented at the JOMBA! YOUTH OPEN HORIZONS platform on Sunday 1 September 2024.

There are selection criteria that include that dancers must be older than 18 years of age, and must reside in eThekwini (Durban) or surrounds. While the residency and festival are offered free of charge to those who are successfully selected, participants must supply their own transport and food needs.

To apply send a (no longer than) two-page CV to Thobile Maphanga: thobimaphanga@gmail.com by Monday 24 June by 4pm.

For full details of criteria, what is required on the CV and more info about the process go to https://bit.ly/JOMBAResidency2024

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Durban SPAR Women’s 10/5km Challenge Is your team up for a Challege? Durban: Sunday 23 June

Clubs, organisations, schools or corporates keen to walk or run in the Durban SPAR Women’s 10/5km Challenge still have time to enter a team for this year’s event that takes place on Sunday 23 June, finishing on the Hollywood Bets Kings Park Stadium’s outer fields.

Bulk entries for the challenge close at midnight on Friday 7 June, with individual online entries closing as the clock strikes 12 on Sunday 16 June. Teams entering 10 or more people, will need to touch base with the Race Office to get instructions by emailing the Race Office on kzn@spar.run.

There is a special day organised specifically for bulk entry collections where the "head prefect" or team leader can go along and collect their crews race packs on Thursday 20 June.

For more info visit the race’s website, www.sparwomensrace.co.za/durban

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I heart Market Saturday 1 June: 9am - 2pm Northlands Primary School, Durban North

Even though Durban barely has a winter, it’s time to stock up on those winter woollies, delicious comfort foods and holiday treats at the stylish artisanal I heart Market, on Saturday, 1 June, 2024, from 9am to 2pm at Northlands Primary School, Durban North.

This popular market, is a creative retail space where passion meets purpose. Here KZN “makers” come together to showcase their craft in a meticulously curated celebration of creativity, offering an array of exclusive, premium goods crafted by passionate individuals across various disciplines. 

“Think once off collections, small batches, and one-of-a-kind treasures you won't find in big malls - delicious artisan food, funky clothing, jewellery, kids clothing, doggie treats or couture.” says the manager of the market, Tanith Molliere.

“We pride ourselves in providing a platform for meaningful connections. Chat directly with the makers, get to know the stories behind their brands, and talk about new ideas and inspirations. So as customers meander through the stalls and invest in one-of-a-kind treasures, they can take pride in knowing that their support fuels the growth of our talented local creative community.”

Moliere and her Market team are passionate about developing and uplifting the local creative scene and entrepreneurs, and invite entrepreneurs who are launching a small, creative business, but are a little nervous to go full scale, to consider trading at the Market. Makers and Food Vendors can apply here: https://www.iheartmarket.com/apply/

There is a dedicated play area for small children, and a pram park, allowing adults to have a stress-free retail experience. The School Hall has air conditioning, guaranteeing a comfortable visit rain or shine.

There are areas for parking within the school grounds and the precinct is monitored by security guards.

For further details email info@iheartmkt.com.

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Celebrating Africa Month with Zoetheseed Luthuli Museum, Groutville Friday 24 May

Celebrated Durban songstress Zoetheseed is set to wow audiences this Africa Month with a live concert at the Luthuli Museum, Groutville on Friday 24 May at 7pm.

The concert is presented by Concerts SA in collaboration with iSupport Creative Business, with funding support from the Department of Sport, Arts and Culture (South Africa) - Mzansi Golden Economy, as part of ‘30 years of Democracy: A Celebration of African Music and Heritage’, a live music concert series with the underlying philosophy of Ubuntu, ‘I am because you are; you are because I am’.

Durban-based Zoetheseed, who trained at the world-renowned Music Department of the University of KwaZulu Natal, is a professional vocalist, composer and songwriter, and music educator.

Hailing from a Swazi background this dynamic performer incorporates her mother tongue in her original songs, and has performed with some local and international jazz great including SAMA award-winning Nduduzo Makhathini (RSA), Salim Washington (USA), Andile Yenana (RSA), Ernest Dawkins (USA), Neil Gonsalves (RSA). She has also participated in many festivals including  the Joy of Jazz, Essence Festival, Durban Jazz Festival and Imbokodo Jazz Festival.

“My inspiration to perform comes from incredible female vocalists like Gloria Bosman, ma’am Busi Mhlongo, Sibongile Khumalo and Rachelle Ferrell,” enthuses Zoetheseed who has also had the opportunity to be a drummer in the popular all female jazz band Heels Over Head that was nominated for the MTN 2011 SAMA awards, for best jazz album.

Dr. Salim Washington (USA) described her as having a “beautiful sound and energy” and that her “voice has the clarity and power of such superstars as Celia Cruz and Clementina De Jesus, Aretha Franklin, but not really like any of them,definitely her own sound.”

Catch Zoetheseed in concert at the Luthuli Museum, Groutville. Doors open at 6pm and the concert begins at 7pm. Tickets are R50  available on Webtickets or at the door.

For more information contact info@isupportdoyou.com

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South African Online Contemporary Dance Conference Attracts Global Participation

The annual online South African contemporary dance conference JOMBA! MASIHAMBISANE DIALOGUES, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts’ JOMBA! Contemporary Dance Experience, taking place from 22 to 24 May, 2024, has attracted significant participation from around the globe.

This conference or academic colloquium, is now in its fourth edition and will feature dance-makers, academics, dancers, educators, and researchers from 11 countries including Brazil, Canada, Cape Verde, France, Germany, South Africa, UK, USA, and Zimbabwe. The theme or “provocation” this year is (RE)TURN TO THE DRUM? looking at contemporary dance’s engagements with traditions, cultures, memory, hybridity, and contested identities.

The conference which is free and open to all interested, features keynote addresses, panel discussions, as well as “abstracts or papers” presented by participants.  An opening keynote address will be made by steering committee member Dr Mbongeni Mtshali, a performance-maker, scholar, artist, and teacher based at the University of Cape Town,  in dialogue with the rest of the steering committee that includes dance-focussed academics, researchers, and practitioners: Clare Craighead (lecturer at the Durban University of Technology), David Thatanelo April (director, teacher, choreographer, and dance lobbyist), Gift Marovatsanga (CEO and Facilitator at Refined Images Studio), Dr Lliane Loots (lecturer at the University of KwaZulu-Natal), Dr Sarahleigh Castelyn (Associate Professor/Reader University of East London UK), Thobile Maphanga (dance practitioner, scholar, creative collaborator, reading for her MA at UKZN) and Prof Yvette Hutchison (South African Reader/Associate Professor at the University of Warwick UK).

Dada Masilo

Keynote dialogues will be held with Dada Masilo, South African dancer and choreographer, known for her unique and innovative interpretations of classical ballets; SA-born, now France-based Robyn Orlin an internationally celebrated contemporary dance-maker, dancer and teacher; Mamela Nyamza award-winning choreographer and dancer who is known globally for her innovative and deeply intersectional and political dance-making; Vincent Sekwati Mantsoe, winner of international and national awards in performance and choreography, demonstrates that to be successfully integrated into the performance arena as a contemporary artist, one does not have to disavow one’s cultural heritage; Moeketsi Koena professional dancer, teacher and choreographer, and co-founder of newly incorporated Itrotra Art X Connection - a newly registered arts platform.

Additionally, Canadian Dena Davida introduces TURBA, a new journal that negotiates histories of the study and practice of live arts curation, and Thobile Maphanga chairs a fascinating panel with Albert Ibokwe Khoza (South Africa), Djam Neguin (Cape Verde) and Lorin Sookool (South Africa) titled where they will interrogate a possible common zeitgeist that is calling these contemporary artists from Africa, to dig up ‘past’ narratives and re-present them in the bold ways that they are.

Papers, digital engagements, and further dialogues open up important discussions around contemporary identity and how it relates to imagined and real histories as they intersect with culture and tradition in dance-making. The “(re)turn to the drum” is set up as both a question and as a tipping point to think about our futures.

Some of these  papers and engagements will be presented by:

Alexandra Gonçalves Dias,

Alexandra Gonçalves Dias, dance artist and Professor at UFPEL in Brazil, with a dedicated focus on decolonising narratives;

Claude Jansen, part of Dancing Instruments - In Conversation with Looted oBjeCts – a long-term journey with a team of Namibian and German curators, healers, artists and (O)Ngoma Drums;

Fabrice Mazliah, a choreographer and performer/dancer based in Germany/Switzerland, who has initiated long-term research into embodied knowledge and the heritage inscribed into dance practitioners;

Francesca Matthys, a South African Interdisciplinary dance artist, writer, facilitator and Kundalini yoga teacher based in London;

Kristi-Leigh Gresse

Kristi-Leigh Gresse, a South African dancer and choreographer known for her transformative impact on the arts.

Lara Barzon, an EUTOPIA co-tutelle PhD fellow with a joint PhD between Theatre and Performance Studies (University of Warwick) and Cultural Studies (University of Ljubljana);

Marcia Mzindle, a freelance writer, drama, and performance tutor at the University of KwaZulu Natal (Howard College), choreographer, and dancer;

Onalenna Sellwane, a writer, theatre maker, and digital marketing creative based in Johannesburg;

Rainy Demerson, a dance artist and scholar invested in global intersectional feminism and decolonial embodiments;

Saranya Devan, recognised for her versatility in drama, dance performance, and choreography and holds a Masters in Bharathanatyam from the University of Madras and a Masters in Dance from the UCT;

Moving into Dance

Sylvia “Magogo” Glasser, a cultural activist, teacher, choreographer, mentor, anthropologist, and writer, who founded Moving into Dance in 1978 as a non-racial dance company and training organisation and was director until 2013;

Tatenda Kanengoni, a Zimbabwean writer, researcher, and multimedia storyteller.

 The conference will be streamed live on YouTube on the following link https://www.youtube.com/jomba_dance. Participants will present on Zoom, and those who wish to apply to join in the “Zoom Room”, can contact Thobile Maphanga at thobimaphanga@gmail.com

For more information and news, as well as the schedule – go to:

https://jomba.ukzn.ac.za/masihambisane-dialogues/ 

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I heart Market, Durban North, Saturday 4 May: 9am - 2pm

The ever-popular I heart Market, Durban’s iconic monthly market with soul, will take place this month on Saturday, May 4, 2024, from 9am to 2pm, allowing visitors an opportunity to indulge in a “shopaganza” a week before Mother’s Day.

The market, which is thriving in its new home at Northlands Primary School, Durban North has a wonderful selection of locally handmade, homemade, up-cycled, recycled, and beautifully designed crafts, art, fashion, jewellery, home-ware, artisanal foods, second-hand gems, and more.

As the May market is a week ahead of Mother's Day, shoppers can explore the myriad beautifully handcrafted goods, just perfect for gifting that special mom in their lives. 

With a focus on supporting local artisans and businesses, I heart Market encourages visitors to make a day of it and discover the unique offerings created by the skilled traders.

The I heart Market has become an important monthly event in the community, providing a vibrant space for artists, designers, and food vendors to showcase their creative abilities and helping to galvanize a warm community spirit. With its commitment to sustainability and promoting local talent, the market continues to attract visitors seeking unique and ethically sourced products.

For those with small children, there is a dedicated play area and a pram park, allowing adults to have a stress-free retail experience. The School Hall has air conditioning, guaranteeing a comfortable visit rain or shine.

There are designated areas for parking within the school grounds and precinct monitored by security guards.

For further details email info@iheartmkt.com.

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FLATFOOT DANCE COMPANY 21st Birthday Season “JOURNEY”

Celebrating its 21st birthday, Durban's award-winning FLATFOOT DANCE COMPANY presents a short season of contemporary dance that promises to nourish and enrich, at The Elizabeth Sneddon Theatre on 10 and 11 May.

Titled JOURNEY, the season features two new works, one by resident choreography and artistic director, Lliane Loots, and a another by special guest from Madagascar, Gaby Saranouffi. The season not only celebrates the 21-year journey of getting to this milestone, but it also delves into the head and heart of what it means to be alive at this point in history. 

Saranouffi's SORITRA (traces) opens the evening in a fast-paced journey of self in a search for “traces of where we come from and where we are going.” Inspired by a Malagasy indigenous abstract strategy board game called “diam-panorona”, the movement of stones on a board, horizontally, vertically, and diagonally are intriguingly replicated in a contemporary dance formation with bold athletic movements. Interestingly this work is now in its own 21st-year as Saranouffi has shared it in many spaces and places. She says, “I love letting it breathe new life when new dancer step in and learn it and make it their own. This is a work about the translation of culture, history and memory from one body to another and I am so excited to give it now to FLATFOOT on their 21st birthday.”

Loots's premieres a new work for FLATFOOT, titled the salt on your skin, and begins to journey to the cities (or sites?) of the interior in an often painful, always beautiful, look at intimacy. Referencing sweat and skin, and other acts of love and labour that make up the everyday of our lives, this work is co-created with the six resident FLATFOOT dancers (Sifiso Khumalo, Jabu Siphika, Zinhle Nzama, Ndumiso Dube and Siseko Duba). Drawing on deeply personal stories of love, loss, and ultimately hope, the salt on your skin sees Loots once again using dance to delve into the small stories to imagine; and thus change the bigger narrative that hold our lives. Loots says, “we often mistake intimacy as being only about romance and sex, and while this is also true, the intimacies of raising children, being a mother or father, of mourning lost family and friends, of waking up each day to come to work, of sweating in the studio as we dance through this all, is a shared intimacy that the FLATFOOT dancers have given me. This work, on our 21st birthday, is for the six dancers – it is a love song we created together”. 

the salt on your skin is made up of four sections that traverse a landscape of intimacies, loss, love, shame, and hope. With subtle and evocative lighting by Wesley Maherry, this is a surprisingly gentle dance work given the voracity and intimacy of the unfolding stories. 

JOURNEY is at the Elizabeth Sneddon Theatre for only 3 performances, 10 May @ 7pm, 11 May @ 2.30pm, and 11 May @ 7pm. Tickets cost R120 (R85 for pensioners, students, scholars and block bookings of 10 or more). 

Booking via COMPUTICKET: https://computicket.com/event/journey/6688047

This season is made possible through a special partnership with the Elizabeth Sneddon Theatre.

Thanks to Itrotra Art X Connection NPC.

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Umfula - Echoes of the River making an impact in Communities along the Mfolozi River

A Virtual Reality (VR) film Umfula - Echoes of the River , created by VR Capture and directed by Ballito-based Telmo dos Reis has been touring communities along the Mfolozi River in KwaZulu-Natal as part of the filmmakers’ aim to raise awareness about environmental conservation of this historic waterway.

The film takes viewers on a virtual reality journey along the river, highlighting its beauty, ecological significance, and the threats it faces. It offers a highly sensory experience of life on the river.

The screenings were recently held in various communities along the uMfolozi starting from its source in Vryheid northern KwaZulu-Natal and culminating at Isimangaliso Wetland Park including Nzamangamandla (Nongoma), Hlabisa, Somkhele, Sokhulu and St Lucia.

“We held these screenings over several weeks in February and March, with each community event serving as a platform for education, engagement, and dialogue about environmental conservation,” explains dos Reis. “Our goal was to raise awareness about environmental conservation while also creating job opportunities for local residents through the events. The project aimed to employ at least 33 people over this period, however, due to careful budgeting, they were able to employ around 60 people, providing some economic support to the communities.”

The screenings were made possible through a grant from PESP4 (Presidential Employment Stimulus Package) and the National Film and Video Foundation, and a collaborative effort between production company VR Capture and local community leaders. The community leaders who worked on the film represented the project as event hosts for their respective areas.

Producer Cheryl Tuckett from Light and Lion, reports that the screenings had a profound impact on the communities. “This was not only in terms of raising awareness of the challenges the river faces and the importance of clean freshwater but also in reigniting a pride in and ownership of their natural resources,” she says.  “The events were attended by a diverse audience, including local residents, community leaders, and environmental activists, who all came together to celebrate the beauty of the Mfolozi River and discuss ways to protect it.”

‘We did not just want to show the film in the communities we worked with during the making of it,” says dos Reis. ‘We wanted to use the opportunity to empower communities through fostering a sense of environmental stewardship. Through this project, we hope to inspire others to take action and protect our planet's precious natural resources.”

Umfula - Echoes of the River by VR Capture was made with the support of the Kwa-Zulu Natal Film Commission,  the National Film and Video Foundation, PESP4, and Light and Lion, providing development and funding for the production and community screenings of the film. 

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Triggerfish Scoops Multiple Honours as African Animation Shines this Award Season

Internationally renowned South Africa/Ireland-based animation studio, Triggerfish has bagged a number of honours this award season, marking a significant triumph for African animation in the highly competitive motion picture industry.

The ground-breaking Disney+ Original Series Kizazi Moto: Generation Fire has just clinched the prestigious Annie Award for “Best Limited Series” (TV/Media) at the ceremony in Los Angeles on Saturday 17 February.  The series also recently won the Kidscreen Award for “Best Animated Series (Tweens/Teens)” in San Diego, earlier this month.  These accolades recognise the creativity and storytelling expertise of the multi-talented team at Triggerfish, the lead production studio behind the anthology series

Enkai : Kizazi Moto: generation Fire

The action-packed animated sci-fi series Kizazi Moto: Generation Fire presents futuristic visions from Africa inspired by the continent’s diverse histories and cultures, and has been enchanting audiences worldwide with its compelling narrative, vibrant imagery, and original characters since its release in July last year.

This achievement is a testament to the exceptional collaboration of the team behind the scenes. Guided by Disney, executive producers Peter Ramsey, Tendayi Nyeke and Anthony Silverston and helmed by a group of 14 directors from across the African continent including Egypt, Kenya, Nigeria, South Africa, Uganda, and  Zimbabwe, the series was brought to life with authenticity and passion. The star-studded voice cast, included Florence Kasumba (Black Panther, Wonder Women), Pearl Thusi (Queen Sono), Nasty C (multi-award winning South African rapper) and Kehinde Bankole (The New Normal, Sista) delivering captivating performances, breathing life into the characters and enhancing the storytelling experience.

The winning series episode Enkai, directed by Kenyan Ng’endo Mukii and produced by Blink Industries, is a striking cosmic, end-of-the-world, high-stakes fantasy.  It was also selected as a finalist for Prix Jeunesse International in the 7-10 Years Fiction category.

Aau’s Song

Triggerfish also won an Annie Award for “Best Music - TV/Media” at the ceremony for its short film Aau’s Song, a fantasy Star Wars-inspired journey of a child finding her destiny, created for the Star Wars: Visions Vol. 2 anthology series by South African directors Nadia Darries and Daniel Clarke. Additionally, Aau’s Song has been nominated for a Prix Jeunesse International award. The series as a whole has also taken home the Lumiere Award for the "Best Episodic - Animated.”

Supa Team 4

In addition to this long list of recent accolades, Triggerfish’s original Supa Team 4 on Netflix, inspired by Zambian creator  Malenga Mulendema, is up for “Best International Series” at the British Animation Awards in March.

“The affirming acknowledgement from these global awards marks a significant milestone not only for all at Triggerfish, but the African animation industry too, highlighting the growing recognition and appreciation for fresh storytelling and authentic representation of African narratives in animation,” says Triggerfish Executive Producer, Anthony Silverston.

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SPAR KZN Schoolgirls’ Hockey Challenge 2024 Challenge Dates Announced

SPAR KZN Schoolgirls’ Hockey Challenge

2024 Challenge Dates Announced for Popular Hockey Regionals

Entering the tournament’s 14th year, dates for the 2024 SPAR KZN Schoolgirls’ Hockey Challenge have been announced.

Up for grabs. Pictured holding the trophy that will be won at the Grand Finals in are Nomfundo Shezi (Sponsorship Controller and Events, SPAR KZN), Nozipho Mkhize (Advertising and Sponsorship Manager, SPAR KZN) and Les Galloway (Tournament Director and Head of Hockey, SchoolGirl Sport).

The tournament that began in 2011 has fast become a firm favourite for young hockey players. Close to 75 girls’ first teams from high schools around KwaZulu-Natal will take to the various hockey fields to compete in the compact and exciting ten regionals in the build-up to the Grand Finals that takes place in July.

The much-anticipated schoolgirls’ annual hockey challenge kicks off with Maris Stella hosting the first tournament, the Durban Central Regional, on Saturday 2 March at Durban High School’s impressive blue astro turf - a new venue for this regional.

Back-to-back action in Pietermaritzburg will be hosted by the two defending regional champs:  on Saturday 9 March, The Wykeham Collegiate welcome teams participating in the Pietermaritzburg North Regional to their home turf, while Pietermaritzburg Girls’ High School hosts teams for the Pietermaritzburg Central Regional at the UKZN fields on Sunday 10 March.

Another action-packed weekend features the Durban North Regional that takes place at Curro Salt Rock, in Ballito on Saturday 16 March, and the highly competitive Highway Regional at Westville Girls’ High School the next day, Sunday 17 March.

Tipping off the April tournaments, New Forest High School hosts the Durban South Regional at the 3 Schools Trust astro turf, in Glenwood on Saturday 6 April. A week later, heading north, Grantleigh College  is the venue for the North Coast Regional. The defending champs will host schools from Richards Bay and surrounds on Saturday 13 April. Concluding the April action, St Patrick’s College in Kokstad will be a hive of hockey activity on Saturday 20 April for the Sisonke and Ugu Regional.

The penultimate tournament, the uMvoti and oThukela Regional travels to Greytown High on Saturday 4 May. Wrapping up the ten regionals, the KZN Northern Regional commences at Ferrum Hoërskool in Newcastle on Saturday 11 May.

All of the regional champions will head to the tournament’s exciting conclusion – the Grand Finals. The top ten teams will take to the turf at St Mary’s DSG in Kloof on 20 and 21 July.

Offering a lucky hockey player a golden opportunity, eta College will be joining forces with the SPAR KZN Schoolgirls’ Hockey Challenge awarding a one year bursary at the Durban Campus. Eta College has nine campuses around South Africa, focusing on education for fitness, sport and recreational needs. The big reveal will take place at the Grand Finals where the fortunate young woman will be presented with this phenomenal opportunity.

All games will be live streamed on SuperSport Schools. For more info like the tournament’s Facebook page SparSchoolGirlsHockeyTournament or follow on Instagram sparkznhockey.

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I heart Market – February Sale Market Saturday 3 February: 9am - 2pm Durban

February is the month of love and the I heart Market will celebrate with its traditional bi-annual “sale” market on Saturday 3 February from 9am to 2pm at  Northlands Primary School, in Durban North.

Following two busy and packed festive season markets in its new home at Northlands Primary School, which was well received by customers, February’s I heart Market will offer a range of discounted products.

“We were over the moon with the turn for our first markets at Northlands Primary, with a steady stream of customers, and great sales for our traders who are all small business entrepreneurs,” enthuses Manager of the Market, Tanith Molliere. “Our February market is kind of the “January Sales” market with great offers to help those budgets that may have been stretched during the holidays.”

February’s Market promises a magical shopping experience with wares created with love and care by local artisans and small businesses, reflecting a deep commitment to their artistry and craft.  With Valentine’s Day just around the corner – there will also be a gorgeous array of “romantically-inspired” products available.

As always, the market is filled with handmade treasures ranging from fine leather goods, unusual ceramics, exquisite jewellery and accessories, innovative visual art, home decor, plants, clothing, condiments and pickles, cured meats, a delightful selection of delicious baked goods. Of course, the usual mouth-watering array of food truck eats, catering to every palate including vegan and vegetarian.

There is also a secure play area for children between the ages of 1 and 6, with qualified Teacher’s Assistants in attendance available for the morning for those parents who want to take a break to shop or enjoy some delicious food. There is a fee of R100 for the morning or part thereof. A “pram park” is also available for people to leave their prams whilst shopping to help avoid congestion in the hall.

The market is housed in the school hall and surrounding gardens from 9am to 2pm, and takes place rain or shine as most of the traders are under cover.  Parking is available in designated school areas, with security guards to ensure a safe and enjoyable experience. 

For more info contact info@iheartmkt.com.

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Wembley to Soweto and Beyond The transformative ripple of one small creative idea with its roots in SA

From the spark of one man's belief in the game-changing power of creativity, a new UK charity ignited 8 young minds in Soweto, South Africa during the 2010 FIFA World Cup, catapulting their careers. Fast forward to today, and this creative force has exploded onto the global scene, set to make waves across the USA in Los Angeles, with South African powerhouse photographer Thapelo Motsumi playing a crucial role in fuelling its momentum.

Thapelo Motsumi with Richard E Grant.

The Wembley to Soweto Foundation was created by UK-based multi-award-winning actor and producer David Westhead, to train photojournalists from disadvantaged backgrounds against the backdrop of the 2010 FIFA World Cup. The Foundation is quietly backed by some of the world’s biggest names in film and TV – Judi Dench, Bill Nighy, Idris Elba, Adjoa Andoh, Muthutuzehli Matshoba, Christoph Waltz, and Emily Watson amongst others.

Originally the Foundation’s programme was set out as an in situ training programme to help uplift, empower, and enable young people, instil valuable life skills, and help them progress positively and make meaningful contributions to society.

“Our focus was that art could be accessible and we aimed to inspire the creators of tomorrow - little did we think that the programme would grow exponentially beyond our expectations,” says Westhead.

“The training programme proved so successful, with many of the Sowetan photographers being able to elevate themselves socially and economically, that it evolved into a “tag-teaching” model,” explains Westhead. “This meant past trainees who share similar backgrounds and experiences could easily connect with compatriots across the globe and impart their experience and knowledge of photography with those entering the programme.”

Now South African, Thapelo Motsumi, who was one of the original 8 that were trained in 2010, along with a diverse cohort of former participants in the programme, will be training four new students in the art of photojournalism in Los Angeles, US. They will also be coaching two alumni to be trainers.

The USA programme, in partnership with world-renowned camera giant Leica, begansin LA on December 8, and will roll out into some of the poorest communities in Chicago, Washington, and New York City over the next year.

“We are privileged to be partnering with legendary camera experts, Leica on the programme. Having high-end equipment enables trainers and trainees to experience top quality results, which will help to demonstrate and develop their creative eye, capabilities, and potential for excellence in their work.”

Students at work

The Foundation has enabled participants to visit major sporting events such as Fifa World Cups, Cricket World Cups, UEFA-, Euros- and Rugby World Cups, The Olympic Games, and English Premier League games.

Westhead also begins filming a documentary in LA this week to coincide with the start of the USA training. The documentary will feature five alumni photographers including Motsumi, who has gone on to become an international photographer and has worked with the United Nations, Archbishop Desmond Tutu, and Idris Elba, amongst other high-end clients. The documentary with its working title: Shooting Stars: Football, Photos and Favelas, will follow these trainers as they work with youngsters from gangland LA across the States.

“I am looking forward to working with peers in the USA and doing the documentary with the Foundation,” enthuses Motsumi. “Being selected for the 2010 programme was life-changing and I am always so happy to help impart my skills, knowledge, and experience to help other brothers and sisters move ahead with their creative skills.”

For more information about the Wembley to Soweto Foundation programme go to http://wembleytosoweto.com 

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Durban North’s Roadhouse Crescent (Connaught Bridge underpass) for Major Clean-Up on 29 and 30 November

Green Corridors and TriEcoEmvelo, are facilitating a major clean-up of the Roadhouse Crescent recycling area at the Connaught Bridge underpass in Durban North, on Wednesday, 29 and Thursday 30 November, with the aim of removing 500 bags of waste.

(Left to right) Siphiwe Mthabela from Tricomvelo and Siphiwe Rakgabale from Tricomvelo and Green Corridors, with Jonathan Welch technical consultant and project manager of the Green Corridors’ KMBC in front of the plastic baler brought in to help streamline the recycling collection process at the Roadhouse Crescent collection area under Connaught Bridge in Durban North. A major clean up is planned for Wednesday, 29 and Thursday 30 November, with the aim of removing 500 bags of waste.

This area has been used for a long time as an illegal dumping ground and has been “adopted” by Green Corridors in an endeavour to clean it up and support the informal recyclers to derive an income from their collections by formalising the area as a recycling collection point, and discouraging illegal dumping.

Members of the public and community organisations are invited to join in the clean-up from 8am until 2pm on 29 and 30 November together with the Green Corridors and WESSA and the Roadhouse Recyclers teams. eThewkini Municipality Cleansing and Solid Waste will be removing the non-recyclable waste. Volunteers should wear closed shoes and hats. 

“This clean-up marks our adoption of the area, formalising the collection of waste as a materials recycling facility (MRF), supporting these area recyclers with their efforts to earn an income, and ensuring the site is no longer used to dump,” explains Musa Shange, Green Corridors Project Officer. “Through a joint project between eThekwini Municipality, Green Corridors, TriEcomvelo and Safripol we have installed a plastic baler that compresses recyclable plastics which enables the local recyclers to densify the materials derived benefit from the increased value. We are also erecting a fence around the area to stop the illegal dumping.”

The Connaught Bridge Roadhouse Crescent Recycling project has been a combined effort between a number of civil society organisations, government structures, businesses and informal recyclers, that have worked together to do clean-ups, recycle and repurpose waste material. Green Corridors has facilitated the purchase of materials by formal recycling enterprises, and taking materials to sites where they can be beneficiated, such as Green Corridors’ KwaMashu Materials Beneficiation Centre.

"We want to help these recyclers set up a solid cooperative that they can eventually run themselves,” enthuses Siphiwe Rakgabale, Green Corridors Litterbooms Co-ordinator and owner of TriEcoEmvelo. “They are a crucial part of the value chain that recycles waste materials and can make a significant contribution to a sustainable circular economy."-ends

I heart Market - Saturday 2 December and Saturday 16 December - Durban North

The ever-popular I heart Market returns to Durban, finding a new home at Northlands Primary School, 20 Gleneagles Drive Durban North, in time for its magical festive season markets on Saturday 2 and 16 December from 9am to 2pm.

Saving the dates ! L-R Getting ready to welcome shoppers to the I heeart Market which has moved to Northlands Primary School in Durban North are from left to right : Jane Frew - Owner: JellyPickle Paintings (calendar is her work), Tanith Molliere - Market Manager:  I heart Market, Caroline Hockly – Marketing Manager:  Northlands Primary School, Nicola Savage - Owner:  Savage Jewellery, Sara Trickett - Owner:   The Thrift Collection and Tracy Galloway - Owner:  Coffee Guys

“Northlands Primary School is very excited to be partnering with the I heart team as their new venue,” says Caroline Hockly, Marketing Manager at the School. “As a community-centred school in the heart of Durban North, we know that this is going to be welcomed by the local community at large. They have been sorely missed on the local calendar as a beautifully curated, top-quality market. We are honoured to be able to provide them with a new home and hope for a long-lasting association.”

Renowned for its excellent quality artisanal products, supporting local small businesses, and offering an exceptional retail experience, the I heart Market boasts an exquisite array of handcrafted goods, including jewellery, accessories, leather items, ceramics, visual art, home decor, plants, clothing, condiments, cured meats, as well as a delectable selection of bakery items from bread and pastries to cookies, and cakes, plus a mouth-wateringly delicious range of food truck eats – catering for all tastes. In keeping with its name, the Market’s curated offerings are lovingly crafted, reflecting a deep commitment to the craft and a strong sense of personal integrity. 

These two December markets will offer a broad range of fine festive fare from Christmas decorations to gift ideas and more, for the whole family. This is an opportunity to shop away from the usual season rush, and at a leisurely pace, where there is something for everyone to enjoy.

The Market takes place from 9am to 2pm in the school hall and surrounding gardens. There is plenty of parking available in designated school parking, with security guards in attendance.

The I heart Market is always on the lookout for fresh talent - anyone interested in becoming a vendor can contact the market directly on info@iheartmkt.com.

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“Great or Small, CROW Loves Them All” - World Animal Day on 4 October

With 355 animals currently in their sanctuary, and with an impressive 164 998 animals, rescued over their 43 years in existence providing a life-giving service to the country’s wildlife, the Centre for Rehabilitation of Wildlife (CROW) calls on South Africans to join in commemorating Word Animal Day on Wednesday, 4 October, and appeals for financial support for the astonishing work they do.

“The theme for World Animal Day 2023 is “Great or Small, Love Them All”,” explains Clint Halkett-Siddall, Operations Director of CROW. ‘This is exactly what we do –we take in all manner of wildlife that have been injured, displaced, or abandoned, nurse them back to health, rehabilitate them, and release them back into their natural habitats. We love them all!”

“Our challenge is now to galvanize some serious financial support to enable us to continue to do this important work.”

CROW was adversely affected by COVID, which resulted in the loss of two years of international volunteer income – which contributed to a sizeable portion of their running costs. This together with the repercussions of the floods and riots, and increased overheads especially on animal feed and fuel, means that the centre has almost depleted its financial reserves. 

 “We are appealing for a renewed burst of financial support from individuals and companies, to enable us to keep our doors open and help the 3000-4000 indigenous wild animals that we care for each year. Without this support these animals will be left without assistance, with no chance of being nursed back to health, and released back into the wild,” says Halkett-Siddall. 

CROW is Durban’s only registered and fully permitted wildlife rehabilitation centre providing indigenous wildlife with a second chance at a free, safe, and sustainable life in the wild. They also work with Threatened or Protected Species (TOPS) Terrestrial and Marine species.

The Centre works with all indigenous mammal species, reptile species, and bird species. Some of the animals currently on property include TOPs Nile crocodile, blue duiker, and Blesbok, as well as grey duiker, genet, scrub hare, rock hyrax, banded mongoose, water mongoose, spotted eagle owl, wood owl, spurwing goose, Egyptian geese, egret, terrapin, garden variety birds, bush baby, vervet monkeys, leopard tortoise, eastern hinge tortoise, labots tortoise and specs tortoise. 

“Due to financial constraints, we have had to cease after-hours services and if funding does not improve we will have to put on hold on rescues and collections,” he explains. ‘We now also have to limit the intake of Egyptian Geese and vervet monkeys which are robust urban dwellers but very expensive to feed.”

CROW gets no government funding and relies solely on public support. “We are appealing to people who care about wildlife and our environment to assist us by donating to Hope for Our Wildlife – CROW’s Emergency Appeal. Any donation in any form is most welcome to keep our doors open to animals in need.”

Donations can be made from the CROW website or using one of the many options to support listed there:  https://crowkzn.co.za/donate/

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