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Finalists Announced in CLiP's STOMP Awards – South Africa

Finalists in the Commonwealth Litter Programme (CLIP) STOMP Awards have been announced.

 

The STOMP (Stamp Out Marine Plastic Pollution) Awards made a call out in October for South Africans to enter ideas and solutions that could reduce, or eliminate plastic pollution, which ultimately ends up in the ocean destroying habitats, and endangering marine species.

 

Over 60 entries in five categories were submitted: Technology or Technical Design in which judges were looking for new and innovative design and or technologies to reduce or manage plastic pollution and encourage circular economy thinking; Product Development which were innovative allowing consumers to reduce their plastic waste; Adult Inspire through Creativity and Youth Inspire for any kind of creative art made to inspire people into creating a better place and a Special Recognition Award for Action that recognizes work done to implement cleanups, or projects the mitigate waste, reduce plastic, change behaviours or create awareness on a community level.

 

The finalists are listed in no particular order:

 

Technology or Technical Design

Wildtrust – Pyrolysis Machine from Hilton, KwaZulu-Natal

The Mermaid Tear Catcher submitted by Clare Swithenbank-Bowman from the KwaZulu-Natal, North Coast.

Games Tangibl submitted by Jean Greyling from Port Elizabeth, Eastern Cape

 

Product Development

The Big Scoop SA submitted by Alexis Wellman from the Helderberg, Western Cape

Beeswax Wrap submitted by Mica Da Silva from Ballito, KwaZulu-Natal

Patch Bamboo Plasters submitted by Dr Milliea Anis  from Johannesburg, Gauteng

The Mutea EcoPod submitted by Liam Bulgen from Cape Town , Western Cape

 

Adult Inspire through Creativity

12 Plastic Monsters  submitted by Luke Rudman from the Port Elizabeth, Eastern Cape

The Well Worn Theatre Company submitted by Kyla Davis from Johannesburg, Gauteng

The SuperScientists Project by CodeMakers NPO, submitted by Justin Yarrow from Durban, KwaZulu Natal.

 

Youth Inspire through Creativity

The Future Kids submitted by Rocco Da Silva from the Somerset West, Western Cape

Norman Klutsky Eco-Warrior of the High Seas - Eden College submitted by Jean Van Elden, Durban KwaZulu-Natal

The Oceano Reddentes NPC submitted by Jade Bothma from Western Cape

 

Special Recognition Award for Action

Captain Fanplastic submitted by Nwabisa Joba from the Cape Town, Western Cape

The Ethekwini Conservancies Forum submitted by Paolo Candoti from Durban, KwaZulu-Natal

Singakwenza submitted by Julie Hay from Hilton, KwaZulu-Natal

Some of the finalists (as well as some of the entries that did not make it into the finals but impressed the judges) will be in attendance to present their entries at the "CLIP Innovation Conference: STEM the tide of plastic waste in Africa" in Cape Town on 4 and 5 December 2019. Winners in each category will be announced at Conference on December 5.

 

The Conference, which will be attended by scientists, environmentalists, conservationists, and policy-makers, is co-hosted with the Sustainable Seas Trust, will be looking at STEM (Science, Technology, Engineering and Mathematics) solutions to the marine litter problem in South Africa.

 

"We were pleased with the number and quality of entries submitted for these inaugural awards," says STOMP Project Manager Duncan Pritchard, of Green Corridors, the NPO tasked with managing the awards in South Africa. "The entries were fairly diverse with some truly innovative ideas being showcased. It certainly demonstrates that South African's are thinking about the plastic challenges we face, and are looking at what could be the next world-changing innovation to solve the crisis. That is extremely positive for us going forward."

 

Commenting on the judging process, Fiona Preston-Whyte, CLiP Country Lead from the UK's Centre for Environment Fisheries and Aquaculture Science (Cefas) which leads the CLIP programme says, "As scientists we were looking for innovative, sustainable solutions which contribute to reducing or preferably eliminating plastic as a waste. The entries are high quality and creative and speak of the innovative spirit of South Africans.”

 

To view the finalists go to https://www.stompawards.co.za/index.php/vote

 

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Note to editors:

CLIP is led by the United Kingdom through the Centre for Environment Fisheries and Aquaculture Science (Cefas), funded by the UK's Department of Environment, Food and Rural Affairs (Defra), and has partnered with Green Corridors, a Durban based non-profit organisation to roll out the awards programme in South Africa.

Cape Town : Social Justice Documentary "Push" Special Screening and Discussion  at Tshisimani Centre for Activist Education in Mowbray, Cape Town during European Film Festival

Media Release

Social Justice Documentary "Push" Special Screening and Discussion 

at Tshisimani Centre for Activist Education in Mowbray, Cape Town during European Film Festival

CAPE TOWN: The social justice film Push by Swedish director Fredrik Gertten will have a special screening at the Tshisimani Centre for Activist Education in Mowbray, Cape Town, on Thursday, 5 December at 6pm.

The film is one of 12 award-winning films screening at Cinema Nouveau Theatres during the 6th European Film Festival, which runs in Johannesburg, Pretoria and Cape Town from 29 November to 8 December.

Gertten's documentary explores how the acquisition of urban property by financial institutions is becoming a global trend and making living in cities unaffordable. His previous documentary Jozi Gold precipitated great public interest during its showings at Encounters and the Durban International Film Festival earlier this year and his new offering Push is expected to generate new debate about the very topical housing challenges in this country.

Discussion featuring Leilani Farha, UN Special Rapporteur for Adequate Housing

The screening of the film at the Tshisimani Centre will be followed by a discussion led by Mandisa Shandu, the director of public interest law firm Ndifuna Ukwazi that specializes in urban housing rights.  Ndifuna Ukwazi is leading the campaign to stop the sale of the Tafelberg School in Sea Point, Cape Town, a case which reaches the courts during the last week of November.

Special participant in the discussion will be Leilani Farha, UN Special Rapporteur for Adequate Housing, who plays a central role in the documentary as she investigates the phenomena, which are literally pushing out people from inner cities around the world. Ms Farha will Zoom into the discussion from Toronto where she is based. 

In developing countries such as South Africa the massive housing challenges, the infringement of human rights and displacement of peoples are drawing increasing pushback from affected communities and activist groups working to open access to affordable, well-located land and housing.  This screening and discussion session aligns with Tshisimani’s focus on addressing and finding solutions to injustices faced by the poor and marginalised people of our society.

As Leilani Farha says: ‘‘I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is.’

The screening and discussion is free and open to all at the Tshisimani Centre, Bertha House, 69 Main Road, Mowbray, Cape Town at 6pm on Thursday 5 December. Enquiries can be made on 021 685 3516.

See http://www.eurofilmfest.co.za/ for festival info, film synopses, trailers, screening schedules and ticket bookings!

The European Film Festival is a partnership project of the European Union’s Delegation to South Africa and twelve European Member State cultural agencies or embassies based in the country. They are: the General Representation of the Government of Flanders, the French Institute in South Africa, the Goethe-Institut, the Italian Cultural Institute, The British Council, and the Embassies of Austria, Belgium, Ireland, the Netherlands, Poland, Portugal, Spain, and Sweden. The project is organised in cooperation with Ster-Kinekor Cinema Nouveau and Cineuropa and is coordinated by Creative WorkZone.

 

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Les Misérables Filmmakers in South Africa for European Film Festival

Media Events

Les Misérables Filmmakers in South Africa for European Film Festival

Cannes Jury Prize-winning French film, Les Misérables by celebrated director Ladj Ly, will open the 6th European Film Festival in Johannesburg, South Africa on 29 November. The festival, which is hosted at Sterkinekor Cinema Nouveau Theatres in Johannesburg, Pretoria and Cape Town until December 8, features 12 award-winning films from Europe.

Three visiting filmmakers from Les Misérables, will be in the country, courtesy of VideoVision, to introduce their film and participate in filmmaker workshops in Johannesburg and Cape Town during the festival.

Producer Toufik Ayadi and actors Didier Zonga and Almamy Kanoute are in the country to promote their film, which was recently selected as France's entry to the Academy Awards in 2020. Ayadi, Zonga, and Kanoute will also be in attendance at its first screenings in Pretoria and Cape Town while the workshops provide an additional opportunity for in-depth discussion and exchange. Targeting young filmmakers, in particular, the workshop sessions will interrogate the making of the film and engage local filmmakers about filmmaking processes in general.

Both workshops are free but producers, actors and interested parties are advised to pre-register to book their participation. The workshop in Johannesburg takes place at the Rosebank Sterkinekor Cinema Nouveau on 30 November from 10 am to 1pm. Bookings can be made via Vuyiswa Tshangela at 011 7179237 or vuyiswa.tshangela@wits.ac.za. The Cape Town workshop takes place at the Cape Investor Centre on 2 December at 1pm to 3pm. Bookings for the Cape Town workshop can be made via 0785004488 or info@creativeworkzone.co.za.

The European Film Festival runs from 29 November to 8 December at Cinema Nouveau theatres in Johannesburg, Pretoria, and Cape Town - for more about the festival films, including trailers, visit www.eurofilmfest.co.za

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CLiP'S STOMP (Stamp Out Marine Plastics) Awards – Public Voting Has Started

Media Release

CLiP'S STOMP (Stamp Out Marine Plastics) Awards – Public Voting Has Started

Public voting has started for the inaugural Commonwealth Litter Programme's STOMP (Stamp Out Marine Plastic Pollution) Awards, which was initiated to discover and encourage innovations to reduce and eliminate marine plastic pollution.

Duncan Pritchard, Project Manager of Green Corridors, the Durban-based non-profit organisation tasked with managing the awards programme, reports that over 60 submissions have been made.

"We are pleased with the number of entries we have received in this first year of the awards," he says. "The entries have varied in terms of category, and in terms of the kinds of individuals and organisations making submissions. For us, that is a positive start, as we want to use the awards to inspire South Africans to finds solutions to the plastic crisis."

Entries have been made in five categories: technology or technical design, consumer products, youth and adult inspire through creativity and action and special recognition category for organizations and individuals doing great things to find solutions. "As expected we have had entries from Johannesburg, Cape Town, and Durban, but we have also seen a significant number of entries from the Eastern Cape, and inland areas."

"What is particularly interesting is the number of entries by young people, who are doing significant work in trying to find solutions to the plastic crisis. We have also seen some interesting tech innovations, giving us enormous hope that people are thinking of the future, and this certainly speaks to the overall vision of the awards."

Public voting is open until Friday 15 November, thereafter, a panel of judges will start their judging, with finalists announced on Friday 22 November.

Representatives of the final entries in the Technology or Technical Design and the Product Development categories will be hosted, and their innovations showcased at the CLIP Innovation Conference: STEM the tide of plastic waste in Africa in Cape Town on 4 and 5 December 2019. Other entries will also be showcased at this conference, which is co-hosted with the Sustainable Seas Trust.

CLIP is led by the United Kingdom through the Centre for Environment Fisheries and Aquaculture Science (Cefas), funded by the UK's Department of Environment, Food and Rural Affairs (Defra).

All voting takes place online. To view the entries go to https://www.stompawards.co.za/index.php/vote

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Caption to photo 1603 by Val Adamson:

Marine Environmentalist Aphiwe Notshaya (left) reveals to young eco-warriors, Shridhar Ramlagan, Matthew Jolley, Zoe Paige van Niekerk and Nhlamulo Khosa, how plastic nurdles, small plastic pellets, end up in the ocean and on the beaches affecting our marine life and the environment. With plastic  pollution in the oceans creating major environmental and health challenges, the STOMP Awards aims to encourage people to come up with creative  and innovative solutions to stem the flow of litter into the sea. Entries to the awards are open online at www.stompawards.co.za and close on 8 November. Winners will be announced at the CLIP Innovation Conference: STEM the tide of plastic waste in Africa in Cape Town on 4 and 5 December 2019.

Flatfoot Dance Company Presents “Stand By Me” With The Flatfoot Downie Dance Company

FLATFOOT DANCE COMPANY presents “STAND BY ME” with the FLATFOOT DOWNIE DANCE COMPANY

 

The Flatfoot Dance Company presents its third annual integrated dance programme working with dancers with Down Syndrome titled Stand by Me at the Elizabeth Sneddon Theatre on Tuesday 12 November at 6.30pm.

 

This landmark once-off performance will feature the unique partnering of the professional Flatfoot dancers with the fondly-referred to “Flatfoot Downie Dance Company”. This unique dance programme is unprecedented in South Africa and is a celebration of the power of dance to shift lives and to negotiate difference and inclusivity.

 

Flatfoot celebrates its 16th anniversary this year and has - as one of its core values - the practice of dance (in education and in performance) as a tool towards what it calls “living democracy”. This dance programme celebrates community across the divides of race, gender and disability.

 

This programme began in August 2017 with the visit of Dutch choreographer Adriaan Luteijn of INTRODANS and his collaboration with Flatfoot. The company has continued this work over 2018 and 2019 and this performance is the culmination of this year-long programme.

 

“Stand By Me will not only move and delight audiences but will challenge the very core foundations of who we think can and should dance professionally,” says Lliane Loots Artistic Director fo Flatfoot. “This dance journey is about learning to stand next to our neighbours and acknowledging their humanity.”

 

Four Flatfoot dancers (Sifiso Khumalo, Siseko Duba, Jabu Siphika and Zinhle Nzama) partner up with their counterparts, Karl Hebbelman, Charles Phillips, Kevin Govender and Michaela Munro in a dance explosion that is an affirmation of faith, courage and the joy of dance.

 

Loots, who is the company’s award-winning choreographer, says “creating this work has been a journey into discovering community and into discovering what it means to engage a firm and loving assertion of self and identity. All nine of us in the rehearsal room have been forced to look inward and to find the spaces inside ourselves that embrace the true meaning of ubuntu, and I have been humbled every day by what these eight dancers bring to our process”. 

 

As two very special curtain-raisers for this evening, Flatfoot will also showcase work it has been doing in its unique 2019 “Junior ADD: Girls to Women” dance programme. In this programme 10 young girls between the ages of 11 and 14 years were identified from Flatfoot community dance programmes run in KwaMashu and Umlazi. “They have been working with the company every Saturday during 2019 for special technical dance skills training as we believe that these amazing girls are the next generation of Durban (and Flatfoot’s) dancers,” says Loots. “They will perform a work choreographed for them by Flatfoot’s Zinhle Nzama called Kivuli.”

 

The second work called Fire in Me! features four Flatfoot Junior Company members (Mthoko Mkhwanazi, Siseko Duba, Nondumiso Dube and Sbonga Ndlovu). This is an athletic and magical foot-stomping work created for them especially for this event by Flatfoot’s Sifiso Khumalo who continues to grow a technical style that combines his own African dance roots with contemporary technical training.

 

The season promises, as always, to be one of the highlights on Durban’s dance calendar and this once-off performance is being offered as a fundraiser to help support the Flatfoot Down Syndrome Dance programme for 2020.

 

Tickets are limited and cost R80 each. To pre-book contactflatfootdancecompany@gmail.com .

Pre-booked tickets can be collected at the Sneddon box office from 1 hr before the start of show on the 12 November.  This is cash payment only as no card facilities are available.

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Search is on for the next great 21st century science, technology and technical innovation that will help reduce and eliminate plastic waste

Search is on for the next great 21st century science, technology and technical innovation

that will help reduce and eliminate plastic waste in South Africa

 

The search is on for science, technology and technical innovations that will help reduce and eliminate plastic waste, and be the next great 21st century innovation that could change the world, as the UK-based Commonwealth Litter Programme (CLIP), introduces its STOMP (Stamp Out Marine Plastic Pollution) Awards in South Africa.

 

The awards, which are open to all South African residents, are grouped into four categories: Technology or Technical Design, Product Development, Inspire through Creativity, and Action. 

 

Finalists in the Technology or Technical Design category will present their ideas or projects at CLIP’s Innovation Conference co-hosted by the Sustainable Seas Trust, titled STEM the tide of plastic waste in Africa, in Cape Town in 4 and 5 December. The winner will also receive a trip to the UK in 2020, to attend the London CLIP Conference, along with winners from across the Commonwealth, where they will showcase their project. They will also receive further research and development mentoring and support from industry experts at South Africa’s  Council for Scientific and Industrial Research (CSIR).

 

With 90% of marine litter made up of plastics that originate from land and sea-based sources, it is one of the most widespread problems facing oceans, and key to coming up with solutions to this plastic pollution problem, are the science, technology and technical innovators. 

 

Speaking about their involvement in the awards Jerome Andrew, Senior Researcher and Project Manager at the CSIR said, “With the ever-increasing challenges around marine plastic that has a direct impact on the quality of life for the people of this country, and its marine life, we are very excited about the possibilities and potential of some ideas that may come through this initiative. It is our organisational objective to undertake directed, multidisciplinary research and technological innovation that contributes to the improved quality of life of South Africans. So we look forward to seeing the submissions and hopefully there will be one brilliant innovation that we can support in becoming a sustainable solution to the plastic problem.”

 

‘While we are encouraging people to enter into any category in the awards, we are particular interested from a long-term and sustainable point of view, in those studying, researching and working in the science, technology and technical sectors who are the thinkers and creators that are finding new ideas, inventions and innovations that cut across so many aspects of our 21st century lifestyles,” says Duncan Pritchard, from Green Corridors in Durban, the Project Manager of the Awards. “This a global problem and we are looking for those individuals or institutions in South Africa who may have the solutions the world needs. Wouldn’t that be awesome to have a South African innovation blaze the trail in stamping out marine pollution?”

 

 

All categories are important to a holistic approach to dealing with the plastic pollution problem and will be awarded and acknowledged. CLIP, however, recognizes that innovations in the technology or technical design category will be where the practical solutions will emanate. 

 

CLIP is led by the United Kingdom through the Centre for Environment Fisheries and Aquaculture Science (Cefas), funded by the UK’s Department of Environment, Food and Rural Affairs (Defra), and has partnered with Green Corridors, a Durban based non-profit organisation to roll out the awards programme in South Africa.

 

For more information about all the categories and prizes or to enter go to www.stompawards.co.za. Entries close on 8 November after which there is a public voting period for one week until 15 November.

 

European Film Festival for Cape Town, Joburg and Pretoria

Media Release

EUROPEAN FILM FESTIVAL FOR CAPE TOWN, JOHANNESBURG & PRETORIA

 

Johannesburg, Pretoria and Cape Town are in for a ten-day feast of award-winning films as the European Film Festival celebrates its 6th edition in South Africa. The festival will be held simultaneously at Cinema Nouveau theatres in the three cities from 29 November to 8 December.  The carefully curated festival is packed with Oscar-nominated and multi-award-winning films from twelve countries including Austria, Belgium, France, Germany, Ireland, Italy, Netherlands, Poland, Portugal, Spain, Sweden and the United Kingdom.  

 

The Films

Opening the festival is the French film Les Misérables, which won the Jury Prize at the Cannes Film Festival in 2019 and then picked up Best International Feature Film at the Durban International Film Festival in July. Inspired by the Paris riots of 2005, witnessed first-hand by director Ladj Ly, the film revolves around three members of an anti-crime brigade who are overrun while trying to make an arrest.  It has been selected as the French entry for the Best International Feature Film at the 92nd Academy Awards in 2020. 

Representing Austria, Styx depicts the transformation of a woman sailor when she becomes the only person to come to the aid of a group of refugees shipwrecked on the high seas. Olly Richards (Time Out) says of the film: ‘A vital, highly intelligent movie that is both a first-class thriller and a biting commentary on our current world.’

The highly awarded Girl, from Flanders Belgium, tells the story of 15-year-old Lara who dreams of becoming a ballerina. Lara however was born into the body of a boy, she is undergoing treatment in preparation for gender reassignment surgery and the film illustrates some of the tough challenges she must face, both physically and psychologically, as a dancer, and as a person in transition.

System Crasher is Germany’s choice for next year’s Oscars. This intense journey witnesses the untamed high-energy antics of nine-year old Benni as she swings from sweetness to aggressive wild-child, causing danger and despair to all around her, including the social welfare services trying to help her.

Set against a housing crisis in Dublin, the Irish film Rosie is a riveting account of a remarkable woman trying to protect her loved ones and maintain their dignity when they lose their home. It examines how even in times of crises, the love and strength of a family can endure.

Women are the heroes, villains and victims in The Vice of Hope, a social drama about poverty, African immigration, human trafficking and the surrogacy business in towns around Naples (Italy). But change is coming, at least for the protagonist, Maria, who finds a link to her past, and her future.

My Extraordinary Summer With Tess is a sensitive Dutch coming-of-age drama for all age groups.  It follows a young boy and a girl on their paths of self-discovery as they cross the threshold from childhood to adolescence, and into the realization of the importance of family.

Cold War is a passionate love story between a music director and a singer whose meeting in the ruins of post-war Poland continues across Berlin, Yugoslavia and Paris. A tale of a couple separated by politics, character flaws and unfortunate twists of fate, Pawel Pawlikowski’s sumptuous black and white masterpiece of auteur cinema won Best Director prize at Cannes before earning three Oscar nominations at the Academy Awards in 2019, with five European Film Awards before that.

The outrageously wacky Diamantino is perhaps best expressed by Cath Clark in her review in The Guardian (UK):  ‘If Cristiano Ronaldo fell asleep after gorging on year-old camembert, his dreams could not match the bizarre bonkersness of this enjoyably throwaway romantic sci-fi satire from Portugal about a megastar footballer who falls victim of a government cloning plot.’

Praised as his best work in years, Oscar-winner Pedro Almodóvar’s 21st film Pain and Glory won two awards at Cannes 2019. Starring Antonio Banderas and Penelope Cruz, this semi-autobiographical narrative tells of a series of re-encounters experienced by a film director in physical decline, and his need to recover meaning and hope. Pain and Glory is Spain’s entry for next year’s Academy Awards.

Swedish documentary Push is an important film for the activists. It follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she travels the globe, trying to understand who’s being pushed out of the city and why. Commenting on how global finance is fuelling the housing crisis and making cities unaffordable to live in she notes: ‘There’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is.’

The United Kingdom participant in this year’s festival is Official Secrets, directed by South Africa’s most celebrated director Gavin Hood, who won an Oscar with Tsotsi  in 2005. Based on true events, Official Secrets tells the gripping story of Katharine Gun (Keira Knightley), a British intelligence specialist who leaks a memo in which the United States enlists Britain’s help in collecting compromising information on United Nations Security Council members in order to blackmail them into voting in favor of an invasion of Iraq. Following its presentation during the festival the film will go on public release from 13 December.

Festival director and curator Peter Rorvik points out that “a central thread within all the films is the search for a sense of self and meaning in a world where things often fall apart around us, where systems break down, where that search becomes an imperative lifeline.”

The newly arrived European Union Ambassador to South Africa, Dr Riina Kionka, expressed her support for the festival, saying, “The European Film Festival is a showcase of recent award-winning films and provides a snapshot of issues and themes that inspire European filmmakers and audiences. As the many topical stories show, lived experiences in Europe are not that dissimilar from life in South Africa … or elsewhere, for that matter. Film is a cornerstone of our European cultural and creative industries and the rich diversity of European cinematic approaches on show will be a delight to critics and publics alike. Don’t miss out on this smorgasbord of great entertainment!”

See http://www.eurofilmfest.co.za/ for detailed synopses, trailers and links to the screening schedule and ticket bookings.

The European Film Festival 2019 is a partnership project of the European Union’s Delegation to South Africa and twelve European Member State cultural agencies or embassies based in the country. They are: the General Representation of the Government of Flanders, the French Institute in South Africa, the Goethe-Institut, the Italian Cultural Institute, the British Council, and the Embassies of Austria, Belgium, Ireland, the Netherlands, Poland, Portugal, Spain, and Sweden. The project is organised in cooperation with Ster-Kinekor Cinema Nouveau and Cineuropa and is coordinated by Creative WorkZone

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 Action in Autism to  open Skills Transfer and Business Centre

Media Release

 Action in Autism to  open Skills Transfer and Business Centre

 

Action in Autism, the non-profit and disabled people’s organisation that supports and resource to autistic people and their families, has embarked on a new exciting, pioneering project, the Action in Autism Skills Transfer and Business Centre which will officially open on November 9, 2019.

 

This Centre will develop and provide skills and employment opportunities for people with autism and associated neurological conditions. The project will officially be launched at a special function on 9 November at the Action in Autism Centre in Parkhill, Durban.

 

The landmark occasion will include invited dignitaries, the Ningizimu Special School steel band, a musical performance by young people on the spectrum, and the creation of a commemorative artwork. 

 

“It is great to have such a centre opened for autistic people,” says Aavishkar Sewpersad, who is autistic and has worked at the Action in Autism Centre as a part-time administrator for the past year. “They will be empowered to learn skills that will make them feel valuable in society. Everyone has some potential to do things, all they need is love, guidance and perseverance, and this is what they will get at this Centre.”

 

In South Africa, employment for people with disability hovers around a paltry 1%. Included in the many reasons for this persistent problem are high and often unrealistic entry requirements, insufficient support and accommodation, and unfair workplace discrimination. “Following the guidelines derived from both our Constitution and the Employment Equity Act, No 55 of 1998, Action in Autism believes that the creation of a Skills Transfer Centre for autistic people will contribute towards finding practical, customised solutions to this dire unemployment problem for people with disabilities,” says Liza Aziz, the organisation’s Chairperson. “Autistic people have great potential to enrich any workplace through their unique perspective, their neuro-diversity and problem solving skills, their dedication, dependability and hard work.  It is their right to contribute to society, creating more inclusive working environments, a diverse market economy, as well as a more inclusive and humane society.”

 

Most people with autism are confined to home once they leave school. The vast majority are unable to access employment, in addition, these scarce job placements have only been available to those who have low support needs and are diagnosed with level 1 autism. The proposed skills transference centre will kick-start and accelerate autistic people’s entry into the formal economy and will include a modified workspace, a calming or downtime space, supervised, visual work schedules, skills assessment and training from an experienced Occupational Therapist, facilitators from specialised fields to provide expertise and skills transfer, and a work-integrated learning environment for ease of movement into the market place and maximum skills development.

 

Dr Adam Mahomed, benefactor and long-time friend of the organisation, funded the modification of the Skills Development Centre with the services of Natal Construction, and the organisation continues to work hard to secure further donors to equip and sustain the Centre. If anyone would like to contribute to this new initiative, or for more information about the Centre Opening, the programme and how the organisation can support adults with autism, please contact the Centre on 031 563 3039, or email info@actioninautism.org.za

 

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Maritzburg Dance-Makers honoured with 2019 JOMBA! Eric Shabalala Dance Champion Award

Media Release

Maritzburg Dance-Makers honoured with 2019 JOMBA! Eric Shabalala Dance Champion Award

 

The 2019 JOMBA! Eric Shabalala Dance Champion Award, in honour of the memory of Eric Mshengu Shabalala who tragically passed away in 2011, was given to two Pietermaritzburg dance-makers Bonwa Mbontsi and Tegan Peacock, at the 21st JOMBA!Contemporary Dance Experience on 5 September.

 

Speaking at the award hand-over, Artistc Director of JOMBA! Lliane Loots said, “ The award is given not only in recognitions of performance or choreographic excellence, but also more profoundly and more importantly, it is given in recognition of dance practitioners who have worked tirelessly to help grow a culture of dance and dance training in KwaZulu-Natal – who have supported the growth of dance as an art form at both community and regional level.”

 

“This year the award is being given to two incredible dance champions. These amazing individuals work have spent dedicated years of there still young lives being part of an incredible re-surgence and re-growth of dance in Maritzburg, being a powerful nexus for contemporary dance in KZN. Most significantly that have not done this only in their own work, but have found a way to create a bigger sense of community and of sharing spaces and resources to grow dance – this is what this award is honouring.”

 

Bonwa is a graduate of UKZN, Pietermaritzburg, where he obtained a BA degree in Psychology and Drama & Performance Studies, with a specific focus on dance performance and choreography. He has worked with choreographers and dancers, PJ Sabbagha, Fana Tshabalala, Shanell Winlock and Craig Morris, taught at Maritzburg College for four years and co-founded ReRouted Dance Theatre.

 

Specifically to the award, he runs an outreach youth development work in Pietermaritzburg and Melmoth in association with J.A.W. (Justice and Women). In 2018 he founded the Bonwa Dance Company, which has strong outreach and dance development programme called the Super Troupers that prides itself on its integrative approach to dance education, performance opportunities and youth empowerment.

 

Tegan started her dance training in Classical Ballet and a BMus (dance) degree at the UCT’s School of Dance. In 2013 she relocated to Pietermaritzburg where she helped to co-found contemporary dance company, ReRouted Dance Theatre. Both individually and with her collaborators, they have choreographed and performed on numerous arts platforms around the country, , and won a 2016 Standard Bank Ovation Award at the Grahamstown National Arts Festival for BIRD/FISH.

 

Tegan conceptualised and held the first ReRouting Arts Festival in Pietermaritzburg this year. The festival is a site-specific multi-disciplinary arts festival that uses alternate public spaces around the city. The festival aims to create unique audience experiences, build bridges and create dialogue between different socio-economic and cultural demographics while promoting a culture of art and dance within the city. “It is this phenomenal and courageous act of opening this PMB festival space for dance and dancers is what we honour,” said Loots.

 

In accepting the award Bonwa Mbontsi said, “It's a blessing and an honour to receive this prestigious award, I'm so proud to be standing on the shoulders of giants like brother Eric Tshabalala. In the (outreach) work (I do) I have found how powerful dance can be in creating personal change in these in these young individuals’ lives. Through time and through the ages, great thinkers have urged us to dance creatively through life…I appeal to everyone in this challenging time of change to dance together (to find solutions to these challenges and provide an antidote for some our social ills).”

 

Tegan said, “I would like to thank Jomba, the Centre for Creative Arts, Lliane (Loots) and the organising committee for the honour and recognition you bestow upon us this evening. Your unwavering support of dance and local artists is unprecedented and truly valued in KwaZulu-Natal.  I am in awe of the work that you do and grateful for the privilege of learning and growing under your watchful gaze. I believe that the evolution and sustainability of dance will come from the creation and growth of community more than that of individuals working in isolation. As such, Jomba and similar spaces, along with the varied dance work that is taking place, are critically important in developing a culture of art within the city and its people.”

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Notes from Lliane Loots Speech:

In selecting recipients, the Jomba! committee look for those gifted individuals who have gone above and beyond – often without funding – to dedicate themselves to the cultural industry and to put KZN dancers and dance on the national and international map. We are also mindful of KZN dance practitioners who have supported the Centre for Creative Arts and the JOMBA! platforms by taking advantage of the free workshops and for tirelessly bringing work to the Youth Fringe and the JOMBA! Fringe platforms. This too is an indication to us of a desire to grow dance.

 

Past recipients of this prestigious award include Jarryd Watson for his work with the Wentworth Dance Movement, Sifiso Khumalo for his dedicated work in growing the Flatfoot Dance Company’s dance education and development programmes. In 2013, the award was given jointly to Byron ‘Bizzo’ Tifflin and Preston ‘Kayzo’ Kyd - two dancers who still continue to grow a community of dancers. In 2014 the award was jointly given to Jabu Siphika, Julia Wilson and Zinhle Nzama. They are especially honoured for the dance development work they are doing though FLATFOOT DANCE COMPANY with young girls and women in KZN and with using dance to address a society fraught with difficult gender politics that often makes the lives of young women so challenging. In 2015 the award was given to the inimitable Ntombi Gasa of Siwela Sonke Dance Theatre for a lifetime of growing dance in this province through her teaching, choreography and dance administrations. 2016, 17 and 18 saw three of KZN most amazing dance practitioners honoured; Musa Hlatshwayo, S’fiso Magesh Ngcobo and Mduduzi Mtshali.

Cape Town’s Yaseen Manuel wins Pick of the Fringe Award at JOMBA! Contemporary Dance Experience In Durban

Cape Town’s Yaseen Manuel wins Pick of the Fringe Award at JOMBA! Contemporary Dance Experience In Durban

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Cape Town dance-maker Yaseen Manuel received the Pick of the Fringe award for his work “Maktub” at this year's JOMBA! Contemporary Dance Experience Fringe event at the Elizabeth Sneddon Theatre on Thursday, 4 September.

The prestigious award, providing him with support and a platform to present a new work at next year’s JOMBA!, was awarded by a committee comprising 2018 Standard Bank Young Artist for Dance and well-known South African dance-maker Musa Hlatshwayo, veteran dance writer and critic Adrienne Sichel and Prof Ketu Katrak (Department of Drama, University of California [Irvine] USA).

 

The work “Maktub” (meaning “our destiny” in Arabic ) was inspired by a line from an Islamic reading that one of the very first messages  was revealed through the “necklace of Yemen”.  “I took this idea and directed and choreographed it into a journey of man having no purpose on earth and trying to find what faith could bring us ,” explains Manuel. “Once the message through the necklace is revealed it helps find a pathway, a purpose for religion and understanding God’s intention for man.”

Manuel who only started dancing at 18 years, is a dancer and choreographer who aspires to tell his stories through movement drawing on this own spiritual and personal life’s journey. He currently works independently, but has worked extensively with the Cape Town-based Jazzart Dance Theatre and Unmute Dance Theatre, performing a variety of dance styles.

 

 “I am really grateful and honoured to have received the award, especially as it opens up the opportunity for me to dig further into my exploration of the work. It has also made me realize that if you do things with love and intention as you tell your story, you are able to find who you are as an artist – and great things can come from this,” he says.

 

Next up Manuel will perform at the Baxter Dance Festival opening on 26 September with a collaborative production "Unraveled” and will also perform “Maktub” at the fest with Sifiso Khumalo of the Flatfoot Dance Company on 1 and 2 October.

 

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Last weekend of JOMBA!  Durban, SA

Last weekend of JOMBA! 

Elizabeth Sneddon Theatre

 

Durban’s much-loved Flatfoot Dance Company with celebrated dance-maker Fana Tshabalala, and legendary Vincent Mantsoe and Lulu Mlangeni feature this weekend (6-8 September) at the close out to the 21st JOMBA! Contemporary Dance Experience Festival at the Elizabeth Sneddon Theatre at UKZN.

Fana Tshabalala, is the featured UKZN Mellon Foundation Artist-in-residence who has collaborated with the Flatfoot Dance Company in “amaVendors”, as they explore the journey of women and men who wake up every day to sell in the streets to provide for themselves and the loved ones.

Tshabalala will present his solo “Man”  inspired by the ideal kind of “Man” within society and how the roles and responsibilities have changed throughout  the years -  a new type of “Man” is emerging - gentle, sensitive, caring - a “Man” not afraid of express his feelings. “In light of the current situation and conversation in the country focused on the complicit and explicit role men play in the scourge raged against women and girls, this should make for an interesting piece  to watch and for discussion afterwards,” says Artistic Director, Lliane Loots.

Considered to be one of the founding fathers of South African contemporary dance Vincent Mantsoe, returns with the world premiere of his new work “SoliiDad, an abstract journey to oblivion”. This is a deeply personal journey into the very nature of being. Taking its impulse from Lao Tzu’s comment that, “a good traveller has no fixed plan, and is not intent on arriving”, Mantsoe’s exquisite solo is a journey into, and survival of, loneliness.

Mantsoe is set in a double bill with Johannesburg based Lulu Mlangeni –a young up and coming dance maker that is taking the country by storm. She will present her duet called “The Encounter” and it is a brave and unflinching contemporary journey into African spirituality and belonging. “The Encounter” is a dance duet that explores the timelessness of human spiritual ambivalence. 

Flatfoot and Fana Tshabalala perform on Friday, 6 September at 7.30pm and Mantsoe and Mlangeni on Saturday, 7 September at 7.30pm and Sunday, 8 September at 2.30pm at the Elizabeth Sneddon Theatre, UKZN.

A free workshop will be conducted by Mantsoe, (who spends his time between France and South Arica teaching, choreographing and doing masterclasses) on Friday 6 September at 4.30pm at the UKZN Dance Studio. Booking is essential via jombafestival@gmail.com 

The JOMBA! Contemporary Dance Experience is presented by the University of KwaZulu-Natal’s Centre for Creative Arts with support from the eThekwini Municipality.

Tickets: R80 (Student/scholar/pensioner/group booking of more than x10): R60

Tickets available on Computicket.

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Creston College wins Southern Regional of SPAR KZN Schoolgirls’ Fast 5s Netball

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SPAR KZN Schoolgirls’ Fast 5s Netball

Southcity Christian College: Saturday 24 August

 

Creston College claimed the first Southern Regional title in the SPAR KZN Schoolgirls’ Fast 5s Netball that took place at Southcity Christian College on Saturday 24 August.

 

Creston stormed into the final where they met Suid Natal for the second time, having both played in the opening game of the tournament, the score went 6 to 4 in favour of the local team. The two teams then closed the tournament after two feisty semi-finals, where they took each other on in two 8 minute action packed halves.

 

Goal Shooter for the winning team, Joanelle Herman had fantastic stats in the crowning game with a higher success rate than her counter part on the opposite side, netting 6 of her team’s 7 goals. Majority of Suid Natal’s attempts agonisingly skirted along or bounced off the rim with only 3 finding the centre.

 

At half time, Creston completely dominated the scoreline with the scoreboard showing 5 – 1 to Creston. For the first 4 minutes and 19 seconds of the second half, the hard working scorer on the sidelines didn’t have any work to do as the game flowed between the two goals with no one able to float the ball into the net.

 

Creston broke the goal drought with two quick fire goals, taking the scoreline up to 7 - 1. As the clock wound down, Suidies finally managed to penetrate the strong defence and net two goals with the final whistle blowing at 7 - 3 to Creston.

 

Leading up to the finals, explosive and impressive Ixopo met their match in the first semi final where they took on Creston. In their first run on the court, Ixopo managed a fantastic win against Creston earlier in the day, with the score favouring the travelling team 6 – 5. In the semi, the towering frame of Raine van Tichelen in the Goal Keeper’s spot would have none of the sneaky low passes and bulls-eye perfect goal attempts as she swiftly moved in the circle blocking most of Ixopo’s attempts. Creston’s Herman again did her job, netting 4 of the 6 goals scored for her team. The pocket rockets from Ixopo were only able to sneak 1 shot in with the goal line ending on 6 – 1 in favour of Creston.

 

In the second semi-final, Suid Natal came up against host school, Southcity. From the first whistle the game ping-ponged between the two posts, with both teams moving the ball rapidly up to their attacking players, and then quickly finding themselves in defense mode. At half time there was nothing in it with Suid Natal slightly ahead on 8 – 6.

 

After their half time pep talk, the visiting team put their head down and determinedly defended like queens, not allowing the hosts to have any constructive time in the circle. Suid Natal earned themselves another 3 points, while Southcity were unable to shoot any points. The final score was 11 – 6 for Suid Natal, giving them a ticket through to the final.

 

Umpire for the day was awarded to Bronwin Day-Garden from Southcity.

 

This is the second of four regionals in the inaugural SPAR KZN Schoolgirl’s Fast 5s challenge. Creston College join Hillcrest High School as the first school to have their name engraved on the brand new glistening regional trophy.

 

This coming weekend, (Saturday 31 August) the tournament heads up to the north coast where teams from around the Empangeni and Richard’s Bay area take part in the Northern Regional at Empangeni High School.

 

For more info like the tournament’s Facebook page or follow on Instagram.

 

Results

1 Creston College, 2 Suid Natal High School, 3 Southcity Christian College, 4 Ixopo High School, 5 Marburg High School


ENDS